about a great bargain in a cemetery lot in a new cemetery being laid out in Kansas City; he bought it on the installment plan, a dollar down and twenty-five cents a month, to be paid until he died, and he bragged a great deal about his shrewdness in getting the lot on those terms. He chuckled as he said that he would be dead in five years at the most and would have a seventy-five dollar lot for a mere song. He made us promise that when that time does come we will write up his obsequies under the head "A Mail-Order Funeral." He added, as he stood with his hand on the door screen, that he had no use for the preachers and the hypocrites in the churches in this town, and that he was taking a paper called the "Magazine of Mysteries," that teaches some new ideas on religion and that he expects to wind up in a mail-order Heaven.

And this is the material with which we do our day's work—Mail-Order Petrie, Marshal Furgeson, the pretty girls in the flower parade, the wise clubwomen, the cut-glass society crowd, the proud owner of the automobile, the "respectable parties concerned," the proprietor of the Golden Eagle, the clerks in the Bee Hive, the country crook who aspires to be a professional criminal some day, "the leading citizen," who spends much of his time seeing the sights of his country, the college boys who wear funny clothes and ribbons on their hats, and the politicians, greedy for free advertising. They are ordinary two-legged men and women, and if there is one thing more than any other that marks our town, it is its charity, and the mercy that is at the bottom of all its real impulses.

Our business seems to outsiders to be a cruel one, because we have to deal as mere business with such sacred things as death and birth, the meeting and parting of friends, and with tragedies as well as with comedies. This is true. Every man—even a piano tuner—thinks his business leads him a dog's life, and that it shows him only the seamy side of the world. But our business, though it shows the seams, shows us more of good than of bad in men. We are not cynics in our office; for we know in a thousand ways that the world is good. We know that at the end of the day we have set down more good deeds than bad deeds, and that the people in our town will keep the telephone bell ringing to-morrow, more to praise the recital of a good action than they will to talk to us about some evil thing that we had to print.

Time and again we have been surprised at the charity of our people. They are always willing to forgive, and be it man or woman who takes a misstep in our town—which is the counterpart of hundreds of American towns—if the offender shows that he wishes to walk straight, a thousand hands are stretched out to help him and guide him. It is not true that a man or woman who makes a mistake is eternally damned by his fellows. If one persists in wrong after the first misdeed it is not because sheltering love and kindness were not thrown around the wrongdoer. We have in our town women who have done wrong and have lived down their errors just as men do, and have been forgiven. A hundred times in our office we have talked these things over and have been proud of our people and of their humanity. We are all neighbours and friends, and when sorrow comes, no one is alone. The town's greatest tragedies have proved the town's sympathy, and have been worth their cost.

II

The Young Prince

We have had many reporters for our little country newspaper—some good ones, who have gone up to the city and have become good newspaper men; some bad ones, who have gone back to the livery-stables from which they sprang; and some indifferent ones, who have drifted into the insurance business and have become silent partners in student boarding-houses, taking home the meat for dinner and eating finically at the second table of life, with a first table discrimination. But of all the boys who have sat at the old walnut desk by the window, the Young Prince gave us the most joy. Before he came on the paper he was bell-boy at the National Hotel—bell-hop, he called himself—and he first attracted our attention by handing in personal items written in a fat, florid hand. He seemed to have second sight. He knew more news than anyone else in town—who had gone away, who was entertaining company, who was getting married, and who was sick or dying.

The day the Young Prince went to work he put on his royal garment—a ten-dollar ready-made costume that cost him two weeks' hard work. But it was worth the effort. His freckled face and his tawny shock of red hair rose above the gorgeous plaid of the clothes like a prairie sunset, and as he pranced off down the street he was clearly proud of his job. This pride never left him. He knew all the switchmen in the railroad yards, all the girls in the dry-goods stores, all the boys on the grocers' waggons, all the hack-drivers and all the barbers in town.

These are the great sources of news for a country daily. The reporter who confines his acquaintance to doctors, lawyers, merchants and preachers is always complaining of dull days.

But there was never a dull day with the Young Prince. When he could get the list of "those present" at a social function in no other way, he called up the hired girl of the festal house—we are such a small town that only the rich bankers keep servants—and "made a date" with her, and the names always appeared in the paper the next day; whereupon the proud hostess, who thought it was bad form to give out the names of her guests, sent down and bought a dozen extra copies of the paper to send away to her Eastern kin. He knew all the secrets of the switch shanty. Our paper printed the news of a change in the general superintendent's office of the railroad before the city papers had heard of it, and we usually figured it out that the day after the letter denying our story had come down from the Superintendent's office the change would be officially announced.

One day when the Prince was at the depot "making the train" with his notebook in his hand, jotting down the names of the people who got on or off the cars, the general superintendent saw him, and called the youth to his car.

"Well, kid," said the most worshipful one in his teasingest voice, "What's the latest news at the general offices to-day?"

The Young Prince turned his head on one side like a little dog looking up at a big dog, and replied:

"Well, if you must know it, you're going to get the can, though we ain't printing it till you've got a chance to land somewhere else."

The longer the Prince worked the more clothes he bought. One of his most effective creations was a blue serge coat and vest, and a pair of white duck trousers linked by emotional red socks to patent-leather shoes. This confection, crowned with a wide, saw-edged straw hat with a blue band, made him the brightest bit of colour on the sombre streets of our dull town. He wore his collars so high that he had to order them of a drummer, and as he came down street from the depot, riding magnificently with the 'bus-driver, after the train had gone, the clerks used to cry: "Look out for your horses; the steam-piano is coming!"

But it didn't affect the Young Prince. If he happened to have time and was feeling like it, he would climb down over the rear end of the 'bus and chase his tormentor into the back of the store where he worked, but generally the Young Prince took no heed of the jibes of the envious. He was conscious that he was cutting a figure, and this consciousness made him proud. But his pride did not cut down the stack of copy that he laid on the table every morning and every noon. He couldn't spell and he was innocent of grammar, and every line he wrote had to be edited, but he got the news. He was every where. He rushed down the streets after an item, dodging in and out of stores and offices like a streak of chain lightning having a fit. But it was beneath his dignity to run to fires. When the fire-bell rang, he