contemplated her delicately fervent face, her tapering, graceful body, wrapped like something very precious in pale gold, his eyes glittered with tears.

"Dear Cornie——"

And once more she began the familiar rigmarole. Her lips shaped the immemorial complaint, "Why isn't our friendship enough—why must we always be clouding our old congeniality——" And so on. These inexorable words, combined with her look of pity and reproach—a look that seemed almost amorous on her fair face—gave him an impression of immense perfidiousness.

He turned bitter. He asked her where the ideal suitor could be loitering—the strange knight for whom she used to watch as a little girl, the fairytale prince from another kingdom, who was to sweep her off her feet by the force of his perfections, and carry her away.

As he spoke, there stole through the doorway the first notes of Vienna Carnival. In the music room old Brantome had been persuaded to play Schumann.

"I know, at least," said Cornelius, "that you haven't found him yet!"

In his voice there was a gloating that made her again turn toward him that unique face of hers, whose brownish pallor, in harmony with her large eyes and fluffy hair, appeared to reflect amid the shadows the radiance disseminated from her dress. In his unhappy eyes she now perceived something that had not been there before—a desperation, as though his heart had suffered too long from a sense of inferiority to the unknown and unrevealed antagonist, who was to win this treasure. For an instant, in fact, there was something weakly ferocious, not quite sane, in this visage that had been familiar to her since childhood. Then his habitual, well-bred, wooden look, as a door might shut on a glimpse of an inferno.

He muttered, in his throaty, queerly didactic voice:

"Well, one must be philosophical in this life. You'll teach me that, won't you?" He got up, patting the pocket of his waistcoat, where he kept the little vial of oil of peppermint, which he always touched to his tongue when he threw aside his cigarette on his way to a dancing partner. "Are they at it?" he asked, cocking his ear toward the music of Schumann. "Or is it only that old chap hammering the piano?"

"Don't ask me to dance to-night," she returned, closing her eyes.

"I wasn't." With the parody of a merry smile, he explained, "You know I can't dance with you any more. You know you make my legs tremble like the devil."

With an exclamation intended for a laugh, looking unusually bored and vacuous, he went out of the room like a man in an earthquake sedately strolling away between reeling and crumbling walls.

CHAPTER VII

Lilla was approaching the music room doorway—round which some men were standing with the respectful looks of persons at the funeral of a stranger—when a laughing young woman intercepted her.

"Do come over here. Madame Zanidov is telling our fortunes."

Anna Petrovna Zanidov, one of the Russian aristocrats that the revolution had scattered through the world, was a thin, black-haired woman with a faintly Tartar cast of countenance, a dead-white complexion that made her seem denser than ordinary flesh, and somewhat the look of an idol before whose blank yet sophisticated eyes had been performed many extraordinary rites. Tonight her strangeness was made doubly emphatic by a gown of oxidized silver tissue painted over in dull colors with a barbaric design.

She was said to be a clairvoyant. Rumor had it that she had foreseen her husband's murder by Lenin's Mongolians, and that, since her arrival in America, she had predicted accurately some sensational events, including a nearly fatal accident in the polo field.

Now, turning her sharp, dead-white profile to right and left, encountering everywhere a frivolous eagerness, Madame Zanidov protested:

"Really, I ask you if this is the proper atmosphere!"

She explained that she regarded very seriously "this gift" of hers, which had astonished people even in her childhood. She agreed that it was inexplicable, unless by the theory that the future, if it did not already exist, was at least somehow prefigured. Yet she believed that this prearrangement of events was not so rigid as to exclude a certain amount of free will. In other words, one who had been forewarned of a special result, if a special course were pursued, might escape the result by pursuing another course. "For as you know," she added, looking round her at the women who were losing their smiles, "the impression that I receive is often far from amusing. How can one tell beforehand? So I consent to do this only because, if what I see is unpleasant, my warning may possibly help one to evade it."

A lady objected that prophecy frequently had just the opposite effect. She referred to the attractive power of anticipation. Then she cited instances where persons had made every effort to realize even the most unfortunate predictions, as if hypnotized by their dread into a feeling that the tragic outcome was inevitable. Of course, on the other hand, she admitted, a happy prediction might have a tonic effect, heartening one to pluck victory from apparent failure. Or else, just by setting in action the magnetic power of expectancy, it might even draw mysteriously into one's life a wealth or a fame that had seemed unattainable, a love that had appeared to be impossible.

When she had voiced this last opinion, the other ladies' faces were softened by a gentle acquiescence. Their necklaces flashed with the rising of their bosoms; their heads leaned forward in thought; and the mingled odors of their perfumes were like exhalations from the innermost recesses of their hearts.

By this time, apparently, the proper atmosphere had been established. Madame Zanidov consented to display her powers.

All the women drew their chairs closer.

She took the hand of a young girl whose features were alive with an invincible gay selfishness. Madame Zanidov hardly glanced at the other's palm. Closing her almond-shaped eyes, contracting her brows, she let an unnatural fixed smile settle upon her lips. And now, indeed, it seemed to them that some of the mystery of Asia had informed her rigid person, or was escaping, together with a thick, sweet scent, from the folds of her metallic and barbarically painted gown.

"Do not be afraid," she said, without opening her eyes.

Even the girl whose hand she held had ceased to smile.

There was a long silence, pervaded by the faint harmonies of Vienna Carnival.

"For you have nothing to fear," the Russian quietly announced at last. "All that you must pass through—how much confusion and twitter I am conscious of!—will hardly touch you. Few heartaches, few tears. Some day you will find yourself in a tawny land of harsh outlines: it is probably southern Spain. There you will meet a man as lithe as a panther, his shoulders covered with gold, driving his sword through the neck of a bull. You are speaking to him at night. He kisses your hands. But that, too, will soon end in laughter. You will marry three times, but never be a widow."

She opened her eyes, to gaze thoughtfully at Lilla.

They asked Madame Zanidov if she really saw those things. She replied that her perceptions were at times exactly like pictures. For example, she had seen the matador's lunge, as a splendid plasticity of violet silk and tinsel, and then the bright blood gushing from the neck of the bull.

In subdued voices they began to discuss "the possession of human beings by occult forces." One spoke of astounding passages set down through automatic writing. Another mentioned psychometry. "But psychometrists got impressions only from the past!" Whereupon they stared at the Russian. Their eyes, which had been lightly touched with a black pencil, were no longer sophisticated. Their rouged lips were relaxed by that superstitious awe which, even in cultivated societies, is ever waiting to invade the