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قراءة كتاب A Little Girl of Long Ago; Or, Hannah Ann A Sequel to a Little Girl in Old New York
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A Little Girl of Long Ago; Or, Hannah Ann A Sequel to a Little Girl in Old New York
plenty of work, but her small brain kept in a curious confusion, as if it was running back and forth from the past to the future. Events were happening so rapidly. And the whole world seemed changed since her brother Stephen's little boy had been born on Christmas morning.
It was curious, too, to grow older, and to understand books and lessons so much better, to feel interested in daily events. There was a new revolution in Mexico; there was a talk of war. But everything went on happily at home. New York was stretching out like a big boy, showing rents and patches in his attire, but up-town he was getting into a new suit, and people exclaimed about the extravagance.
As for Stephen's baby, there wasn't any word in Webster's Dictionary to do him justice. He grew fat and fair, his nose became shapely, his dimple was deeper, his chin double, and his pretty hands began to grasp at everything. Stephen said the only drawback was that his hair would be red. Hanny felt curiously teased about it. She couldn't be sure that it was quite a subject for prayer; but she took great comfort in two lines of the old hymn—
Uttered or unexpressed,"
and she hoped God would listen to the sincere desire of her heart.
Early in February the children were all excitement about Mr. Bradbury's concert. The Dean children were among the chorus singers, and Charles Reed had a prominent part. Would his mother let him go?—the children all wondered.
"Mr. Reed can manage it," said Josie Dean, confidently. "Wives have to mind their husbands about boys, because the men know best, and the boys are to grow up into men."
Hanny's interest was divided by Margaret being made ready for the Valentine ball. Everybody was to go in a fancy dress. Dr. Hoffman chose Margaret's, which was to be a lady of 1790. Miss Cynthia came and looked over the old green-and-white brocade that had descended from Miss Lois. It had a low square neck, and a bodice with deep points back and front, laced with a silver cord. The front breadth, "petticoat," as it was called, was white satin, creamy now with age, embroidered with pink and yellow roses and mossy green leaves. The brocade fell away in a long train, and at the joining was a cascade of fine old lace called Mechlin. The elbow-sleeves were edged with it, and at the neck, the lace had a fine wire run through it at the back that made it stand up, while in front, it fell to a pretty point, and was clasped with a brooch. It had been made for Miss Lois' wedding outfit when she was a happy young girl, dreaming over a joyous future that had never come to pass.
But Margaret's hair they all thought the crowning glory. Miss Cynthia was very fond of adorning people for parties, and so deft that she was in frequent demand. She had brought a great high comb of beautiful, clear shell that had belonged to her mother. There was a loose twist made like the figure eight at the back, and in front, rows of dainty puffs and ends of curls, that dropped down on her white forehead.
The brooch, too, was curious. It was a portrait painted on ivory of the Marquis de Lafayette, and set round with beautiful pearls, one of Miss Cynthia's precious belongings also.
When Margaret looked at herself in her mother's tall glass, she was so mystified that she felt for a moment as if she was Miss Lois come back. For when the gown fitted her, she must have been tall and slim and young.
Hanny had begged to ask in all the girls, and was delighted to have Daisy Jasper and her mother.
But when Dr. Hoffman came in Continental costume, with buff small-clothes and black velvet coat, great buckles of brilliants at his knees and lace ruffles at his wrists and shirt front, and his hair powdered, they all exclaimed. He carried his three-cornered hat under his arm as he bowed to the ladies.
John Underhill declared laughingly that he felt honoured by being the footman to such a grand couple, as he helped them into the carriage.
"Why don't people dress as beautifully now?" said Daisy Jasper, with a sigh. "Everything looks so plain."
Then the elders began to talk of past fashions. Miss Cynthia said her mother's wedding gown was made with a full straight skirt six yards around, and had one little hoop at the hips to hold it out. When Miss Cynthia's elder sisters were grown, she cut it up and made them each a frock, with skirts two and a quarter yards wide, short full waists, and puffed sleeves. Big poke bonnets were worn with great bunches of flowers inside, and an immense bow at the top, where the strings were really tied. If you wanted to be very coquettish, you had the bow rather on one side. The skirts barely reached the ankles, and black satin slippers were to be worn on fine occasions; white or sometimes pale colours to parties.
"And now we have come back to wide full skirts," said Miss Cynthia. "We're putting stiffening in to hold them out. And there's talk of hoops."
Another odd custom was coming into vogue. It was considered much more genteel to say "dress." Frock had a sort of common country sound, because the farmers wore tow frocks at their work. The little girl had been laughed at for saying it, and she was trying very hard to always call the garment a "dress." Gown was considered rather reprehensible, as it savoured of old ladies' bed-gowns. Now we have gone back to frocks and gowns.
"The Continental fashions were extremely picturesque," said Mrs. Jasper. "And the men were strong and earnest, and equal to the emergencies of the day, if they did indulge in adornments considered rather feminine now. But I like the variety. The newly-arrived emigrants in their native garb interest me."
"There are some around in Houston Street," laughed Ben. "Dutch girls with flaxen hair and little caps, and those queer waists with shoulder straps, and thick woollen stockings. Some of them wear wooden shoes. And Irish women with great plaid cloaks and little shawls tied over their heads, short skirts and nailed shoes that clatter on the sidewalk."
"I should like to see them," said Daisy.
"Joe ought to take you out on St. Patrick's day," returned Ben. "But they soon reach the dead level of uniformity."
"Fancy an Indian in coat and trousers instead of blanket, war-paint, and feathers," and Jim laughed at the idea.
"I think we shall hardly be able to reduce him to modern costumes. He does not take kindly to civilisation."
"He's shamefully treated anyway."
"Oh, Jim, it won't do to take your noble red men from romance. The heroes of King Philip's time have vanished."
Jim was reading Cooper, and had large faith in the children of the forest. The next generation of school-boys called them "sneaking red dogs," and planned to go out on the plains and shoot them.
"If we absorb all these people, we shall be a curiously conglomerate nation by and by," exclaimed Mrs. Jasper.
"As we were in the beginning," returned Father Underhill. "We started from most of the nations of Europe. We have had a French state, Dutch and German, English and Scotch, but the one language seems a great leveler."
The little girls talked about the concert. Doctor Joe said he thought Daisy might venture. She was beginning to grow quite courageous, though the comments on her lameness always brought a flush to her cheek. Sometimes he stopped at school for both girls, and the wheeling-chair went home empty. His strong, tender arm was help enough.
Mr. Reed had quite a battle to win the day for his son. "The singing-school was foolishness and a waste of time; and there was not a moment to waste in this world, when you had to give a strict account of it in the next." Mrs. Reed had never considered whether so much scouring and scrubbing was not a waste of time, when everything was as clean as a pin. When a very polite note from Mr. Bradbury reached Mr. Reed, begging that Charles might be allowed to take a

