then—would weigh upon his spirits. In Cranston, where the young people "grew up together," and where he met a dozen friends on the street in a half-hour's walk, he often said that he "liked to be alone with himself." London, after his first excitement in merely being there, taught him his mistake, chilled him with weeks of forbidding weather, puzzled and troubled him.

He was on his way to Paris when (as he recorded in his journal) a light came into his life. This illumination first shone for him by means of one Cooley, son and inheritor of all that had belonged to the late great Cooley, of Cooley Mills, Connecticut. Young Cooley, a person of cheery manners and bright waistcoats, was one of Mellin's few sea-acquaintances; they had played shuffleboard together on the steamer during odd half-hours when Mr. Cooley found it possible to absent himself from poker in the smoking-room; and they encountered each other again on the channel boat crossing to Calais.

"Hey!" was Mr. Cooley's lively greeting. "I'm meetin' lots of people I know to-day. You runnin' over to Paris, too? Come up to the boat-deck and meet the Countess de Vaurigard."

"Who?" said Mellin, red with pleasure, yet fearing that he did not hear aright.

"The Countess de Vaurigard. Queen! met her in London. Sneyd introduced me to her. You remember Sneyd on the steamer? Baldish Englishman—red nose—doesn't talk much—younger brother of Lord Rugden, so he says. Played poker some. Well, yes!"

"I saw him. I didn't meet him."

"You didn't miss a whole lot. Fact is, before we landed I almost had him sized up for queer, but when he introduced me to the Countess I saw my mistake. He must be the real thing. She certainly is! You come along up and see."

So Mellin followed, to make his bow before a thin, dark, charmingly pretty young woman, who smiled up at him from her deck-chair through an enhancing mystery of veils; and presently he found himself sitting beside her. He could not help trembling slightly at first, but he would have giving a great deal if, by some miraculous vision, Mary Kramer and other friends of his in Cranston could have seen him engaged in what he thought of as "conversational badinage" with the Comtesse de Vaurigard.

Both the lady and her name thrilled him. He thought he remembered the latter in Froissart: it conjured up "baronial halls" and "donjon keeps," rang resonantly in his mind like "Let the portcullis fall!" At home he had been wont to speak of the "oldest families in Cranston," complaining of the invasions of "new people" into the social territory of the McCords and Mellins and Kramers—a pleasant conception which the presence of a De Vaurigard revealed to him as a petty and shameful fiction; and yet his humility, like his little fit of trembling, was of short duration, for gay geniality of Madame de Vaurigard put him amazingly at ease.

At Calais young Cooley (with a matter-of-course air, and not seeming to feel the need of asking permission) accompanied her to a compartment, and Mellin walked with them to the steps of the coach, where he paused, murmuring some words of farewell.

Madame de Vaurigard turned to him with a prettily assumed dismay.

"What! You stay at Calais?" she cried, pausing with one foot on the step to ascend. "Oh! I am sorry for you. Calais is ter-rible!"

"No. I am going on to Paris."

"So? You have frien's in another coach which you wish to be wiz?"

"No, no, indeed," he stammered hastily.

"Well, my frien'," she laughed gayly, "w'y don' you come wiz us?"

Blushing, he followed Cooley into the coach, to spend five happy hours, utterly oblivious of the bright French landscape whirling by outside the window.

There ensued a month of conscientious sightseeing in Paris, and that unfriendly city afforded him only one glimpse of the Countess. She whizzed by him in a big touring-car one afternoon as he stood on an "isle of safety" at the foot of the Champs Elysees. Cooley was driving the car. The raffish, elderly Englishman (whose name, Mellin knew, was Sneyd) sat with him, and beside Madame de Vaurigard in the tonneau lolled a gross-looking man—unmistakably an American—with a jovial, red, smooth-shaven face and several chins. Brief as the glimpse was, Mellin had time to receive a distinctly disagreeable impression of this person, and to wonder how Heaven could vouchsafe the society of Madame de Vaurigard to so coarse a creature.

All the party were dressed as for the road, gray with dust, and to all appearances in a merry mood. Mellin's heart gave a leap when he saw that the Countess recognized him. Her eyes, shining under a white veil, met his for just the instant before she was quite by, and when the machine had passed a little handkerchief waved for a moment from the side of the tonneau where she sat.

With that he drew the full breath of Romance.

He had always liked to believe that "grandes dames" leaned back in the luxurious upholstery of their victorias, landaulettes, daumonts or automobiles with an air of inexpressible though languid hauteur. The Newport letter in the Cranston Telegraph often referred to it. But the gayety of that greeting from the Countess' little handkerchief was infinitely refreshing, and Mellin decided that animation was more becoming than hauteur—even to a "grande dame."

That night he wrote (almost without effort) the verses published in the Cranston Telegraph two weeks later. They began:

The hand to which he referred was the same which had arrested his gondola and his heart simultaneously, five days ago, in Venice. He was on his way to the station when Madame de Vaurigard's gondola shot out into the Grand Canal from a narrow channel, and at her signal both boats paused.

"Ah! but you fly away!" she cried, lifting her eyebrows mournfully, as she saw the steamer-trunk in his gondola. "You are goin' return to America?"

"No. I'm just leaving for Rome."

"Well, in three day' I am goin' to Rome!" She clapped her hands lightly and laughed. "You know this is three time' we meet jus' by chance, though that second time it was so quick—pff! like that—we didn't talk much togezzer! Monsieur Mellin," she laughed again, "I think we mus' be frien's. Three time'—an' we are both goin' to Rome! Monsieur Mellin, you believe in Fate?"

With a beating heart he did.

Thence came the invitation to meet her at the Magnifique for tea, and the card she scribbled for him with a silver pencil. She gave it with the prettiest gesture, leaning from her gondola to his as they parted. She turned again, as the water between them widened, and with her "Au revoir" offered him a faintly wistful smile to remember.

All the way to Rome the noises of the train beat out the measure of his Parisian verses:

He came out of his reverie with a start. A dozen men and women, dressed for dinner, with a gold-fish officer or two among them, swam leisurely through the aquarium on their way to the hotel restaurant. They were the same kind of people who had sat at the little tables for tea—people of the great world, thought Mellin: no vulgar tourists or "trippers" among them; and he shuddered at the remembrance of his pension (whither it was time to return) and its conscientious students of Baedeker, its dingy halls and permanent smell of cold food. Suddenly a high resolve lit his face: he got his coat and hat from the brass-and-blue custodian in the lobby, and without hesitation entered the "bureau."

"I 'm not quite satisfied where I am staying—where I'm stopping, that is," he