You are here
قراءة كتاب Vagabondia 1884
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
Great would be her confusion and dire her fall before the skirmish was over, and nothing was more certain than that she would retire from the field a wiser if not a better woman. After being triumphantly routed with great slaughter on two or three occasions, the enemy had discovered this, and decided mentally that it was more discreet to let "little Miss Crewe" alone, considering that, though it was humiliating to be routed, even by one of their own forces, it was infinitely more so to be routed by an innocent-looking young person, whose position was questionable, and who actually owed her vague shadow of respectability to her distant but august relative, the Lady Augusta Decima Crewe Bilberry, wife of the Rev. Marmaduke Sholto Bilberry, and mother of the plenteous crop of young Bilberrys, to whom little Miss Crewe was music teacher and morning governess.
So it was that Mollie's joke about the tucks and white muslin gained additional point from the family recollection of past experiences.
"But," said Dolly, when the laugh had subsided, "it won't do to talk nonsense all day. Here 's where we stand, you know. Coffee and conversation on Friday night on one side, and nothing but my draggled old green tarlatan on the other, and it's Tuesday now."
"And the family impecuniosity being a fact well established in the family mind," began Phil, with composure.
"But that 's nonsense," interrupted Aimée. "And, as Dolly says, nonsense won't do now. But," with a quaint sigh, "we always do talk nonsense."
But here a slight diversion was created. Mrs. Phil jumped up, with an exclamation of delight, and, dropping Tod on to Mollie's lap, disappeared through the open door.
"I will be back in a minute," she called back to them, as she ran up-stairs. "I have just thought of something."
"Girls," said Mollie, "it's her white merino."
And so it was. In a few minutes she reappeared with it,—a heap of soft white folds in her arms, and a yard or so of the train dragging after her upon the carpet,—the one presentable relic of a once inconsistently elaborate bridal trousseau, at present in a rather tumbled and rolled-up condition, but still white and soft and thick, and open to unlimited improvement.
"I had forgotten all about it," she said, triumphantly. "I have never needed it at all, and I knew I never should when I bought it, but it looked so nice when I saw it that I could n't help buying it. I once thought of cutting it up into things for Tod; but it seems to me, Dolly, it 's what you want exactly, and Tod can trust to Providence,—things always come somehow."
It was quite characteristic of Vagabondia that there should be more rejoicing over this one stray sheep of good luck than there would have been over any ninety and nine in the ordinary folds of more prosperous people. And Mrs. Phil rejoiced as heartily as the rest. It was her turn now, and she was as ready to sacrifice her white merino on the shrine of the household impecuniosity as she would be to borrow Dolly's best bonnet, or Mollie's shoes, or Aimée's gloves, when occasion demanded such a course. So the merino was laid upon the table, and the council rose to examine, comment, and suggest.
"A train," said Dolly, concisely; "no trimming, and swan's-down. Even the Bilberry could n't complain of that, I 'm sure."
Mollie, resting her smooth white elbows on the table in a comfortably lounging posture, regarded the garment with great longing in her drowsy brown eyes.
"I wish it was white satin," she observed, somewhat irrelevantly, "and I was going to wear it at a real ball, with real lace, you know, and a court train, and flowers, and a fan."
Dolly looked down at her handsome childish face good-naturedly. She was such an incongruous mixture of beauty and utter simplicity, this easy-going baby of sixteen, that Dolly could not have helped liking her heartily under any circumstances, even supposing there had been no tie of relationship between them.
"I wish it was white satin and you were going to wear it," she said. "White satin is just the sort of thing for you, Mollie. Never mind, wait until the figurative ship comes in."
"And in the interval," suggested Aimée, "put a stitch or so in that wrapper of yours. It has been torn for a week now, and Tod tumbles over it half a dozen times every morning before breakfast."
Mollie cast her eyes over her shoulder to give it an indifferent glance as it rested on the faded carpet behind her.
"I wish Lady Augusta would mend things before she sends them to us," she said, with sublime naïveté, and then, at the burst of laughter which greeted her words, she stopped short, staring at the highly entertained circle with widely opened, innocent eyes. "What are you laughing at?" she said. "I 'm sure she might. She is always preaching about liking to have something to occupy her time, and it would be far more charitable of her to spend her time in that way than in persistently going into poor houses where the people don't want her, and reading tracts to them that they don't want to hear."
Dolly's appreciation of the audacity of the idea reached a climax in an actual shriek of delight.
"If I had five pounds, which I have not, and never shall have," she said, "I would freely give it just to see Lady Augusta hear you say that, my dear. Five pounds! I would give ten—twenty—fifty, if need be. It would be such an exquisite joke."
But Mollie did not regard the matter in this light. To her unsophisticated mind Lady Augusta represented nothing more than periodical boredom in the shape of occasional calls, usually made unexpectedly, when the house was at its worst, and nobody was especially tidy,—calls invariably enlivened by severe comments upon the evil propensities of poor relations in general, and the shocking lack of respectability in this branch of the order in particular. Worldly wisdom was not a family trait, Dolly's half-whimsical assumption of it being the only symptom of the existence of such a gift, and Mollie was the most sublimely thoughtless of the lot. Mrs. Phil had never been guilty of a discreet act in her life. Phil himself regarded consequences less than he regarded anything else, and Aimée's childish staidness and forethought had certainly not an atom of worldliness in it. Accordingly, Dolly was left to battle with society, and now and then, it must be admitted, the result of her brisk affrays did her no small credit.
For a very short space of time the merino was being disposed of to an advantage; Dolly seating herself in her chair again to renovate the skirt; Aimée unpicking the bodice, and Mollie looking on with occasional comments.
"Here is Griffith," she said, at last, glancing over her shoulder at a figure passing the window; and the next minute the door was opened without ceremony, and "Grif" made his appearance upon the scene.
Being called upon to describe Griffith Donne, one would hardly feel inclined to describe him as being imposing in personal appearance. He was a thin, undersized young man, rather out at elbows and shabby of attire, and with a decided air of Bohemia about him; but his youthful face was singularly pleasing and innocent, and his long-lashed, brown-black eyes were more than good-looking,—they were absolutely beautiful in a soft, pathetic way,—beautiful as the eyes of the loveliest of women.
He came into the room as if he was used to coming into it in an every-day fashion; and Dolly, looking up, gave him a smile and a nod.
"Ah, you are all here, are you?" he said. "What is on hand now? What is all this white stuff for?" And he drew a chair up close by Dolly's side, and lifted the merino in his hand.
"For Friday night," answered Aimée. "Bilberry's again, Griffith. Coffee and conversation this time."
Griffith looked at Dolly inquiringly, but Dolly only laughed and shrugged her plump shoulders wickedly.
"Look here," he said, with a disapproving air, "it ain't true, is it, Dolly? You are not going to make a