of a British colony, and forget, in contemplating the familiar examples of a lapidary style, that there was a tea-party at Boston.

These contrasts are wayward and accidental. The hand of chance has been merciful, that is all; and if you would fully understand New York's self-conscious love of incongruity it is elsewhere that you must look. Walk along the Riverside Drive, framed by nature to be, what an enthusiast has called it, "the finest residential avenue in the world." Turn your back to the houses, and contemplate the noble beauty of the Hudson River. Look from the terrace of Claremont upon the sunlit scene, and ask yourself whether Paris herself offers a gayer prospect. And then face the "high-class residences," and humble your heart. Nowhere else will you get a clearer vision of the inappropriateness which is the most devoutly worshipped of New York's idols. The human mind cannot imagine anything less like "residences" than these vast blocks of vulgarity. The styles of all ages and all countries have been recklessly imitated. The homes of the millionaires are disguised as churches, as mosques, as medieval castles. Here you may find a stronghold of feudalism cheek by jowl with the quiet mansion of a colonial gentleman. There Touraine jostles Constantinople; and the climax is reached by Mr Schwab, who has decreed for himself a lofty pleasure-dome, which is said to resemble Chambord, and which takes its place in a long line of villas, without so much as a turnip-field to give it an air of seclusion or security. In this vainglorious craving for discomfort there is a kind of naïveté which is not without its pathos. One proud lady, whose husband, in the words of a dithyrambic guide-book, "made a fortune from a patent glove-hook," boasts that her mansion has a glass-room on the second floor. Another vain householder deems it sufficient to proclaim that he spent two million dollars upon the villa which shelters him from the storm. In brief, there is scarcely a single palace on the Riverside which may not be described as an antic of wealth, and one wonders what sort of a life is lived within these gloomy walls. Do the inhabitants dress their parts with conscientious gravity, and sit down to dine with the trappings of costume and furniture which belong to their houses? Suppose they did, and, suppose in obedience to a signal they precipitated themselves upon the highway, there would be such a masquerade of fancy dress as the world has never seen. The Riverside Drive, then, is a sermon in stones, whose text is the uselessness of uncultured dollars. If we judged New York by this orgie of tasteless extravagance, we might condemn it for a parvenu among cities, careless of millions and sparing of discretion. We may not thus judge it New York, if it be a parvenu, is often a parvenu of taste, and has given many a proof of intelligence and refinement. The home of great luxury, it does not always, as on the Riverside, mistake display for beauty. There are houses in the neighbourhood of Fifth Avenue which are perfect in reticence and suitability. The clubs of New York are a splendid example even to London, the first home of clubs. In Central Park the people of New York possesses a place of amenity and recreation which Europe cannot surpass; and when you are tired of watching the antics of the leisurely chipmunk, who gambols without haste and without fear, you may delight in a collection of pictures which wealth and good management will make the despair and admiration of the world. Much, of course, remains to do, and therein New York is fortunate. Her growing interest in sculpture and architecture is matched by a magnificent opportunity. In the Old World all has been accomplished. Our buildings are set up, our memorials dedicated, our pictures gathered into galleries. America starts, so to say, from scratch; there is no limit to her ambition; and she has infinite money. If the past is ours, the future is hers, and we may look forward to it with curiosity and with hope.

The architects of America have not only composed works in accordance with the old traditions and in obedience to ancient models; they have devised a new style and a new method of their own. To pack a vast metropolis within a narrow space, they have made mountains of houses. When the rock upon which their city stands proved insufficient for their ambition, they conquered another kingdom in the air. The skyscrapers which lift their lofty turrets to the heaven are the pride of New York. It is upon them that the returning traveller gazes most eagerly, as he nears the shore. They hold a firmer place in his heart than even the Statue of Liberty, and the vague sentiment which it inspires. With a proper vanity he points out to the poor Briton, who shudders at five storeys, the size and grandeur of his imposing palaces. And his arrogance is just. The sky-scraper presents a new view of architecture. It is original, characteristic, and beautiful. Suggested and enforced, as I have said, by the narrowness of the rock, it is suitable to its atmosphere and environment. New York is a southern, sunlit city, which needs protection from the heat and need not fear obscurity. Even where the buildings are highest, the wayfarer does not feel that he is walking at the bottom of a well. But, let it be said at once, the sky-scraper would be intolerable in our grey and murky land. London demands a broad thoroughfare and low houses. These are its only defence against a covered sky and an enveloping fog, and the patriotic Americans who would transplant their sky-scrapers to England merely prove that they do not appreciate the logic and beauty of their own design.

What, then, is a sky-scraper? It is a giant bird-cage, whose interstices are filled with stone or concrete. Though its structure is concealed from the eye, it is impossible not to wonder at its superb effrontery. It depends for its effect, not upon ornament, which perforce appears trivial and inapposite, but upon its mass. Whatever approaches it of another scale and kind is dwarfed to insignificance. The Sub-Treasury of the United States, for instance, looks like a foolish plaything beside its august neighbours. Where sky-scrapers are there must be no commemorative statues, no monuments raised to merely human heroes. The effigy of Washington in Wall Street has no more dignity than a tin soldier. And as the skyscraper makes houses of a common size ridiculous, so it loses its splendour when it stands alone. Nothing can surpass in ugliness the twenty storeys of thin horror that is called the Flat-iron; and it is ugly because it is isolated in Madison Square, a place of reasonable dimensions. It is continuity which imparts a dignity to these mammoths. The vast masses which frown upon Wall Street and Broadway are austere, like the Pyramids. They seem the works of giants, not of men. They might be a vast phenomenon of nature, which was before the flood, and which has survived the shocks of earthquake and the passage of the years. And when their summits are lit by the declining sun, when their white walls look like marble in the glow of the reddening sky, they present such a spectacle as many a strenuous American crosses the ocean to see in Switzerland, and crosses it in vain.

New York, in truth, is a city of many beauties, and with a reckless prodigality she has done her best to obscure them all. Driven by a vain love of swift traffic, she assails your ear with an incessant din and your eye with the unsightliest railroad that human ingenuity has ever contrived. She has sacrificed the amenity of her streets and the dignity of her buildings to the false god of Speed. Why men worship Speed, a demon who lies in wait to destroy them, it is impossible to understand. It would be as wise and as profitable to worship Sloth. However, the men of New York, as they tell you with an insistent and ingenuous pride, are "hustlers." They must ever be moving, and moving fast. The "hustling," probably, leads to little enough. Haste and industry are not synonymous. To run up and down is but a form of busy idleness. The captains of industry who do the