sure!"

Dick Kincaid regarded him for a moment from the shadow of his wide-brimmed hat.

"If you do, boy, and I find it out, I don't know as I'll give you away."

What possible connection, however remote, this tragedy of the Bitter Root Mountains could have with the future of Doctor Emma Harpe, who, nearly twenty years later, sat at a pine table in a forlorn Nebraska town filling out a death certificate, or what part it could play in the life of Essie Tisdale, the belle of the still smaller frontier town of Crowheart, in a distant State, who at the moment was cleaning her white slippers with gasoline, only the Fate Lachesis spinning the thread of human life from Clotho's distaff could foresee.

When Dr. Harpe, whose fingers were cold with nervousness, made tremulous strokes which caused the words to look like a forgery, the ugly Fate Lachesis grinned, and grinned again when Essie Tisdale, many hundred miles away, held the slipper up before her and dimpled at its arched smallness; then Lachesis rearranged her threads.

Dr. Harpe arose when the certificate was blotted and, thrusting her hands deep in the pockets of her loose, square-cut coat, made a turn or two the length of the office, walking with the long strides of a man. Unexpectedly her pallid, clear-cut features crumpled, the strained muscles relaxed, and she dropped into a chair, her elbows on her knees, her feet wide apart, her face buried in her hands. She was unfeminine even in her tears.

Alice Freoff was dead! Alice Freoff was dead! Dr. Harpe was still numb with the chilling shock of it. She had not expected it. Such a result had not entered into her calculations—not until she had seen her best friend slipping into the other world had she considered it; then she had fought frantically to hold her back. Her efforts had been useless and with a frightful clutching at her heart she had watched the woman sink. Alexander Freoff was away from home. What would he say when he learned that his wife had died of an operation which he had forbidden Dr. Harpe to attempt? Fear checked the tears of grief with which her cheeks were wet. He was a man of violent temper and he had not liked the intimacy between herself and his wife. He did not like her—Dr. Emma Harpe—and now that Alice was dead and the fact that she, as a physician, had blundered, was too obvious to be denied, the situation held alarming possibilities. Consternation replaced her grief and the tears dried on her cheeks while again she paced the floor.

She was tired almost to exhaustion when she stopped suddenly and flung her shoulder in defiance and self-disgust. "Bah! I'm going to pieces like a schoolgirl. I must pull myself together. Twenty-four hours will tell the tale and I must keep my nerve. The doctors will—they must stand by me!"

Dr. Harpe was correct in her surmise that her suspense would be short. The interview between herself and the husband of her dead friend was one she was not likely to forget. Then the coroner, himself a physician, sent for her and she found him waiting at his desk. All the former friendliness was gone from his eyes when he swung in his office chair and looked at her.

"It will not be necessary, I believe, to explain why I have sent for you, Dr. Harpe." His cool, impersonal voice was more ominous, more final than anger, and she found it hard to preserve her elaborate assumption of ease.

A dull red mounted slowly to her cheeks and faded, leaving them ashen.

"Two doors are open to you." He weighed his words carefully. "If you remain here, suit will be brought against you by Alexander Freoff; and since, in this case, you have acted in violation of all recognized methods of medical science, I will not uphold you. As a matter of fact, immediate action will be taken by the State Medical Board, of which I am a member, to disqualify you. If you leave town within twenty-four hours you will be permitted to go unmolested. This concession I am willing to make; not for your sake but for the sake of the profession which you have disgraced. You have my ultimatum; you may take your choice."

She gripped the arms of her chair hard, silent from an inability to speak. At last she arose uncertainly and said in a voice which was barely audible:

"I will go."

And so it happened that while Dr. Emma Harpe was saying good-by to a few wondering acquaintances who accompanied her to the station, Essie Tisdale was making preparations for a dance which was an event in the embryotic metropolis of Crowheart, several hundred miles away.

Crowheart was booming and the news of its prosperity had spread. Settlers were hurrying toward it from the Middle West to take up homesteads and desert claims in the surrounding country. There was no specific reason why the town should boom, but it did boom in that mysterious fashion which far western towns have, up to a certain stage, after which the reaction sets in.

But there was no thought of reaction now. All was life, eagerness, good-nature, boundless belief in a great and coming prosperity. The Far West and the Middle West greeted each other with cordial, outstretched hands and this dance, though given by a single individual, was in the nature of a reception from the old settlers to the new as well as to celebrate the inception of an undertaking which was to insure Crowheart's prosperity for all time.

Crowheart was platted on a sagebrush "bench" on a spur of a branch railroad. The snow-covered peaks of a lofty range rose skyward in the west. To the north was the solitary butte from which the town received its name. To the south was a line of dimpled foothills, while eastward stretched a barren vista of cactus, sand, and sagebrush. A shallow stream flowed between alkali-coated banks on two sides of the town. In the spring when melting mountain snows filled it to overflowing, it ran swift and yellow; but in the late fall and winter it dropped to an inconsequential creek of clear water, hard with alkali. The inevitable "Main Street" was wide and its two business blocks consisted of one-story buildings of log and unpainted pine lumber. There was the inevitable General Merchandise Store with its huge sign on the high front, and the inevitable newspaper which always exists, like the faithful at prayer, where two or three are gathered together. There were saloons in plenty with irrelevant and picturesque names, a dance hall and a blacksmith shop. The most conspicuous and pretentious building in Crowheart was the Terriberry House, bilious in color and Spartan in its architecture, located in the centre of Main Street on a corner. The houses as yet were chiefly tar-paper shacks or floored and partially boarded tents, but the sound of the saw and the hammer was heard week-days and Sundays so no one could doubt but that it was only a question of time when Crowheart would be comfortably housed. There was nothing distinctive about Crowheart; it had its prototype in a thousand towns between Peace River and the Rio Grande; it was typical of the settlements which are springing up every year along the lines of those railroads that are stretching their tentacles over the Far West. Yet the hopes of Crowheart expressed themselves in boulevards outlined with new stakes and in a park which should, some day, be a breathing spot for a great city. It was Crowheart's last thought that it should remain stationary and obscure.

To Dr. Harpe swinging down from the high step of the single passenger coach in the mixed train of coal and cattle cars, it looked like a highly colored picture on a