قراءة كتاب Punch, or the London Charivari, Vol. 146, March 11, 1914
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Punch, or the London Charivari, Vol. 146, March 11, 1914
model of Westminster Abbey—its petrolling had been the greatest stroke in convincing the voters of the pure motives of the feminists. Miss Sylvia Spankham bore aloft the City Temple, Miss Christabel Spankham the Albert Hall, whilst Mrs. Lawrence Pothook waved triumphantly a lovely representation of King's Cross Station. Magnificent too was Mrs. Drummit riding astride a fire-engine as an emblem of peace and goodwill.
The crowd viewed the procession with awed silence, only breaking into cheers when Miss Blithers, blushing modestly, held up a cardboard representation of the Albert Memorial she had nitro-glycerined. Miss Bliggs marched triumphantly in a bishop's mitre bearing a pastoral staff, in recognition of her great feat in forcibly feeding a wicked bishop who had written a letter to the Press against forcible, feeding. Misunderstood by the crowd was Mrs. Trudge, who wheeled a perambulator containing two babies. The onlookers thought that Mrs. Trudge was about to take her innocent offspring to the House of Commons, and those out of hat-pin range murmured, "Shime," "Give the kids a chawnce." They did not know that Mrs. Trudge was no base slave of man, that she had no children of her own, and that the wax babies she wheeled in the perambulator merely indicated that she was the heroine who had doped a nursemaid with drugged chocolate and abducted a Cabinet Minister's twins.
Unhappily Miss Bolland also passed unidentified, though she held a cardboard tube aloft. Not even a taxi-driver cheered as the intrepid lady passed who had blown up the electrical-generation station of the Tubes and made London walk for a month. There too was Mrs. Tibbs, brave in her misfortunes. She had missed her election by one vote just because, when she came to the booth to vote for herself, lifelong habit had been too strong for her and she had phosphorused the ballot box.
An unfortunate breeze from the river played havoc with the processionists' whiskers, and one or two of the weaker spirits in the ranks argued that some of the Government offices in Whitehall ought to have been left standing for protection—at any rate till the procession was over.
On they went, each of the twenty leaders in front explaining how she had led the movement to triumph. On the top of the fire-engine Mrs. Drummit danced a futurist dance, symbolic of the subjection of man. At last they reached the portals of the House. The leaders broke into a run to secure front places on the Government benches.
"Stop," cried a police superintendent, rushing from the building.
"The days of man's tyranny are over!" shouted twenty voices together.
"Maybe," said the police superintendent, "but some of 'em are catching up to you. They've dynamited the Houses of Parliament, and if you go inside you'll pop like roasted chestnuts."
And as they watched the flame the leaders realised the sad fact that they had not left a building standing in London roomy enough for a Parliament.
Commercial Candour.
"—— Tooth Brushes are so constructed that the bristles get right into the smallest crevices of the teeth. Moreover the bristles positively won't come out."—Advt. in "London Opinion."
That has sometimes been our bitter experience.
The Choir Inaudible.
"The chorus gave ample evidence of having made great strides since their last appearance in public, all the items for which they were responsible being well sustained and rendered in first-class style. Special mention should be made, however, of their rendering of 'A Spring Song,' which was given in quite a professional manner, the chorus dispensing with both music and words, and the audience evinced their appreciation of this really fine effort by long continued applause, to which the chorus responded by repeating it."
Avalon Independent.
There would probably be no words to the applause and very little music; so the chorus could easily repeat it.

GIFT FOR GIFT.
General Botha. "WELL, I SUPPOSE ONE GOOD TURN DESERVES ANOTHER; WE MUST GIVE HIM A WARM RECEPTION."

THE BRUTE AGAIN.
Weary Hostess. "Yes, I've been having such trouble with baby. Every night I have to get up about twenty times, getting his things——"
Visitor. "Why don't you make your husband do something?"
Hostess. "Oh, I daren't wake my husband; if I do he always drinks baby's milk."
STUDIES IN DISCIPLESHIP.
The Times' Third Leader.
The statement made in these columns by a well-informed correspondent that the incomparable Nijinsky is so delicate that by his doctor's decree he is obliged to abstain from all forms of exercise save that involved in his beloved art, gives us, in the vivid phrase of our neighbours, "furiously to think." At the first blush incredulity prevails, but recourse to the annals of history, ancient and modern alike, furnishes us with abundant confirmation of this strange anomaly. Hannibal was a martyr to indigestion, while his great rival, Scipio Africanus, suffered from sea-sickness even when crossing the Tiber. Wherever we look we are confronted with the spectacle of genius fraying its way to the appointed goal in spite of physical drawbacks which would have paralysed meritorious mediocrity. Wolfe was a poitrinaire, and Nelson would never have passed the medical examination to which the naval cadets of to-day are subjected. But the case of Nijinsky is more tragic because abstinence from skating and riding, of which he was passionately fond, entails greater anguish on so sensitively organised a temperament than it would on a mere man of action, and the suffering of a great artist may lead to international complications which it is terrible to complicate. Russian dancing is as necessary to the well-being of our social system as standard bread, yet when we think of the sacrifices which its hierophants undergo in order to minister to our pleasure the sturdiest Hedonist cannot escape misgivings. Still, we may find consolation in the thought that sacrifice is necessary to perfection. Such sacrifices take various forms. In the case of Nijinsky we see a man of immense brain power specialising in a most exhausting form of physical culture to remedy his extreme delicacy. At the opposite extreme we find cases of men so extraordinarily powerful that they are obliged to abandon all exercise and lead a purely sedentary life in order to counteract their abnormal muscularity. Thus Lord Haldane, who in his earlier days thought nothing of walking to Cambridge one day and back to London on the next, has now become more than reconciled to the immobility imposed on the occupant of the Woolsack.
It needs no little exercise of the imagination to form a mental picture of Lord Haldane as a member of the Russian ballet, or, to put it in a more concrete form, making the

