قراءة كتاب Critical Miscellanies (Vol. 3 of 3) Essay 6: Harriet Martineau

تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"

‏اللغة: English
Critical Miscellanies (Vol. 3 of 3)
Essay 6: Harriet Martineau

Critical Miscellanies (Vol. 3 of 3) Essay 6: Harriet Martineau

تقييمك:
0
No votes yet
المؤلف:
دار النشر: Project Gutenberg
الصفحة رقم: 5

agitators. And for thirty years she never slackened her sympathy nor her energetic action on English public opinion, in this most vital matter of her time. She was guided not merely by humanitarian disgust at the cruel and brutal abominations of slavery,—though we know no reason why this alone should not be a sufficient ground for turning Abolitionist,—but also on the more purely political ground of the cowardice, silence, corruption, and hypocrisy that were engendered in the Free States by purchased connivance at the peculiar institution of the Slave States. Nobody has yet traced out the full effect upon the national character of the Americans of all those years of conscious complicity in slavery, after the moral iniquity of slavery had become clear to the inner conscience of the very men who ignobly sanctioned the mobbing of Abolitionists.

In the summer of 1836 Miss Martineau returned to England, having added this great question to the stock of her foremost objects of interest and concern. Such additions, whether literary or social, are the best kind of refreshment that travel supplies. She published two books on America: one of them abstract and quasi-scientific, Society in America; the other, A Retrospect of Western Travel, of a lighter and more purely descriptive quality. Their success with the public was moderate, and in after years she condemned them in very plain language, the first of them especially as 'full of affectations and preachments.' Their only service, and it was not inconsiderable, was the information which they circulated as to the condition of slavery and of the country under it. We do not suppose that they are worth reading at the present day, except from a historical point of view. But they are really good specimens of a kind of literature which is not abundant, and yet which is of the utmost value—we mean the record of the sociological observation of a country by a competent traveller, who stays long enough in the country, has access to the right persons of all kinds, and will take pains enough to mature his judgments. It was a happy idea of O'Connell's to suggest that she should go over to Ireland, and write such an account of that country as she had written of the United States. And we wish at this very hour that some one as competent as Miss Martineau would do what O'Connell wished her to do. A similar request came to her from Milan: why should she not visit Lombardy, and then tell Europe the true tale of Austrian rule?

But after her American journey Miss Martineau felt a very easily intelligible desire to change the literary field. For many years she had been writing almost entirely about fact: and the constraint of the effort to be always correct, and to bear without solicitude the questioning of her correctness, had become burdensome. She felt the danger of losing nerve and becoming morbidly fearful of criticism on the one hand, and of growing narrow and mechanical about accuracy on the other. 'I longed inexpressibly,' she says, 'for the liberty of fiction, while occasionally doubting whether I had the power to use that freedom as I could have done ten years before.' The product of this new mental phase was Deerbrook, which was published in the spring of 1839. Deerbrook is a story of an English country village, its petty feuds, its gentilities, its chances and changes of fortune. The influence of Jane Austen's stories is seen in every chapter; but Harriet Martineau had none of the easy flow, the pleasant humour, the light-handed irony of her model, any more than she had the energetic and sustained imaginative power of Charlotte or Emily Brontë. There is playfulness enough in Deerbrook, but it is too deliberate to remind us of the crooning involuntary playfulness of Pride and Prejudice or Sense and Sensibility. Deerbrook is not in the least a story with a moral; it is truly and purely a piece of art; yet we are conscious of the serious spirit of the social reformer as haunting the background, and only surrendering the scene for reasons of its own. On the other hand, there is in Deerbrook a gravity of moral reflection that Jane Austen, whether wisely or unwisely, seldom or never attempts. In this respect Deerbrook is the distant forerunner of some of George Eliot's most characteristic work. Distant, because George Eliot's moralising is constantly suffused by the broad light of a highly poetic imagination, and this was in no degree among Miss Martineau's gifts. Still there is something above the flat touch of the common didactic in such a page as that in which (chapter xix.) she describes the case of 'the unamiable—the only order of evil ones who suffer hell without seeing and knowing that it is hell: nay, they are under a heavier curse than even this, they inflict torments second only to their own, with an unconsciousness worthy of spirits of light.' However, when all is said, we may agree that this is one of the books that give a rational person pleasure once, but which we hardly look forward to reading again.

Shortly after the publication of her first novel, Miss Martineau was seized by a serious internal malady, from which recovery seemed hopeless. According to her usual practice of taking her life deliberately in her hands, and settling its conditions for herself, instead of letting things drift as they might, she insisted on declining the hospitable shelter pressed upon her by a near relative, on the excellent ground that it is wrong for an invalid to impose restraints upon a healthy household. She proceeded to establish herself in lodgings at Tynemouth, on the coast of Northumberland. Here she lay on a couch for nearly five years, seeing as few persons as might be, and working at such literary matters as came into her head with steadfast industry and fortitude. The ordeal was hard, but the little book that came of it, Life in a Sickroom, remains to show the moods in which the ordeal was borne.

At length Miss Martineau was induced to try mesmerism as a possible cure for her disease, and what is certain is, that after trying mesmeric treatment, the invalid whom the doctors had declared incurable shortly recovered as perfect health as she had ever known. A virulent controversy arose upon the case, for, by some curious law, physicians are apt to import into professional disputes a heat and bitterness at least as marked as that of their old enemies, the theologians. It was said that Miss Martineau had begun to improve before she was mesmerised, and what was still more to the point, that she had been taking heavy doses of iodine. 'It is beyond all question or dispute,' as Voltaire said, 'that magic words and ceremonies are quite capable of most effectually destroying a whole flock of sheep, if the words be accompanied by a sufficient quantity of arsenic.'

Mesmerism was indirectly the means of bringing Miss Martineau into an intimate acquaintance with a gentleman, who soon began to exert a decisive influence upon the most important of her opinions. Mr. Atkinson is still alive, and we need not say much about him. He seems to have been a grave and sincere person, using his mind with courageous independence upon the great speculative problems which were not in 1844, as they are in 1877, the common topics of every-day intercourse among educated people. This is not the place for an examination of the philosophy in which Miss Martineau was finally landed by Mr. Atkinson's influence. That philosophy was given to the world in 1851, in a volume called Letters on the Laws of Man's Nature and Development. The greater part of it was written by Mr. Atkinson in reply to short letters, in which Miss Martineau stated objections and propounded questions. The book points in the direction of

Pages