sparrows and the loud pipings of the cardinals. Quaint as our little contralto's solos are, they have a distinct fascination for me, and now that I no longer live in the Sunflower state, I miss them sorely when the springtime comes.

These sparrows do not, I believe, breed in Kansas, but are known to establish their households in the northern part of Illinois, central and northern Iowa, the Red River region in Minnesota, the country drained by the upper Missouri River and its tributaries, Manitoba as far north as the Saskatchewan River, and the plains and bases of the foothills of eastern Colorado. Their nests are built on the ground or in low bushes, and from three to five eggs, of a greenish-blue tint, flecked with cinnamon-brown, are deposited. They spend the winters in southern Texas and still farther south. Only "accidentally," as the word goes, are they known in the eastern part of the United States, and for that reason little has yet been written about them in popular books on birds. The time will come, no doubt, when they will have a well-recognized place in bird literature, just as the chippie, the vesper sparrow, and the song sparrow have to-day.

In bird study it is never safe to take too much for granted. One must be constantly on the alert, and, more than that, one must be able to make fine distinctions with both the ear and the eye. Here is a case in point. For many days, while strolling about in quest of bird lore, I heard a quaint little song in the bushy clumps, and that, too, in some of the most out-of-the-way places. "It is nothing but the house wren," I muttered to myself, I know not how often. "It isn't worth while to look for it when there are new birds to be found. Still, it's singular," I continued, "that the house wren should dwell in such secluded places. It would seem that his name is a misnomer—at least, in a good many instances." Several times I stopped to listen more intently to the rolling ditty. "There's something odd about that wren's song," I repeated. "Does the house wren always close its song with the rising inflection, as if it were asking a question?"

Then I would perhaps make a half-hearted attempt to get a glimpse of the lyrist, but it kept itself well hidden in the bushes, and I desisted, begrudging the time taken from my quest for feathered rarities. But one day, while strolling along the banks of a small stream, I again heard the labored ditty, and the next moment a small bird darted into full view, calling and scolding in an agitated way, and, while I watched it capering about, it broke into the very song to which for several weeks I had been listening so carelessly. Why, it was not a wren after all! It did not look like a wren, nor act like one, but, rather, its form and conduct were like those of a vireo; and a vireo it was. My bird manual soon settled that point. And what was the name of the little stranger who had introduced himself in so informal a way? It was the Bell vireo, an entirely new species to me.

It is not an eastern species; it ranges from Illinois to the base of the Rocky Mountains. In Kansas it is a summer resident, hanging its little basket of a nest on the twigs of bushes or low trees, after the regular vireo fashion. It was my good fortune to find a nest on a copsy hilltop, where the bird's madrigals and lullabies mingled with those of the yellow-breasted chats, the indigo buntings, the blue-gray gnat catchers, and the Kentucky warblers. To this day I feel a longing to visit the secluded spot where I held so many pleasant interviews with these birds.

Another Kansas bird that was new to my eyes and that afforded me much delight was the Harris sparrow—a distinctively western species, not known, or at least very rarely, east of the Mississippi River. He is truly a fine bird, a little larger than the fox sparrow, neatly clad, his breast prettily decorated with a brooch of black spots held in place by a slender necklace of the same color, while his throat and forehead are bordered with black. His rump and upper tail coverts are a delicate shade of grayish brown, by which he may be readily distinguished from the fox sparrow, whose rear parts are reddish brown. His beak, feet, and legs are of a pinkish tint, making him look quite trig and dressy. The latest of the spring arrivals were the most highly colored, having the whole chin, throat, and top of the head a glossy, uniform black.

It would appear that the most matured individuals migrate farthest south in winter. That, at least, would be the natural conclusion, judging from the fact that they arrive latest in the spring in our central latitudes. In the southern part of Kansas the Harris sparrows are said to be common winter sojourners, but in the north-eastern part of the state they disappeared in November or December, and did not return until the middle of February, or later if the weather happened to be severe. From the time of their vernal arrival they were to be seen in every ramble until they took flight for their breeding haunts in the North. One spring some of them were still loitering in Kansas on the eleventh of May, and were singing blithely, no doubt waiting for the winter cold of their summer homes to be well past before they ventured farther toward the arctic lands.

In general, the habits of these birds are much like those of the white-throated sparrows, which are much more common in the East than in the West. The Harris sparrows are fond of copses and hedges, and especially of brush heaps in new grounds. So marked, indeed, is their penchant for brush heaps that I almost wish one might re-christen them "brush-heap sparrows." Many a time I have played a little trick on the unsuspecting birds by stealing up to a brush pile and giving it a sudden blow with my cane; then a whole covey of them would dash pellmell from their covert with loud chirps of protest against such wantonness.

Sometimes they are found in the depths of the woods, providing there is thick underbrush in which they can conceal themselves. I seldom found them in open places either in the woods or fields. Yet, shy as they are, they have a fondness for the dense hedges along the highways, flitting and chirping as the traveler passes by.

Being wary birds, they do not wander far from their hiding places, into which they precipitate themselves at the approach of a supposed danger. It was quite a while before I could get a clear view of their breasts, for, with provoking persistence, they kept their tails turned toward me. However, when once you really become acquainted with a bird, it seems to lose part of its shyness, and so after a time I often had the Harris sparrows in plain view. One of their characteristic habits was to stand at full height on the top of a brush heap, with tail lifted, crest feathers erect, and eyes wide open, the picture of wild alertness. In such poses they are indeed handsome birds.

It was March 5, 1898, when I heard the first song of this sparrow, and even then it was only a fragment of a song. But, the weather remaining pleasant, the sixteenth of the month brought a fine concert. The bird's song was a surprise to me. It began with a prolonged run so much like the opening tremolo of the white-throated sparrow that it might have led the most expert ornithologist astray. The fact is, I looked around for quite a while in search of a white-throat, thinking him still a little out of tune, and therefore unable to finish his chanson; and I was undeceived only by the singing of several Harris sparrows that with unusual boldness had perched in plain sight. The resemblance ceased, however, with the opening notes, for the western bird did not add the sweet, rhythmic triad of his white-throated cousin, the closing part of his song being only a somewhat labored trill of no distinct character, and not fulfilling the promise of his initial strain.

In the concerts of these birds—and frequently many of them would be trilling at the same time—they sang in several different keys, some of them striking the treble and others dropping almost to the alto. Occasionally