father always ate by himself, and Hester, too. Caliban will never let anyone see him eat: I have often tried, but he hides himself."

The waiter brought them at this point an ivory-white salad of endive set with ruby points of beet, drenched in pure olive-oil, and of this soothing luxury Margarita consumed two large plates in dreamy silence.

"I like this food," she remarked at last, "I like it better than Hester's."

Roger grew literally warm with satisfaction. He was still smiling when she spooned out a great mouthful of the delicate ice before her and under his amazed eyes set her teeth in it.

The horror of that humiliating scene woke him, years afterward, through more than one clammy midnight. In one second the peaceful dining-room was a chattering, howling reign of terror. For Margarita, with a choking cry of rage and anguish, threw the ice with terrible precision into the bland face of the waiter who had brought it; threw her glass of water with an equal accuracy into the wide-open eyes of the head waiter, who appeared instantly; threw Roger's wine-glass full into his own horrified face as he rose to catch her death-dealing hand, and lifting with the magnificent single-armed sweep of a Greek war-goddess her chair from behind her, stood facing them, glaring silently, a slate-eyed Pallas gloriously at bay!

The red wine poured down Roger's face like blood; the force of the blow nearly stunned him, but by a supreme effort he bit furiously at his tongue and the pain steadied him. As he swept the table over with a crash and wrenched the chair from her hand (and he took his strength for it) he became aware that the angry excitement behind his back, the threatening babel, had subsided to long-drawn sighs of pity, and realised with a sort of disgusted relief that the blow he had himself suffered from this panting, writhing mænad had somehow changed the situation and that he was an object of horrified sympathy. Mercifully, the room was scantily filled, for it was early, and his curt explanation was accepted in respectful silence.

"Mademoiselle is—is not responsible for her act, I beg you to believe," he said grimly, white with humiliation and pain. "I beg you will accept ..."

The two waiters pocketed a week's earnings in voluble deprecation, the proprietor shrugged his excitement away into an admirable regret, the diners wrenched their eyes from Margarita's face and affected to see nothing as Roger buttoned her cheapish vague-coloured jacket around her and ordered her sternly to straighten her hat. Her fingers literally trembled with rage, her soft, round breasts, strangely distinct in outline to his fingers as he strained the tight jacket over them, rose and fell stormily; in a troubled flash of memory he seemed to be handling some throbbing, shot bird. His own clumsiness and strange, heady elation he attributed to the shock of the wine in his face.

In an incredibly short time the table was upright, the débris removed, the room, except for the indefinable, electric sense of recent tragedy that hovers over such scenes, much as it had been. Roger had carried, fortunately for him, a light overcoat on his arm, and this would hide his white, stained triangle of vest with a little management. Grasping Margarita by the arm he led her out of the room, and for the first time questioned her.

"Are you mad?" he muttered. "What do you mean by such a performance?"

"That man," she answered, her voice vibrating like a swept violoncello, "is a devil. Did you not see what he gave me? It was not food at all, but freezing snow. Snow should not be in a glass, but on the ground. It is plain that he wishes to kill me."

Her resonant voice filled every corner of the room; it was impossible for anyone in it to miss the situation, and with a sudden inspiration Roger spoke with a special distinctness to the proprietor, noticing that the dozen persons at the tables were obviously French, and using that language.

"Mademoiselle is but recently come out of the convent," said he. "She has lived always in the provinces and has never had the honour of tasting such admirable forms of dessert as Monsieur offers his patrons."

The proprietor bowed; an extraordinary mixture of expressions played over his countenance.

"That sees itself, Monsieur," he replied. "The affair is already forgotten. I have summoned a closed carriage for Monsieur."

And thus it was that Roger found himself for the second time in a carriage with Margarita Joséphine Dolores, but with a great difference in his attitude toward that young person. It is a fact possibly curious but certainly undeniable, that when one receives a wine-glass full in the face at the hands of an acquaintance, however recent, this acquaintance is placed immediately upon terms of a certain intimacy with one; the ice, at least, is broken. An unconscious conviction of this coloured Roger's tone and shone in his eyes.

"You must never do such a thing as that, Margarita," he said, "that was a terrible thing to do."

"It was a terrible thing that he did to me," replied Margarita composedly.

"Nonsense," said Roger, "perfect nonsense! The man meant you no harm. He brought you only what I had ordered for you."

"You! You told him to try to kill me?" cried this unbelievable Margarita, and turning in her seat with the swiftness of a panther she slapped him, a stinging, biting blow, flat across his cheek. A tornado of answering rage whirled him out of himself and seizing her wrists, he bent them behind her back.

If I seem to be unwarrantably acquainted with Roger's emotions at this crisis, it is only because I understand them from experience, not because he analysed them at length for me. I too have been in conflict, real physical conflict, with Margarita. I too have felt that old unpitying frenzy, that unreasonable delight in vanquishing her furious strength. Something in Roger—I know how suddenly, how amazingly—strained and snapped; the old bonds of civilisation (which with the Anglo-Saxon has always been feminisation) burst and dropped away, and the lust of physical ascendency caught him and swept the pretty legends of moral control and chivalrous forbearing into the dust bins and kitchen middens of nature's great domestic economy. What was it in Margarita that drew that old, primitive passion, that ancient world-stuff out of its decorous grave, all planted with orchids and maiden-hair, that woke it with a rough shout in us and offered us at the same time its natural gratification—a fierce fight and a certain victory? God knows and knows better, perhaps, than the Devil that Roger's ancestors would have been quick to credit with the exclusive knowledge.

Civilisation and her mysterious daughter whom we call nowadays Culture have tried to teach us that golf and lawn tennis and, for the lustiest, fencing, or the control of a spirited horse, must best translate in your house-broken citizen of forty the heat that surged up in Roger then; but to most of us it becomes once or twice apparent in our sidewalk career, our delicate journey from mahogany sideboards to mahogany beds, that this teaching is idiotic to the last degree, however strictly the police have enforced it; and we know that only the man that forged with clenched teeth after Atalanta, tenderly hungry for all her uncaptured whiteness, brutally driving the pace till her heart burst in her side if need be, tasted the supremest ecstasy of the fighting that lifts us that one tantalising step above the savage—the fight for joy. I am convinced that it is after some one of those red glimpses that a certain proportion of us every year of the world's life throws his chest weights out of window, settles his tailor's bill, and is off for Africa or Greenland with a hatchet and a cartridge belt. We become thus