and in line.

With the exception of the pair spoken of as being in the advance, all the others are costumed, and their horses caparisoned, nearly alike. Their dress is of the simplest and scantiest kind—a hip-cloth swathing their bodies from waist to mid-thigh, closely akin to the “breech-clout” of the Northern Indian, only of a different material. Instead of dressed buckskin, the loin covering of the Chaco savage is a strip of white cotton cloth, some of wool in bands of bright colour having a very pretty effect. But, unlike their red brethren of the North, they know nought of either leggings or moccasin. Their mild climate calls not for such covering; and for foot protection against stone, thorn, or thistle, the Chaco Indian rarely ever sets sole to the ground—his horse’s back being his home habitually.

Those now making way through the wood show limbs naked from thigh to toe, smooth as moulded bronze, and proportioned as if cut by the chisel of Praxiteles. Their bodies above also nude; but here again differing from the red men of the prairies. No daub and disfigurement of chalk, charcoal, vermilion, or other garish pigment; but clear skins showing the lustrous hue of health, of bronze or brown amber tint, adorned only with some stringlets of shell beads, or the seeds of a plant peculiar to their country.

All are mounted on steeds of small size, but sinewy and perfect in shape, having long tails and flowing manes; for the barbarism of the clipping shears has not yet reached these barbarians of the Chaco.

Nor yet know they, or knowing, they use not saddle. A piece of ox-hide, or scrap of deer-skin serves them for its substitute; and for bridle a raw-hide rope looped around the under jaw, without head-strap, bittless, and single reined, enabling them to check or guide their horses, as if these were controlled by the cruellest of curbs, or the jaw-breaking Mameluke bitt.

As they file forth two by two into the open ground, it is seen that there is some quality and fashion common to all; to wit, that they are all youths—not any of them over twenty—and that they wear their hair cropped in front, showing a square line across the forehead, but left untouched on the crown and back of the head. There it falls in full profuseness, reaching to the hips, and in the case of some mingling with the tails, of their horses.

Two, however, are notably different from the rest; they riding in the advance, with a horse’s length or so of interval between them and their following. One of the two differs only in the style of his dress; being an Indian as the others, and, like them, quite a youth, to all appearance the youngest of the party. Yet also their chief, by reason of his richer and grander dress; his attire being of the most picturesque and costly kind worn by the Chaco savages. Covering his body, from the breast to half-way down his thighs, is a sort of loosely-fitting tunic of white cotton stuff. Sleeveless, it leaves his arm bare from nigh the shoulder to the wrist, around which glistens a bracelet with the sheen of solid gold. His limbs also are bare, save a sort of gartering below the knee, of shell and bead embroidery. On his head is a fillet band ornamented in like manner, with bright plumes, set vertically around it—the tail-feathers of the guacamaya, one of the most superb of South American parrots. But the most distinctive article of his apparel is his manta, a sort of cloak of the poncho kind, hanging loosely behind his back, but altogether different from the well-known garment of the gauchos, which is usually woven from wool. That on the shoulders of the young Indian is of no textile fabric, but the skin of a fawn, tanned and bleached to the softness and whiteness of a dress kid glove, the outward side being elaborately feather-worked in flowers and patterns, the feathers obtained from many a bird of gay plumage.

Of form perfectly symmetrical, the young Indian, save for his complexion, would seem a sort of Apollo, or Hyperion on horseback; while he who rides alongside him, withal that his skin is white, or once was, might well be likened to the Satyr. A man over thirty years of age, tall, and of tough, sinewy frame, with a countenance of the most sinister cast, dressed gaucho fashion, with the wide petticoat breeches lying loose about his limbs, a striped poncho over his shoulders, and a gaudy silken kerchief tied turban-like around his temples. But no gaucho he, nor individual of any honest calling: instead, a criminal of deepest dye, experienced in every sort of villainy. For this man is Rufino Valdez, well-known in Assuncion as one of Francia’s familiars, and more than suspected of being one of his most dexterous assassins.