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قراءة كتاب The Story of My Heart: An Autobiography

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‏اللغة: English
The Story of My Heart: An Autobiography

The Story of My Heart: An Autobiography

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دار النشر: Project Gutenberg
الصفحة رقم: 10

lived in me always. A bitterer time still came when it was necessary to be separated from those I loved. There is little indeed in the more immediate suburbs of London to gratify the sense of the beautiful. Yet there was a cedar by which I used to walk up and down, and think the same thoughts as under the great oak in the solitude of the sunlit meadows. In the course of slow time happier circumstances brought us together again, and, though near London, at a spot where there was easy access to meadows and woods. Hills that purify those who walk on them there were not. Still I thought my old thoughts.

I was much in London, and, engagements completed, I wandered about in the same way as in the woods of former days. From the stone bridges I looked down on the river; the gritty dust, the straws that lie on the bridges, flew up and whirled round with every gust from the flowing tide; gritty dust that settles in the nostrils and on the lips, the very residuum of all that is repulsive in the greatest city of the world. The noise of the traffic and the constant pressure from the crowds passing, their incessant and disjointed talk, could not distract me. One moment at least I had, a moment when I thought of the push of the great sea forcing the water to flow under the feet of these crowds, the distant sea strong and splendid; when I saw the sunlight gleam on the tidal wavelets; when I felt the wind, and was conscious of the earth, the sea, the sun, the air, the immense forces working on, while the city hummed by the river. Nature was deepened by the crowds and foot-worn stones. If the tide had ebbed, and the masts of the vessels were tilted as the hulls rested on the shelving mud, still even the blackened mud did not prevent me seeing the water as water flowing to the sea. The sea had drawn down, and the wavelets washing the strand here as they hastened were running the faster to it. Eastwards from London Bridge the river raced to the ocean.

The bright morning sun of summer heated the eastern parapet of London Bridge; I stayed in the recess to acknowledge it. The smooth water was a broad sheen of light, the built-up river flowed calm and silent by a thousand doors, rippling only where the stream chafed against a chain. Red pennants drooped, gilded vanes gleamed on polished masts, black-pitched hulls glistened like a black rook's feathers in sunlight; the clear air cut out the forward angles of the warehouses, the shadowed wharves were quiet in shadows that carried light; far down the ships that were hauling out moved in repose, and with the stream floated away into the summer mist. There was a faint blue colour in the air hovering between the built-up banks, against the lit walls, in the hollows of the houses. The swallows wheeled and climbed, twittered and glided downwards. Burning on, the great sun stood in the sky, heating the parapet, glowing steadfastly upon me as when I rested in the narrow valley grooved out in prehistoric times. Burning on steadfast, and ever present as my thought. Lighting the broad river, the broad walls; lighting the least speck of dust; lighting the great heaven; gleaming on my finger-nail. The fixed point of day—the sun. I was intensely conscious of it; I felt it; I felt the presence of the immense powers of the universe; I felt out into the depths of the ether. So intensely conscious of the sun, the sky, the limitless space, I felt too in the midst of eternity then, in the midst of the supernatural, among the immortal, and the greatness of the material realised the spirit. By these I saw my soul; by these I knew the supernatural to be more intensely real than the sun. I touched the supernatural, the immortal, there that moment.

When, weary of walking on the pavements, I went to rest in the National Gallery, I sat and rested before one or other of the human pictures. I am not a picture lover: they are flat surfaces, but those that I call human are nevertheless beautiful. The knee in Daphnis and Chloe and the breast are like living things; they draw the heart towards them, the heart must love them. I lived in looking; without beauty there is no life for me, the divine beauty of flesh is life itself to me. The shoulder in the Surprise, the rounded rise of the bust, the exquisite tints of the ripe skin, momentarily gratified the sea-thirst in me. For I thirst with all the thirst of the salt sea, and the sun-heated sands dry for the tide, with all the sea I thirst for beauty. And I know full well that one lifetime, however long, cannot fill my heart. My throat and tongue and whole body have often been parched and feverish dry with this measureless thirst, and again moist to the fingers' ends like a sappy bough. It burns in me as the sun burns in the sky.

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