sound of the katydid, now loudening, now falling, now fainting away! And the tree-toad shrilled in the dog-wood tree. The frogs, too, by the river in iterative fugue sent forth a song as suggestive of the margins as the scent of the fern, and the mint, and the fragrant weeds.

A convulsive start! She did not know that she slept until she was again awake. The moon had travelled many a mile along the highways of the skies. It hung over the purple mountains, over the farthest valley. The cicada had grown dumb. The stars were few and faint. The air was chill.

She started to her feet; her garments were heavy with dew. The fire beneath the sorghum kettle had died to a coal, flaring or fading as the faint fluctuations of the wind might will. Near it Pete slumbered where he too had sat down to rest. And Job—Job had never returned.

He had found it a lightsome enough scene at the blacksmith's shop, where it was understood that the neighboring politicians collogued at times, or brethren in the church discussed matters of discipline or more spiritual affairs. In which of these interests a certain corpulent jug was most active it would be difficult perhaps to accurately judge. The great barn-like doors were flung wide open, and there was a group of men half within the shelter and half without; the shoeing-stool, a broken plough, an empty keg, a log, and a rickety chair sufficed to seat the company. The moonlight falling into the door showed the great slouching, darkling figures, the anvil, the fire of the forge (a dim ashy coal), and the shadowy hood merging indistinguishably into the deep duskiness of the interior. In contrast, the scene glimpsed through the low window at the back of the shop had a certain vivid illuminated effect. A spider web, revealing its geometric perfection, hung half across one corner of the rude casement; the moonbeams without were individualized in fine filar delicacy, like the ravellings of a silver skein. The boughs of a tree which grew on a slope close below almost touched the lintel; the leaves seemed a translucent green; a bird slept on a twig, its head beneath its wing.

Back of the cabin, which was situated on a limited terrace, the great altitudes of the mountain rose into the infinity of the night.

The drawling conversation was beset, as it were, by faint fleckings of sound, lightly drawn from a crazy old fiddle under the chin of a gaunt, yellow-haired young giant, one Ephraim Blinks, who lolled on a log, and who by these vague harmonies unconsciously gave to the talk of his comrades a certain theatrical effect.

Grinnell slouched up and sat down among them, responding with a nod to the unceremonious "Hy're, Job?" of the blacksmith, who seemed thus to do the abbreviated honors of the occasion. The others did not so formally notice his coming.

The subject of conversation was the same that had pervaded his own thoughts. He was irritated to observe how Purdee had usurped public attention, and yet he himself listened with keenest interest.

"Waal," said the ponderous blacksmith, "I kin onderstan' mighty well ez Moses would hev been mighty mad ter see them folks a-worshippin' o' a calf—senseless critters they be! 'Twarn't no use flingin' down them rocks, though, an' gittin' 'em bruk. Sandstone ain't like metal; ye can't heat it an' draw it down an' weld it agin."

His round black head shone in the moonlight, glistening because of his habit of plunging it, by way of making his toilet, into the barrel of water where he tempered his steel. He crossed his huge folded bare arms over his breast, and leaned back against the door on two legs of the rickety chair.

"Naw, sir," another chimed in. "He mought hev knowed he'd jes hev ter go ter quarryin' agin."

"They air always a-crackin' up them folks in the Bible ez sech powerful wise men," said another, whose untrained mind evidently held the germs of advanced thinking. "'Pears ter me ez some of 'em conducted tharselves ez foolish ez enny folks I know—this hyar very Moses one o' 'em. Throwin' down them rocks 'minds me o' old man Pinner's tantrums. Sher'ff kem ter his house 'bout a jedgmint debt, an' levied on his craps. An' arter he war gone old man tuk a axe an' gashed bodaciously inter the loom an' hacked it up. Ez ef that war goin' ter do enny good! His wife war the mos' outed woman I ever see. They 'ain't got nare nother loom nuther, an' hain't hearn no advices from the Lord."

The violinist paused in his playing. "They 'lowed Moses war a meek man too," he said. "He killed a man with a brick-badge an' buried him in the sand. Mighty meek ways"—with a satirical grimace.

The others, divining that this was urged in justification and precedent for devious modern ways that were not meek, did not pursue this branch of the subject.

"S'prised me some," remarked the advanced thinker, "ter hear ez them tables o' stone war up on the bald o' the mounting thar. I hed drawed the idee ez 'twar in some other kentry somewhar—I dunno—" He stopped blankly. He could not formulate his geographical ignorance. "An' I never knowed," he resumed, presently, "ez thar war enough gold in Tennessee ter make a gold calf; they fund gold hyar, but 'twar mighty leetle."

"Mebbe 'twar a mighty leetle calf," suggested the blacksmith.

"Mebbe so," assented the other.

"Mebbe 'twar a silver one," speculated a third; "plenty o' silver they 'low thar air in the mountings."

The violinist spoke up suddenly. "Git one o' them Injuns over yander ter Quallatown right seasonable drunk, an' he'll tell ye a power o' places whar the old folks said thar war silver." He bowed his chin once more upon the instrument, and again the slow drawling conversation proceeded to soft music.

"Ef ye'll b'lieve me," said the advanced thinker, "I never war so conflusticated in my life ez I war when he stood up in meetin' an' told 'bout'n the tables of the law bein' on the bald! I 'lowed 'twar somewhar 'mongst some sort'n people named 'Gyptians."

"Mebbe some o' them Injuns air named 'Gyptians'," suggested Spears, the blacksmith.

"Naw, sir," spoke up the fiddler, who had been to Quallatown, and was the ethnographic authority of the meeting. "Tennessee Injuns be named Cher'-kee, an' Chick'saw, an' Creeks."

There was a silence. The moonlight sifted through the dark little shanty of a shop; the fretting and foaming of a mountain stream arose from far down the steep slope, where there was a series of cascades, a fine water-power, utilized by a mill. The sudden raucous note of a night-hawk jarred upon the air, and a shadow on silent wings sped past. The road was dusty in front of the shop, and for a space there was no shade. Into the full radiance of the moonlight a rabbit bounded along, rising erect with a most human look of affright in its great shining eyes as it tremulously gazed at the motionless figures. It too was motionless for a moment. The young musician made a lunge at it with his bow; it sprang away with a violent start—its elongated grotesque shadow bounding kangaroo-like beside it—into the soft gloom of the bushes. There was no other traveller along the road, and the talk was renewed without further interruption. "Waal, sir, ef'twarn't fur the testimony o' the words he reads ez air graven on them rocks, I couldn't-git my cornsent ter b'lieve ez Moses ever war in Tennessee," said the advanced thinker. "I ain't onder-takin' ter say what State he settled in, but I 'lowed 'twarn't hyar. It mus' hev been, though, 'count o' the scripture on them broken tables."

"I never knowed a meetin' woke ter sech a pint o' holiness. The saints jes rampaged around till it fairly sounded like the cavortin's o' the ungodly," a retrospective voice chimed in.

"I raised thirty-two hyme chunes," said the musician, who had a great gift in