geraniums, and convolvulus—and spies her little pensioners, her little musicians, of yesterday. There they all sit in a row on the garden-fence, singing her a morning hymn to pay her for their crumbs of bread.

THE FANCY-DRESS BALL

HERE we have little boys who are conquering heroes and little girls who are heroines. Here we have shepherdesses in hoops and wreaths of roses and shepherds in satin coats, who carry crooks tied with knots of riband. Oh! what white, pretty sheep they must be these shepherds tend! Here are Alexander the Great and Zaire, and Pyrrhus and Merope, Mahomet, Harlequin, Pierrot, Scapin, Blaise and Babette. They have come from all parts, from Greece and Rome and the lands of Faëry, to dance together. What a fine thing a fancy ball is, and how delicious to be a great King for an hour or a famous Princess! There is nothing to spoil the pleasure. No need to act up to your costume, nor even to talk in character.

It would be poor fun, mind you, to wear heroes' clothes if you had to have a hero's heart as well. Heroes' hearts are torn with all sorts of sorrows. They are most of them famous for their calamities. If they had lived happy, we should never have heard of them. Merope had no wish to dance. Pyrrhus was cruelly slain by Orestes just when he was going to wed, and the innocent Zaire perished by the hand of her lover the Turk, philosophical Turk though he was. As for Blaise and Babette, the song says they suffer fond regrets that go on forever.

Why speak of Pierrot and Scapin? You know as well as I do they were scamps, and got their ears pulled more than once. No! glory costs too dear, even Harlequin's. On the contrary, it is very agreeable to be little boys and girls, and have the look of being great personages. That is why there is no pleasure to compare with a fancy ball, when the dresses are splendid enough. Only to wear them makes you feel brave. Then think how proud and pretty all your little friends are with their feathers and mantles; how gallant and gay and noble they look, and how like the fine folks of olden times.

In the gallery, where you cannot see them, the musicians, with sad, gentle faces, are tuning up their fiddles. A stately quadrille lies open on their stands. They are going to attack the old-fashioned piece. At the first notes our heroes and masks will lead off the dance.

THE SCHOOL

I PROCLAIM Mademoiselle Genseigne's school the best girls' school in the world. I declare miscreants and slanderers any who shall think or say the contrary. Mademoiselle Genseigne's pupils are all well-behaved and industrious, and there is no pleasanter sight to see than all their small figures sitting so still, and all the heads in a straight row. They look like so many little bottles into which Mademoiselle Gen-seigne is busy pouring useful knowledge.

Mademoiselle Genseigne sits very upright at her high desk. She has a gentle, serious face; her neatly braided hair and her black tippet inspire respect and sympathy.

Mademoiselle Genseigne, who is very clever, is teaching her little pupils cyphering.

She says to Rose Benoit:

"Rose Benoit, if I take four from twelve, what have I left?"

"Four?" answers Rose Benoît.

Mademoiselle Genseigne is not satisfied with the answer.

"And you, Emmeline Capel, if I take four from twelve, how much have I left?"

"Eight," Emmeline Capel answers.

"You hear, Rose Benoît, I have eight left," insists Mademoiselle Genseigne.

Rose Benoît falls into a brown study. Mademoiselle Genseigne has eight left, she is told, but she has no notion if it is eight hats or eight handkerchiefs, or possibly eight apples or eight feathers. The doubt has long tormented her. She can make nothing of arithmetic.

On the other hand, she is very wise in Scripture History. Mademoiselle Genseigne has not another pupil who can describe the Garden of Eden or Noah's Ark as Rose Benoît can. Rose Benoît knows every flower in the Garden and all the animals in the Ark. She knows as many fairy tales as Mademoiselle Genseigne herself. She knows all the fables of the Fox and the Crow, the Donkey and the Little Dog, the Cock and the Hen, and what they said to each other. She is not at all surprised to hear that the animals used once to talk. The wonder would be if some one told her they don't talk now. She is quite sure she understands what her big dog Tom says and her little canary Chirp. She is quite right; animals have always talked, and they talk still; but they only talk to their friends. Rose Benoît loves them and they love her, and that is why she understands what they say. To understand each other there is nothing like loving one another.

To-day Rose Benoît has said her lessons without a mistake. She has won a good mark. Emmeline Capel has a good mark, too, for knowing her arithmetic lesson so well.

On coming out of school, she told her mother she had a good mark. Then she asked her:

"A good mark, mother, what's the use of it?"

"A good mark is of no use," Emmeline's mother answered; "that is the very reason why we should be proud to get one. You will find out one day, my child, that the rewards most highly esteemed are just those that bring honour without profit."

MARIE

LITTLE girls long to pluck flowers and stars—it is their nature to. But stars will not be plucked, and the lesson they teach little girls is, that in this world there are longings that are never satisfied. Mademoiselle Marie has gone into the park, where she came upon a bed of hydrangeas; she saw how pretty the flowers were and that made her gather one. It was very difficult; she dragged with both hands, and very nearly tumbled over backwards when the stalk broke. She is pleased and proud at what she has done. But nurse has seen her. She runs up, snatches at Mademoiselle Marie's arm, scolds her, and sets her to stand and repent, not in the black closet, but at the foot of a great chestnut, under the shade of a huge Japanese umbrella.

There Mademoiselle Marie sits and thinks, in great surprise and perplexity. Her flower in one hand and the umbrella making a bright halo round her, she looks like a little idol from overseas.

Nurse has told her: "Marie, you must not put that flower in your mouth. If you do it when I tell you not, your little dog Toto will come and eat up your ears." And with these terrible words she walks away.

The young culprit, sitting quite still under her brilliant canopy, looks about her and gazes at earth and sky. It is a big world she sees, big enough and beautiful enough to amuse a little girl for some while. But her hydrangea blossom is more interesting than all the rest put together. She thinks to herself: "It is a flower; it must smell good?" And she puts her nose to the pretty pink and blue ball; she sniffs, but she cannot smell anything. She is not very good at scenting perfume; it is only a short while since she always used to blow at a rose instead of inhaling its odour. You must not laugh at her for that; one cannot learn