drawings of the Crypte St. Gervais, of the Chapelle St. Julien, and of the Église St. Paul, will be as new as they are valuable to architectural readers; her picture of the Cour des Comptes, and of the old house in the Rue St. Romain were made under exceptional circumstances which may never recur again; and the view of the Chartreuse de la Rose is the first representation of the headquarters of our Henry V. in France which has ever, to my knowledge, been produced in England.

In conclusion I must express the earnest wish that the pages I have written about the carvings of the Maison Bourgtheroulde, and the illustrations accompanying them, will not have been published in vain. That the only authentic contemporaneous record of the Field of the Cloth of Gold, except the one picture at Hampton Court, should now be mouldering into decay in a French town is hardly creditable to those who can act with authority in valuable questions of historical art. If it be impossible to procure any good reproduction of these carvings for the pleasure and instruction of the public in our own National Galleries, a suggestion might at least be made that would secure their better preservation in the French house which they will soon cease to adorn.

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