Rothenburg

f085 St. Margaret Street, Canterbury f086 Figure Designs controlled by Geometric Boundaries f087, f088 Expression of Storm and Calm in Landscape f089 Expression of Repose and Action f090 Controlling Lines of Movement: Movement in a Procession f091a Lines left by a Watercourse—Lines governing fallen Débris from a Quarry f091b Relief of Form, (1) by Outline, (2) by Contrast, (3) by Light and Shade f092 Relief of Form and Line in Pattern Design by means of Contrast and the Use of Planes f093 Treatment of Mantling (14th-16th centuries) f094a, f094b Brass of Martin de Visch, Bruges, 1452 f095 Relief in Pattern Design by means of Simple Linear Contrasts f096a Relief by adding Shading Lines to Outline f097a Relief by Diagonal Shading f097b Different Method and different Emphasis in Relieving Form by Shading Lines f098 Albert Dürer's Principle in the Treatment of Drapery: From the Woodcut in the "Life of the Virgin" Series f099 Albert Dürer: Pen-drawing f100 Filippino Lippi: Study of Drapery f101 Raphael: Studies of Drapery f102 Relief by means of Light and Shade alone, in Pen-drawing without Outline f103a Relief by means of White Line on a Dark Ground and vice versâ f103b Relief in Architectural Mouldings f104 Roman Treatment of Corinthian Order, Forum of Nerva, Rome f105 Egyptian Relief Sculpture: Thebes f106 Greek Relief: Eleusis f107 Egyptian Relief: Denderah f107 Chartres Cathedral: Carving on West Front f108 Chartres Cathedral: Tympanum of Central Door of West Front f109 Medals of the Lords of Mantua, Cesena, and Ferrara, by Vittore Pisano f110 Treatment of Draped Figure in Black on White Ground and vice versâ f111a Treatment of the same Figure in Light and Shade f111b The Graphic Principle of the Expression of Form by Light