own avowal, and in fairy tales a stepmother was always cruel. They pretended to believe that she had carried them away by force, that some day they would be rescued and taken back to the big white nursery and the fluffy white mat; but Helen at last spoilt the game by asserting that she did not want to be rescued and by refusing to allow Notya to be the villain of the piece.

"She isn't cruel. She's sad," Helen explained.

"Yes, really; but this is pretending," Rupert said.

"It's not pretending. It's true," Miriam said, and she went on with the game though she had to play alone. At the age of twenty she still played it: Notya was still the cruel stepmother and Miriam's eyes were eager on a horizon against which the rescuer should stand. At one time he had been splendid and invincible, a knight to save her, and if his place had now been taken by the unknown Uncle Alfred, it was only that realism had influenced her fiction, and with a due sense of economy she used the materials within her reach.

Domestic being though Helen was, the white nursery had no attraction for her: she was more than satisfied with her many-coloured one; its floor had hills and tiny dales, pools and streams, and it was walled by greater hills and roofed by sky. On it there grew thorn-bushes which thrust out thin hands, begging for food, in winter, and which wore a lady's lovely dress in summertime and a warm red coat for autumn nights. There was bracken, like little walking-sticks in spring, and when the leaves uncurled themselves and spread, they made splendid feathers with which to trim a hat or play at ostrich farms; but, best of all and most fearsome, as the stems shot upwards and overtopped a child, the bracken became a forest through which she hardly dared to walk, so dense and interminable it was. To crawl up and down a fern-covered hillock needed all Helen's resolution and she would emerge panting and wild-eyed, blessing the open country and still watchful for what might follow her. After that experience a mere game of hunters, with John and Rupert roaring like lions and trumpeting like elephants, was a smaller though glorious thing, and for hot and less heroic days there was the game of dairymen, played in the reedy pool or in Halkett's stream with the aid of old milk-cans of many sizes, lent to the Canipers by the lovable Mrs. Brent.

In those days Mrs. Brent furnished them with their ideas of motherhood. She seemed old to them because her husband was long dead and she was stout, but she had a dark-eyed girl no older than John, and her she kissed and nursed, scolded, teased and loved with a joyous confidence which impressed the Canipers. Their stepmother rarely kissed, her reprimands had not the familiarity of scoldings, and though she had a sense of fun which could be reached and used with discretion, there was no feeling of safety in her company. They were too young to realize that this was because she was uncertain of herself, as that puckered mouth revealed. That she loved them they believed; with all the aloofness of their young souls they were thankful that she did not caress them; but they liked to see Lily Brent fondled by her mother, and they themselves suffered Mrs. Brent's endearments with a happy sense of irresponsibility. It was Mrs. Brent who gave them hot cakes when they went to the dairy to fetch butter or eggs, and who sometimes let them skim the milk and eventually lick the ladle, but she was chiefly wonderful because she could tell them about Mr. Pinderwell. Poor Mr. Pinderwell was the late owner of the Canipers' home. He had lived for more than fifty years in the house chosen and furnished for a bride who had softly fallen ill on the eve of her wedding-day and softly died, and Mr. Pinderwell, distracted by his loss, had come to live in the big, lonely house and had grown old and at last died there, in the hall, with no voice to bewail him but the ticking of the grandfather clock. Going on her daily visit, for she alone was permitted to approach him, Mrs. Brent had found him lying with his face on his outflung arm, "just like a little boy in his bed."

"And were you frightened?" Miriam asked.

"There was nothing to be afraid of, my dear," Mrs. Brent replied. "Death comes to all of us. It's a good thing to get used to the look of him."

Mrs. Brent had been fond of Mr. Pinderwell. He was a gentleman, she said, and though his mind had become more and more bewildered towards the end, he had been unfailingly courteous to her. She would find him wandering up and down the stairs, carrying a small basket of tools in his hand, for he took to wood-carving at the last, as the panels of the bedroom doors were witness, and he would stop to speak about the weather and beg her to allow him to make her some return for all her kindness.

"I used to clean up the place for him," Mrs. Brent would always continue, "and do a little cooking for him, poor old chap! I missed him when he'd gone, and I was glad when your mother came and took the house, just as it stood, with his lady's picture and all, and made the place comfortable again."

Miriam would press against Mrs. Brent's wide knees. "Will you tell us the story again, please, Mrs. Brent?"

"If you're good children, but not today. Run along home."

At that stage of their development they were hardly interested in the portrait of Mr. Pinderwell's bride, hanging above the sofa in the drawing-room. It was the only picture in the house, and from an oval frame of gilt a pretty lady, crowned with a plait of hair, looked mildly on these usurpers of her home. She was not real to them, though for Helen she was to become so, but Mr. Pinderwell, pacing up and down the stairs, carrying a little chisel, was a living friend. On the wide, wind-swept landing, they studied his handiwork on the doors, and they made a discovery which Mrs. Brent had missed. These roughnesses, known to their fingers from their first day in the house, were letters, and made names. Laboriously they spelt them out. Jane, on the door of Helen's room, was easy; Ph[oe]be, on Miriam's, was for a long time called Pehebe; and Christopher, on another, had a familiar and adventurous sound.

"Funny," Rupert said. "What are they?"

Helen spoke with that decision which often annoyed her relatives. "I know. It's the names of the children he was going to have. Jane and Pehebe and Christopher. That's what it is. And these were the rooms he'd settled for them. Jane is a quiet little girl with a fringe and a white pinafore, and Pehebe has a sash and cries about things, and Christopher is a strong boy in socks."

"Stockings," Rupert said. "He's the oldest."

"He isn't. He's the baby. He wears socks. He's not so smooth as the others, and look, poor Mr. Pinderwell hadn't time to put a full stop. I'm glad I sleep in Jane."

"And of course you give me a girl who cries!" Miriam said. But the characters of Mr. Pinderwell's children had been settled, and they were never altered. Jane and Christopher and Ph[oe]be were added to the inhabitants whom Mildred Caniper did not see, but these three did not leave the landing. They lived there quietly in the shadows, speaking only in whispers, while Mr. Pinderwell continued his restless tramping and his lady smiled, unwearied, in the drawing-room.

"He's the only one who can get at her and them," Helen said in pain. "I don't know how their mother can bear it. I wonder if she'd mind if we hung her on the landing, but then Mr. Pinderwell might miss her. He's so used to her in the drawing-room, and perhaps she doesn't mind about the children."

"I'm sure she doesn't," said John, for he thought she had a silly face.

This was when John and Rupert went to the Grammar School in the town, while the girls did their lessons with Mildred Caniper in the schoolroom of Pinderwell House. Enviously, they watched the boys step across the moor each morning, but their stepmother could not be persuaded to allow them to go too. The distance was so great, she said, and there was no school for girls to which she would entrust