قراءة كتاب The International Magazine, Volume 2, No. 2, January, 1851

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The International Magazine, Volume 2, No. 2, January, 1851

The International Magazine, Volume 2, No. 2, January, 1851

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دار النشر: Project Gutenberg
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account of a visit to the residences and to the grave of Burke, which we reproduce in the following pages, with its interesting illustrations.

THE GRAVE OF EDMUND BURKE.

It has been said that we are inclined to over-value great men when their graves have been long green, or their monuments gray above them, but we believe it is only then we estimate them as they deserve. Prejudice and falsehood have no enduring vitality, and posterity is generally anxious to render justice to the mighty dead; we dwell upon their actions,—we quote their sentiments and opinions,—we class them amongst our household gods—and keep their memories green within the sanctuary of our homes; we read to our children and friends the written treasures bequeathed to us by the genius and independence of the great statesmen and orators—the men of literature and science—who "have been." We adorn our minds with the poetry of the past, and value it, as well we may, as far superior to that of the present: we sometimes, by the aid of imagination—one of the highest of God's gifts—bring great men before us: we hear the deep-toned voices and see the flashing eyes of some, who, it may be, taught kings their duty, or quelled the tumults of a factious people: we listen to the lay of the minstrel, or the orator's addresses to the assembly, and our pulses throb and our eyes moisten as the eloquence flows—first, as a gentle river, until gaining strength in its progress, it sweeps onwards like a torrent, overcoming all that sought to impede its progress. What a happy power this is!—what a glorious triumph over time!—recalling or creating at will!—peopling our small chamber with the demigods of history; viewing them enshrined in their perfections, untainted by the world; hearing their exalted sentiments; knowing them as we know a noble statue or a beautiful picture, without the taint of age or feebleness, or the mildew of decay.

If these sweet wakening dreams were more frequent, we should be happier; yes, and better than we are; we should be shamed out of much baseness—for nothing so purifies and exalts the soul as the actual or imaginary companionship of the pure and exalted; no man who purposed to create a noble picture would choose an imperfect model; no one who seeks virtue and cherishes honor and honorable things, will endure the degradation of ignoble persons or ignoble thoughts; no one ever achieved a great purpose who did not plant his standard on high ground.

A little before the commencement of the present century, England was rich in orators, and poets, and men of letters; the times were favorable to such—events called them forth—and there was still a lingering chivalric feeling in our island which the utilitarian principles or tastes of the present period would now treat with neglect, if not contempt.

The progress of the French Revolution agitated Europe; and men wondered if the young Corsican would ever dare to wield the sceptre wrenched from the grasp of a murdered king; people were continually on the watch for fresh events; great stakes were played for all over Europe, and those who desired change were full of hope. It was an age to create great men.

Let us then indulge in visions of those, who, in more recent times than we have yet touched upon,—save in one or two Pilgrimages,—illumed the later days of the last century; and, brightest and purest of the galaxy was the orator, Edmund Burke. Ireland, which gave him birth, may well be proud of the high-souled and high-gifted man, who united in himself all the great qualities which command attention in the senate and the world, and all the domestic virtues that sanctify home; grasping a knowledge of all things, and yet having that sweet sympathy with the small things of life, which at once bestows and secures happiness, and, in the end, popularity.

Edmund Burke was born on Arran Quay, Dublin, January the 1st, 1730; his father was an attorney: the name, we believe, was originally spelt Bourke.

The great grandfather of Edmund inherited some property in that county which has produced so many men of talent—the county of Cork; the family resided in the neighborhood of Castletown Roche, four or five miles from Doneraile, five or six miles from Mallow—now a railroad station—and nearly the same distance from the ruins of Kilcolman Castle, whose every mouldering stone is hallowed by the memory of the poet Spenser and his dear friend, "the Shepherd of the Ocean," Sir Walter Raleigh. There can be little doubt that Edmund—a portion of whose young life was passed in this beautiful locality—imbibed much thought, as well as much poetry, from the sacred memories which here accompanied him during his wanderings.

Nothing so thoroughly awakens the sympathy of the young as the imaginary presence of the good and great amid the scenes where their most glorious works were accomplished; the associations connected with Kilcolman are so mingled, that their contemplation produces a variety of emotions—admiration for the poem which was created within its walls—contemplation of the "glorious two" who there spent so much time together in harmony and sweet companionship, despite the storms which ravaged the country; then the awful catastrophe, the burning of the castle, and the loss of Spenser's child in the flames, still talked of in the neighborhood, were certain to make a deep impression on the imagination of a boy whose delicate health prevented his rushing into the amusements and society of children of his own age. There are plenty of crones in every village, and one at least in every gentleman's house to watch "the master's children" and pour legendary lore into their willing ears, accompanied by snatches of song and fairy tale. All these were certain to seize upon such an imagination as that of Burke, and lay the foundation of much of that high-souled mental poetry—one of his great characteristics; indeed, the circumstances of his youth were highly favorable to his peculiar temperament—his delicate constitution rendered him naturally susceptible of the beautiful; and the locality of the Blackwater, and the time-honored ruins of Kilcolman, with its history and traditions, nursed, as they were, by the holy quiet of a country life, had ample time to sink into his soul and germinate the fruitage which, in after years, attained such rich perfection.

An old schoolmaster, of the name of O'Halloran, was his first teacher; he "played at learning" at the school, long since in ruins; and the Dominie used to boast that "no matter how great Master Edmund (God bless him) was, he was the first who ever put a Latin grammar into his hands."

Edmund was one of a numerous family; his mother, who had been a Miss Nagle,[1] having had fourteen or fifteen children, all of whom died young, except four,—one sister and three brothers: the sister, Mrs. French, was brought up in the faith of her mother, who was a rigid Roman Catholic, while the sons were trained in the father's belief. This, happily, created no unkindness between them, for not only were they an affectionate and a united family, but perfectly charitable in their opinions, each of the other's creed. As the future statesman grew older, it was considered wise to remove him to Dublin for better instruction, and he was placed at a school in Smithfield kept by a Mr. James Fitzgerald; but, fortunately for his strength of body and mind, the reputation of an academy in the lovely valley of Ballitore, founded in the midst of a colony of Quakers, by a member of that most benevolent and intelligent society—the well-known Abraham

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