قراءة كتاب Mission Furniture: How to Make It, Part 2
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

Mission Furniture: How to Make It, Part 2
miss each other. Use a 3/8 by 3-in. lag screw, boring the hole in the tenon with a 1/4-in. bit the full depth the screw is to enter.
The side panels should be fitted into grooves in the rails, and before the frame is put together these panels should be squared up and the grooves cut in the rails and posts at the proper places.
The mullions of the lower side panels, it will be noted, are specified 5/8 and 3/4 in. wide. The 5/8-in. pieces are for the central parts of the frame and the others for the outside. The frame is to be made 1/8 in. larger all around than the distance between the posts and between the rails so that it may be set in grooves cut in the posts and the rails to a similar depth, 1/8 in. This is true, also, of the mullions of the front doors. Square up the shelves so that they may be set into grooves in the adjacent rails. The middle shelf is to have an overhang and will rest upon the rails.
The mullions of the top side panels are all of the same width, and it is not intended or necessary to set their frame into grooves in the posts. The wood panel back of them gives ample strength.
It is a good plan not to groove the panel upon which the figures are placed, and which becomes the face of the clock. It is better to fit this piece in and fasten metal or wood buttons on the back side so that it can be readily taken off to get at the clock movement from the front.
Make the doors, tenoning the rails into the stiles and grooving both to receive the mullioned framework of 3/16-in. stuff.
Put the whole frame together, using good hot glue for the joints. When the glue has dried sufficiently to allow the clamps to be taken off, fit the doors and hinge them. Butterfly surface hinges look well and are the easiest to apply.
Thoroughly scrape all the surplus glue off and sandpaper the parts preparatory to applying the finish.
To finish, apply one coat of mission oak water stain. When dry, sandpaper lightly, using No. 00 paper. Apply a second coat, diluted with an equal amount of water. Sand this lightly and put on a very thin coat of shellac to keep the filler color, which follows, from discoloring the high lights. When the shellac has had time to harden, sand lightly and put on a coat of paste filler. Use light filler, colored with umber and Venetian red in the proportion of 12 oz, of umber, and 4 oz. of red to 20 lb. of filler. The directions for applying the filler will be found on the can labels. On the hardened filler apply a thin coat of shellac. Sand the shellac lightly and put on several coats of some good floor wax, polishing well according to the directions on the can. This is what is known as a mission oak finish and is quite popular for this type of furniture design.
The metal figures for the dial come with the clock movement. Some of the movements come already set in boxes of wood so that all one needs to do is to shape the projecting ends of the wood containing boxes and fasten them to the frame with screws from the back. A clock with dial figures, eight-day movement, striking the hours and half hours, with cathedral gong can be bought for $4, possibly less.
A ROCKING CHAIR
In furniture construction such as this, nothing is gained by trying to plane up the stock out of the rough. This is mere drudgery and can be more cheaply and easily done at the planing mill by machinery. There will be plenty to do to cut and fit all the different parts. Order the pieces mill-planed and sandpapered to the sizes specified below.
Plain sawed red oak takes a mission finish nicely and is appropriate. Some people like quartered white oak better, however. The cost is about the same.
The stock for the chair is as follows: Widths and thicknesses are specified exact except for the rear posts and the rockers; but to the lengths enough surplus stock has been added to allow for squaring the ends.
- 2 front posts, 1-5/8 by 2-1/4 by 22-1/2 in., S-4-S.
- 2 back posts, 1-5/8 by 11 by 40 in., S-2-S.
- 1 front horizontal, 3/4 by 3-1/2 by 22 in., S-4-S.
- 1 back horizontal, 3/4 by 3-1/2 by 20 in., S-4-S.
- 2 back horizontals, 3/4 by 3-1/2 by 20 in., S-4-S.
- 2 side horizontals, 3/4 by 3-1/2 by 20 in., S-4-S.
- 2 back slats, 5/16 by 3-1/2 by 20 in., S-4-S.
- 2 arms, 1 by 4-1/2 by 25 in., S-2-S.
- 1 rocker, 2-1/4 by 6 by 33 in., S-2-S.
- 5 bottom slats, 3/4 by 2-1/2 by 19-1/2 in., S-4-S.
Begin work on the posts first. The front posts should have one end of each squared, after which they can be cut to the exact length. The rear posts, according to the stock bill, are specified for the exact thickness. By exercising forethought, both may be got from the piece ordered. The tops and bottoms of the posts should have their edges slightly chamfered to prevent their slivering.
The shape of the arm is a little out of the ordinary, but the drawing indicates quite clearly how it is cut. The arm is fastened to the posts by means of dowels and glue after the other parts of the chair have been put together.
Now prepare the curved parts of the back. These parts are worked to size, after which they are thoroughly steamed and bent in the forms described on another page. These forms should have a surface curve whose radius is 22 in. While the parts are drying out, go ahead with the cutting of the mortises and tenons of post and rail.
Inasmuch as the width of the front of the chair exceeds that of the back by 2 in., allowance must be made for slant either in the tenons of the side rails or in the mortises. This will necessitate the use of the bevel in laying off the shoulders of the tenons.
The slats for the bottom are made long enough so that their ends may be "let into" the front and back rails, a 3/4-in. groove being plowed to receive them.
Assemble the back, then the front; and when the glue on them has dried, put the side rails in place, then the arms. The chair should now be scraped and sandpapered preparatory to applying the finish.
The cushion shown in the picture is made of Spanish roan skin leather and is filled with elastic felt. Such cushions can be purchased at the upholsterer's or they can be made by the craftsman himself. Frequently the two parts of the cushion are laced together by means of leather thongs.
A CURVED BACK ARM CHAIR
The arm chair, the picture and drawing of which is given herewith is a companion piece to the rocker described on another page.
With