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قراءة كتاب Fifty-Two Stories For Girls

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‏اللغة: English
Fifty-Two Stories For Girls

Fifty-Two Stories For Girls

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دار النشر: Project Gutenberg
الصفحة رقم: 8

where no one will be ashamed of her because she was poor."

The lady turned a little pale, and expressed herself as shocked, and then, having offered some cold condolences, spoke to the coachman; and as we passed on we heard the quick rattle of the horses' hoofs, as the barouche rolled down the long drive.

There are times when silence is golden, and this was one! I did not speak until we came to a five-barred gate, on the topmost rung of which Margot laid her arms, bent her head, and sobbed like a little child.

I put my arm round her neck to comfort her.

"Margot, chérie," I whispered, "tell me why you weep."

It appeared that the professor had been used to teach the little delicate son of the purse-proud lady, and that he had taken great interest in the little fellow both on account of his backwardness and frail health.

"After he died," said Margot, "his mother seemed grateful for these small kindnesses, and called upon us. Sometimes she sent the carriage for maman to spend a few hours at Bellevue, but always when the weather was unpleasant. Then, you see, I used to go to the Seawoods for my mother, take bouquets of violets, Easter eggs, and other small complimentary tokens of regard, and madame would exclaim, 'How sweet!' or 'How lovely!' but always in a patronising manner. I only told the 'How sweet!' and 'How beautiful!' to mother, because she used to look wistfully at me, and say how glad she was that I had some English friends.

"Once, I remember, I was passing Bellevue at night with papa; it was a cold, January evening, with snow falling, and we shivered a little. They were giving a grand party, the house was lit up like an enchanted palace, and papa (who is often as sweetly simple as Don Quixote) said:

"'I cannot understand why your friends have overlooked you, petite, you could have worn the little grey frock with blue trimmings, eh?'

"They never understood how hollow a friendship it was. They could not realise that others could display a meanness of which they themselves were incapable, and I suppose it was only my own proud heart, less free from the vanity of human weakness than theirs, which made me detect and resent it; and so I had to endure the misery of this proud patronage and let my parents think I was enjoying the friendship of love. To be proud and dependent, Gloria, is to be poor indeed. But I must conquer my pride, if only that I may conquer my poverty, and as Miss Melford told us at scripture this morning, he that conquers his own proud heart is greater than he that taketh a city."

Then she linked her arm in mine, and said:

"The Good God has allowed me to become poor, but he has given me one talent, I can paint, and if only for papa's sake I must overcome evil with good and try to win a victory over myself."

II.
The Palm-Bearers.

Miss Melford, and a chosen party of the senior girls (of whom I was one), stood in our beautiful Art Gallery attentively studying a water colour on the line. The picture was numbered 379 in the catalogue, was called "Palm-Bearers," and was painted by Miss Margot Revere! Our Margot, the girl who had been my classmate, whom I had loved as a sister. The scene portrayed was a procession of early Christians entering an Eastern city at Eastertide. There were matrons and maids, golden-haired children, and white-haired men, all bearing green palm branches, under an intense, cerulean sky.

"Well done, Margot," said Miss Melford softly, with a suspicious dimness in her eyes, and there was a general chorus of approval from all beholders.

Margot, who was much older than I, had left school long since, had studied, worked, copied in the great Art Galleries, exhibited, and sold her works.

She was then in Rome with her father, who had become blind, and I had at that moment a long letter from her in my bag, as I stood looking at her picture. In one passage of it she had written: "the girl with the crown of white roses in my last painting is my little Gloria, my girl comrade, who consoled me when I was sad, who watched next my pillow when I was sick, and when sad memories made me cry at night crept to me through the long dormitory and knelt beside me, like a white-robed ministering angel. Apropos of palms, mama was a palm-bearer; I must win one before I look on her dear, dear face." As I thought on these words, Miss Melford's voice speaking to Gurda broke in on my thoughts.

"Dear, dear, how extremely like to Gloria is that figure in the middle of Margot's painting!"

"Of course, Miss Melford, Margot will have sketched it from her. She was her chum, her soul's sister."

"Her soul's sister!" Those three words went with me through the gallery; into the sculpture room, amidst white marble figures, into the room full of Delia Robbia and majolica ware, everywhere!

Even when we descended the flight of steps, and came into the great white square, I seemed to hear them in the plashing of the fountains.

III.
The Rain of Fire.

It was August, and rain had fallen on the hot, parched earth.

The bells in the church tower were ringing a muffled peal, and as I listened to the sad, sweet music, I thought of Margot, lonely Margot, who had seen her father laid under the ilex trees, and then gone to visit a distant relative at Château Belair in the West Indies. It was a strange coincidence, but as I thought of her the servant brought in a card, bearing the name, M. Achille Levasseur, beneath which was pencilled:

"Late of Château Belair, and cousin of the late Mademoiselle Margot Revere."

So Margot was dead, had gone to join her loved ones where there are no distinctions between rich and poor.

Stunned, and half incredulous, I told the maid to show him in, and in a few minutes a tall, dark, foreign looking man stood in the bright, flower-scented room which (it being recess), I occupied in Miss Melford's absence.

I rose, bowed, and asked him to be seated, then, with an effort, said:

"M'sieu, I am Gloria, Margot's chum, and chosen sister. Tell me about her."

The story was a short one, we had neither of us a desire to dwell upon the details. The island had been subject to the fury rain of a quenchless volcano. Whole villages had been overwhelmed and buried in the burning lava, and hundreds had met with a fiery death. In the midst of the mad confusion, Margot's calm presence and example inspired the strong, reassured the terrified, aided the feeble, and helped many on the way to safety. How many owed their lives to her, her cousin could not say, but that it was at the cost of her own, was only too terribly true. She had helped her cousin's family on to the higher ground, which ensured safety from the boiling lava, only to discover that one little one had been left behind peacefully sleeping in her cot, the little baby who had been christened Gloria at Margot's desire in memory of me. It was a terrible moment to all but Margot, and to her it was the moment of a supreme inspiration. She dashed down the hill before she could be stayed, though the ground shook under her feet, and the burning sea of fiery rain was pouring down the valley below. She reached the house and seized the infant, and started with frenzied speed to ascend the hill again. Her cousin, who had seen to the safety of the others of his family, had now started out to meet her. They saw each other and hurried with all the speed they could to meet. Within touch a terrific explosion deafened them as the father seized his child, and Margot, struck by a boulder belched from the throat of

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