her!”—Pa sent the old sheep to eat coke; and it was:

“Up, Lily! Get on your bike! Look alive!”

And the bloomers that Lily wore out! Ma was kept busy in the dressing-room mending the rents at the knees and patching the seats:

“What a tomboy!” Ma cried.

And this went on for months and months. And then came Chicago; a visit of Pa’s to the agents; and a contract with the New York Olympians, a variety-show coming from the West and returning to New York by Columbus and Pittsburg. And new people, new people; stars of every kind: the Para woman, a rheumatic juggler, who was obliged to change her turn and become an exhibitor of performing parrots, a ragged, molting troupe, picked up cheap at second-hand; an infant prodigy who topped the bill, a boy-violinist, leading an orchestra, too, at fourteen, a pretentious little humbug trained to make a few movements, while others did the work. Lily thought him so good-looking she simply couldn’t take her eyes off him. And then she had some big girl-friends who had had love affairs! They were the Three Graces, gymnasts endowed with bodies like so many Apollos, honest German faces and a bewildering amount of strength, pluck and precision....

“What smackings that must have taken!” thought Pa.

But no, their uncle and manager, Mr. Fuchs—a name as famous in its way as Martello’s—was known for his gentleness and adored and coddled and pampered by the Three Graces, who, at a sign from “Nunkie,” as they called him, joyously rushed to practice, taking a pride in pleasing their dear Nunkie.

“The old rogue!” said Pa enviously. “He has an easy time of it; whereas I, with my skinny kitten, damn it ...!”

Well, well, he mustn’t complain, as he himself admitted: one more rung which he had mounted, thanks to his Lily, that engagement with the best variety-show in the States; nothing but big theaters: Orpheums! Dominions! And New York next! And then London! Things were moving, moving! And Pa looked lovingly at his Lily, as she played at being grown up with the Three Graces, in the train on Sunday, traveling from town to town, while Ma was knitting things for her tomboy. He talked to Mr. Fuchs as between equals, as between man and man, as between the manager of a star and the owner of a troupe; and the train rushed on, rushed on, with an indistinct sound of the engine-bell, now and again, when they crossed a street. Mr. Fuchs, heavy-jawed, slow of speech, said that he had had enough of traveling, at his age, if it were not for his dear nieces. He would like to retire to the country, to his little home, and grow his roses, as soon as he had married off his dear nieces, which would not be long, no doubt. As it was, one of them, Thea, the one who did five pullings-up with her left hand, had his permission to receive letters from her sweetheart, a young man at St. Louis, quite well-off. The idyl made good Mr. Fuchs blossom into a genial smile: family life! Simple joys! The only true ones! Worth more than the stage! And Nunkie talked and talked: the Parisienne, a perpetual scandal! And wait a bit: what was that he heard at an agent’s the other day? Yes, the daughter of his old friend Martello, Ave Maria her name was, had left her brother, and run away from Mexico with a man! Tut, tut, the things one saw nowadays!

Pa hardly listened to the old crock, preferred to dream of New York and the success his Lily would achieve there! And Lily, sitting close by, listened with all her ears, puckered her little forehead: love, love.... And Ave Maria, who had run away with a man.... Why with a man? And she squeezed up against Thea, the Grace who was in love ... put question after question.... She talked of her boy-violinist, of Trampy. And they all laughed boisterously, with heads thrown back, full-throated, and Nunkie, very paternally, congratulated Mr. Clifton on his daughter’s niceness.

“For goodness’ sake, don’t go putting it into her head that she’s pretty, the little devil!” protested Ma. “That would be the last straw!”

The arrival in New York was a disappointment to Pa. The authorities insisted on seeing the papers this time. Lily was under age; just as at ’Frisco. What! Why? Because of former scandals, it appeared: Martello and Ave Maria. What had he, a British subject, to do with those Dagoes who spoil the profession? growled Pa. He ended by rebelling against the injustice of it, thought of the Three Graces hard at work rehearsing under Nunkie’s eye, while he, Clifton, had not even the right to set foot on a stage and let Lily practise there. To work, to work, damn it! And he locked her up all day in her room doing her balancings, the boomerang on the front wheel, the standstill on the back-wheel, or the bike upside down, with Lily standing on the pedals, like a convict on the tread-mill. The pack of fools! Because a Dago had whipped his sister, wasn’t a Pa to have the right to bring his own daughter up? To work, to work! And he kept her at it for hours and hours, watched and knit his brows, like a sage pondering for hours over the solution of a problem.

Lily, breathless, would turn a look of entreaty upon her Ma, but Mrs. Clifton, with her nose bent over her work, pretended not to see, obstinately went on cutting out, patching, sewing her tomboy’s bloomers. Lily longed for Trampy....

At night, Pa ran from theater to theater: from Fourteenth Street, where they lodged, to Twenty-third Street; took the elevated to Fifty-eighth Street, to Hundred and-twenty-fifth Street! All theaters at which Lily would have triumphed but for those dirty Dagoes! And the things that were served up to the public, pooh! Clifton laughed with scorn. Troupes of English dancing-girls—the famous Roofers—with movements like stuffed dolls; and cyclists, pooh! Hauptmanns, fat freaks turned out in Berlin: if that was the best they could do, pooh! Oh, if he had only had the right to send his New Zealander on Wheels scooting in among their legs, just to show the public what a star really was! And all the morning he ran about the town talking of “childish tricks—a big girl” to the police and “wonderful tricks—the only girl of her age who can do them” to the agents in the St. James’ Building. Oh, if he could have London! He longed to measure his strength against all those famous names—Marjutti, Laurence, the Pawnees—just to show them his Lily!

And now it was the last stage. All around stretched the dark sea; and the liner sped—thud, thud, thud—through a gloomy set. Three days more and then Liverpool; and London at last! Pa was about to realize his dream. He had signed, at last, for the Castle, in London! It was all right, it was all right! Prospects fine! And Harrasford was on board; it seemed a sign of good luck! He was traveling with his architect. Harrasford, the great English manager—Pa knew them all by name—Harrasford, the man for whom a whole nation of “artistes” toiled and moiled nightly. Pa had caught a glimpse of him.... He would have liked to introduce his Lily to him; no matter, he would know her one day, when she was starring in his halls! And on the Bill and Boom Tour! And elsewhere! She would soon be famous.

Ma, who remained lying in her bunk sucking lemons, would have liked to have her Lily by her, within call, to keep her mother company, that great big girl spoiled by her Pa, even when she was not performing, as in New York; ... a new cloak and boots and gewgaws ... a couple of fools together, that’s what Ma called them! And she needed watching, that tomboy, who would break her leg one of these days, tumbling up and down the companion-way. But Lily preferred to enjoy herself and expended on running about the energies which she no longer had to devote to her practising. Her accumulated