A Classic Reprint from AMAZING STORIES, October, 1929

Illustrated by BRIGGS

The CHAMBER of LIFE

By G. PEYTON WERTENBAKER

Copyright 1929 by E. P. Inc.

A Strange Awakening

My first sensation was one of sudden and intense cold—a chill that shot through my body and engulfed it like a charge of electricity. For a moment I was conscious of nothing else. Then I knew that I was sinking in cold water, and that I was fighting instinctively against the need to gasp and breathe fresh air. I kicked weakly and convulsively. I opened my eyes, and squeezed them as the bright green water stung them. Then I hung for an instant as if suspended over the depths, and began to rise. It seemed hours before I shot up into the open air again, and was drinking it deeply and thankfully into my tortured lungs. The sun touched my head warmly like the hand of a benign god.

Floating gently, I lay there for a long while before I even looked about me. There was a vague confusion in my head, as if I had just awakened from a long sleep. Some memory seemed to be fading away, something I could still feel but couldn't understand. Then it was gone, and I was alone and empty, riding on the water.

I glanced about, puzzled. Only a few yards away rose the gray stone side of the embankment, with its low parapet, and behind that the Drive. There was no one in sight—not even a car—and the open windows of the apartment houses across the Drive seemed very quiet. People slept behind them.

It was only a little after dawn. The sun, blazing and tinted with pink, had hardly risen from the horizon. The lake was still lined with dark shadows behind glittering ridges of morning sunlight, and a cool breeze played across my face, coming in from the east. Over the city, the sound of a street car rumbling into motion, rising and dying away, was like the crowing of a rooster in the country.

I shivered, and began to swim. A few strokes brought me to the embankment, and I clambered up, almost freezing as I left the water. I was fully clothed, but without a hat. Perhaps I had lost it in the lake. I stood there, dripping and chill, and suddenly I realized that I had just waked up in the water. I had no recollection of falling in, nor even of being there. I could remember nothing of the previous night.

A glance along the Drive told me where I was, at the corner of Fifty-third street. My apartment was only a few blocks away. Had I been walking in my sleep? My mind was a blank, with turbulent, dim impressions moving confusedly under the surface.

Trembling in the chill air, I started up the Drive. I must go home and change at once. Something came back to me—a memory of talking to some friends at the Club. But was that last night? Or months ago? It was as though I had slept for months. We had had a few drinks—could I have been drunk, and fallen into the lake on my way home? But I never took more than two or three drinks. Something had happened.

Then I remembered the stranger. We had all been sitting about the lounge, talking of something. What had we been discussing? Franklin had mentioned Einstein's new theory—we had played with that for a while, none of us with the least idea what it was about. Then the conversation had shifted slowly from one topic to another, all having to do with scientific discoveries.

Somewhere in the midst of it, Barclay had come in. He brought with him a guest—a straight, fine-looking man with a military carriage, about fifty years old. Barclay had introduced him as Mr. Melbourne. He spoke with a slight southern accent.

In some way Melbourne and I gravitated into a corner. We went on with the conversation while the others left it. They drifted into politics, drawing together about the table where the whisky stood, leaving us alone.

Melbourne had been a fascinating man to talk to. He discussed topics ranging from theories of matter to the early Cretan culture, and related them all to one dominant scientific thread. He spoke like a man of wide knowledge and experience.... As I walked up the Drive, bits of his conversation came disjointedly back to me with the clarity and significance of sentences from Spengler.

An early-morning taxi went by slowly as I crossed the Drive to my apartment. The driver stopped a moment, and looked at me in astonishment.

"What's the matter, buddy," he said, "you look all wet. Fall in the lake?" I smiled, embarrassed.

"Looks that way, doesn't it?" I answered.

"Can I take you anywhere?"

"No," I said, "I live here." He grinned, and started off again.

"Wish I'd been in on that party!" he called back, as he drove away.

I frowned, once more with that puzzled feeling, and went in.

Melbourne's Story

Glimpses of last night came back to me and pieced themselves together slowly while I undressed and drew the water for my bath.

Melbourne had been interested to know that I worked for Bausch, the motion picture producer.

"Perhaps you could be of aid to me some time," he said thoughtfully.

"In what way, Mr. Melbourne?" I asked him.

"I can talk to you about that later," he replied cryptically. "Tell me about your work."

So I told him the conception I had of the motion pictures to be made in the future. He listened with keen interest.

"I visualize a production going beyond anything done today," I said, "and yet one that would be possible now, if there were someone capable of creating it. A picture with sound and color, reproducing faithfully the ordinary life about us, its tints and voices, even the noises of the city—or traffic passing in the street and newsboys crying the scores of the afternoon games—vividly and naturally. My picture would be so carefully constructed that the projector could be stopped at any moment and the screen would show a scene as harmonious in design and composition and coloring, and as powerful in feeling, as a painting by Rockwell Kent." After a pause I added, "And I'd give almost anything if I could do it myself."

Melbourne looked at me sympathetically, reflectively.

"It might be possible," he said after a time.

"What do you mean, Mr. Melbourne?" He puffed at a cigar, and considered.

"It's not something I could explain to you off-hand," he said. "It's strange and it's new. It needs preparation."

"I'm ready to listen," I said with eager interest. He smiled.

"Perhaps I had better tell you a little of my life."

"Go on," I answered briefly.

"I had ideas much like yours when I was a boy," he began his story. "In high school and college I had believed myself an artist. I was a good musician, and I dabbled with painting and literature. I wanted to come back for post-graduate work, though, and something attracted me to science. I had put off studying mathematics until my graduating year, only to find that it fascinated me. And I was curious about physics.

"While I was studying for my Master's