anxiously and hopefully from above:

"Are ye comin', mates? Are ye comin'? Heave along, boys! D'ye hear me! I'm your skipper. Heave along!"

Uniacke half turned to the painter, whose face was very white.

"What are ye waitin' for?" continued the voice. "I heard ye comin'. I heard ye at the door. Come up, I say, and welcome to ye! Welcome to ye all, mates. Ye've been a damned long time comin'."

"He thinks—he thinks—" whispered Uniacke to his companion.

"I know. It's cruel. What shall we—"

"Ye've made the land just in time, mates," continued the voice. "For there's a great gale comin' up to-night. The 'Flying Fish' couldn't live in her under bare poles, I reckon. I'm glad ye've got ashore. Where are ye, I say? Where are ye?"

The sound of the voice approached the two men on the stairs. The thread of light broadened and danced on the stone. High up there appeared the great figure of a man in a seaman's jersey with a peaked cap on his head. In his broad rough hands he held a candle, which he shaded with his fingers while he peered anxiously and expectantly down the dark and narrow funnel of the stairway.

"Hulloh!" he cried. "Hulloh, there!"

The hail rang down in the night. Sir Graham was trembling.

"I see ye," cried the Skipper. "It's Jack, eh? Isn't it little Jack, boys? Young monkey! Up to his damned larks that I've reckoned up these many nights while I've stood ringin' here! I'll strike the life out of ye, Jack, I will. Wait till I come down, lads, wait till I come down!"

And he sprang forward, his huge limbs shaking with glad excitement. His feet missed a stair in his hurry of approach, and throwing abroad his hands to the stone walls of the belfry in an effort to save himself, he let fall the candlestick. It dropped on the stones with a dull clatter as the darkness closed in. The Skipper, who had recovered his footing, swore a round oath. Sir Graham and Uniacke heard his heavy tread descending until his breath was warm on their faces.

"Where are ye, lads?" he cried out. "Where are ye? Can't ye throw a word of welcome to a mate?"

He laid his hands heavily on Uniacke's shoulders in the dark, and felt him over with an uncertain touch.

"Is it Jack?" he said. "Why, what 'a ye got on, lad? Is it Jack, I say?"

"Skipper," Uniacke said, in a low voice, "it's not Jack." As he spoke he struck a match. The tiny light flared up unevenly right in the Skipper's eyes. They were sea-blue and blazing with eagerness and with the pitiful glare of madness. Over the clergyman's shoulder the pale painter with his keen eyes swept the bearded face of the Skipper with a rapid and greedy glance. By the time the match dwindled and the blackness closed in again the face was a possession of his memory. He saw it even though it was actually invisible; the rugged features dignified by madness, the clear, blue eyes full of a saddening fire, and—ere the match faded—of a horror of disappointment, the curling brown beard that flowed down on the blue jersey. But he had no time to dwell on it now, for a dreary noise rose up in that confined space. It was the great seaman whimpering pitifully in the dark.

"It isn't Jack," he blubbered, and they could hear his huge limbs shaking. "Ye haven't come back, mates, ye haven't come back. And the great gale comin' up, the great gale comin'."

As the words died away, a gust of wind caught the belfry and tore at its rough-hewn and weather-worn stones.

"Let us go down," said Sir Graham, turning to feel his way into the church.

"Come, Skipper," said Uniacke, "come with us."

He laid hold of the seaman's mighty arm and led him down the stairs. He said nothing. On a sudden all the life and hope had died out of him. When they gained the grey churchyard and could see his face again in the pale and stormy light, it looked shrunken, peaked and childish, and the curious elevation of madness was replaced by the uncertainty and weakness of idiocy. He shifted on his feet and would not meet the pitiful glances of the two men. Uniacke touched him on the shoulder.

"Come to the Vicarage, Skipper," he said kindly. "Come in and warm yourself by the fire and have some food. It's so cold to-night."

But the seaman suddenly broke away and stumbled off among the gravestones, whimpering foolishly like a dog that cannot fight grief with thought.

"The sea—ah, the hatefulness of the sea!" said the painter, "will it ever have to answer for its crimes before God?"

Uniacke and his guest sat at supper that night, and all the windows of the Vicarage rattled in the storm. The great guns of the wind roared in the sky. The great guns of the surf roared on the island beaches. And the two men were very silent at first. Sir Graham ate little. He had no appetite, for he seemed to hear continually in the noises of the elements the shrill whimpering of a dog. Surely it came from the graves outside, from those stone breasts of the dead.

"I can't eat to-night," he said presently. "Do you think that man is lingering about the church still?"

They got up from the table and went over to the fire. The painter lit a pipe.

"I hope not," Uniacke said, "but it is useless attempting to govern him. He is harmless, but he must be left alone. He cannot endure being watched or followed."

"I wish we hadn't gone to the church. I can't get over our cruelty."

"It was inadvertent."

"Cruelty so often is, Uniacke. But we ought to look forward and foresee consequences. I feel that most especially to-night. Remorse is the wage of inadvertence."

As he spoke, he looked gloomily into the fire. The young clergyman felt oddly certain that the great man had more to say, and did not interrupt his pause, but filled it in for himself by priestly considerations on the useless illumination worldly success seems generally to afford to the searchers after happiness. His reverie was broken by the painter's voice saying:

"I myself, Uniacke, am curiously persecuted by remorse. It is that, or partly that, which has affected my health so gravely, and led me away from my home, my usual habits of life, at this season of the year."

"Yes?" the clergyman said, with sympathy, without curiosity.

"And yet, I suppose it would seem a little matter to most people. The odd thing is that it assumes such paramount importance in my life; for I'm not what is called specially conscientious, except as regards my art, of course, and the ordinary honourable dealings one decent man naturally has with his fellows."

"Your conscience, in fact, limits its operations a good deal, I know."

"Precisely. But if it will not bore you, I will tell you something of all this."

"Thank you, Sir Graham."

"How the wind shakes those curtains!"

"Nothing will keep it out of these island houses. You aren't cold?"

"Not in body, not a bit. Well, Uniacke, do you ever go to see pictures?"

"Whenever I can. That's not often now. But when my work lay in cities I had chances which are denied me at present."

"Did you ever see a picture of mine called 'A sea urchin'?"

"Yes, indeed—that boy looking at the waves rolling in!—who could forget him? The soul of the sea was in his eyes. He was a human being, and yet he seemed made of all sea things."

"He had never set eyes upon the sea."

"What?" cried Uniacke, in sheer astonishment, "the boy who sat for that picture? Impossible! When I saw it I felt that you had by some happy chance lit on the one human being who contained the very soul of an element. No merman could so belong of right to the sea as that boy."

"Who was a London model, and had never heard the