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قراءة كتاب The Tapestry Book

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The Tapestry Book

The Tapestry Book

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دار النشر: Project Gutenberg
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THE
TAPESTRY
BOOK

BY

HELEN CHURCHILL CANDEE

Author of “Decorative Styles and Periods”

WITH FOUR PLATES IN COLOUR AND NINETY-NINE
ILLUSTRATIONS IN BLACK-AND-WHITE

Decorative logo

NEW YORK
FREDERICK A. STOKES COMPANY
MCMXII

HERSE AND MERCURY

Renaissance Brussels Tapestry, Italian Cartoon. W. de Pannemaker, weaver.
Collection of George Blumenthal, Esq., New York

Copyright, 1912, by
Frederick A. Stokes Company

———

All rights reserved, including that of translation into foreign
languages, including the Scandinavian

October, 1912

TO
TWO CERTAIN BYZANTINE MADONNAS
AND THEIR OWNERS


AN ACKNOWLEDGMENT

Modesty so dominates the staff in art museums that I am requested not to make mention of those officers who have helped me with friendly courtesy and efficiency. To the officers and assistants at the Metropolitan Museum of Art in New York, the Art Institute of Chicago, the Museum of Fine Arts in Boston, and the Print Department in the Library of Congress in Washington, indebtedness is here publicly acknowledged with the regret that I may not speak of individuals. Photographs of tapestries are credited to Messrs. A. Giraudon, Paris; J. Laurent, Madrid; Alinari, Florence; Wm. Baumgarten, and Albert Herter, New York, and to those private collectors whose names are mentioned on the plates.

H. C. C.


CONTENTS

CHAPTER PAGE
I A Foreword 1
II Antiquity 15
III Modern Awakening 25
IV France and Flanders, 15th Century 32
V High Gothic 51
VI Renaissance Influence 64
VII Renaissance to Rubens 72
VIII Italy, 15th through 17th Centuries 81
IX France 90
X The Gobelins Factory 105
XI The Gobelins Factory (Continued) 117
XII The Gobelins Factory (Continued) 126
XIII The Gobelins Factory (Continued) 135
XIV Beauvais 145
XV Aubusson 154
XVI Savonnerie 159
XVII Mortlake 163
XVIII Identifications 172
XIX Identifications (Continued) 186
XX Borders 201
XXI Tapestry Marks 216
XXII How It Is Made

Pages