times. To say nothing of several girl friends, who had listened with evident wonder and delight, to various parts of the tale, as it progressed.

"If that is true," answered Miss Fern, slowly—, "could not the trouble be remedied by sending the MSS. to some very competent person and having the errors made right?"

Mr. Gouger smiled.

"Hardly," he said. "A novel is like a painting. The ensemble—do you understand?—is the thing. Can you conceive a painting being 'done over'? Your book would lose its quality if subjected to that process."

A look of discouragement crossed the features of the young woman.

"Of course, you know best," she stammered. "What would you advise me—try again?"

Mr. Gouger raised both his hands.

"It is difficult to say, in such a case," he replied. "But—if you want my best opinion—"

"That is just what I want," said the girl, with ill-concealed impatience.

"You are not dependent upon your exertions, I suppose, for a living?"

Millicent shook her head, almost sorry at the moment that she could not reply in the affirmative.

"Then—I should give up the idea of being an authoress."

This was very unpalatable medicine, and the critic realized it as he looked at the sombre face before him.

"Is your rejection of my story based at all," asked Miss Fern, after a pause, "on the—boldness of its subject?"

Mr. Gouger smiled again.

"We publish the works of Hall Caine and George Moore," he said. "I should not consider your story overbold, if there was nothing else against it. It is a wonder to me, and always will be, why such young girls as you choose risqué themes, but if the work is well done the public will pay for it."

There was a slight blush on Miss Fern's face, partly at the insinuation and partly at the adverse criticism that had crept thoughtlessly into the sentence.

"For my part," she explained, "I wanted to write something that would attract attention—that would put my name prominently before the public and keep it there. The girls I read it to thought the scenes just lovely, though some said perhaps their mothers would not feel that way. And I told them that the mothers of to-day were very old-fashioned, and that the public taste was changing rapidly. If the story is too bold, there are things I could cut out of it, but if you say that would make no difference, I would rather let them stand. I intend to try some other concern before I give up."

Mr. Archie Weil had abandoned all pretence of looking out the window. He stood with his eyes fastened on the pretty girl, as she made these statements in such a matter-of-fact way. He wondered what the dickens the story was about, and made up his mind that he would try to get possession of it.

"All the same," responded Mr. Gouger, who had apparently forgotten his lunch in his growing interest in the conversation, "I don't see where girls like you obtain such an intimate knowledge of things. You are not over twenty—excuse me, I am old enough to tell you this without offence. It is not you alone, but a hundred others who have made me ask myself this question. As soon as the modern girl gets a bottle of ink and a pen and begins to let her thoughts flow over paper, it transpires that she knows everything—more than everything, almost. Why, I was twenty-five before I was as wise as the heroine of sixteen, in this story of yours!"

Miss Fern reddened again, all the more because she had glanced up and encountered the bright eyes of Mr. Weil fixed upon her.

"Why, Archie," pursued the literary man—he turned toward Mr. Weil—"you remember Lelia Danté, you have seen her here. Five or six years ago I got a letter from that young girl's mother asking me to come to their residence and hear a story she had written. It was her first one, and the child was not a day over seventeen. I couldn't believe it when she came into the room, with her hair tumbled about her shoulders, and began to read to me the first chapter of 'Zaros.' 'Did she write that?' I asked her mother, incredulously. 'Certainly,' she replied. 'Without aid from any one?' 'Absolutely alone.' My hair stood on end. I could not keep it down for the next week with a brush. You know the story. We printed it, and it sold well, and that is all that C. & S. cared about it; but I never understood how that infant could conceive it. No more than I can understand your ability to write this story of yours, Miss Fern," he added, pointedly.

The young woman bridled a little.

"It does not matter much, if you are not going to print it," she said, raising her eyes to his.

He bowed low to express whatever apology might be necessary.

"I would have accepted it if I could," he said. "My entire life is spent in reading manuscripts in the hope of discovering one that will make a hit with the public to whom we cater. When successful I am as pleased as a South African who fishes a diamond of the first water out of the mine. Your story, Miss Fern, shows decided talent. You have a greater knowledge of some of the important things of life, I will wager, than your grandmother had at eighty, if she lived so long. As I am obliged to go now, let me add, without mincing matters, that you are very deficient in English grammar, and that nothing you can write will be acceptable to any first-class house until that fault is remedied. Are you ready, Archie?"

Mr. Weil felt indignant. He could not have spoken to any girl as pretty as this one in such language, and he thought it quite inexcusable on the part of his friend to do so. Mr. Gouger, though feeling that it was best to use little circumlocution, had not meant to wound his caller. But her countenance showed that he had wounded her, and the natural gallantry of his younger companion came to the rescue.

"I am not ready yet," said Mr. Weil, telegraphing at the same time a series of signals with his eyes. "I want a few minutes' talk with Miss Fern, if you will introduce me. I think I can say something she will like to hear."

Mr. Gouger, who now stood in such a position that Miss Fern could not see him, shook his head to imply that he did not fancy this arrangement; but he ended by saying, "Very well." He then abruptly made the presentation, put on his hat, said good-by, and vanished.

Miss Millicent, who had risen, turned with an air of puzzled inquiry toward Mr. Weil.

"Be seated again, for a moment," he said, politely. "I want your permission to read your story."

"Why, I don't know," she answered. "Are you one of the employes of Cutt & Slashem?"

He smilingly denied the imputation.

"I have not that felicity," he added, "but I am much interested in things literary, and have a rather wide acquaintance in this line of business. If I could be allowed to read your MSS. perhaps I should form a milder opinion of its faults than my unbending friend. And in that case a word from me, to another house, would certainly do you no harm."

A brighter light came into Miss Millicent's eyes.

"I shall be only too glad to have you read it," she answered. "It is hard to believe that I have wasted almost a year in something entirely worthless. You may take it with pleasure."

Mr. Weil went to Mr. Gouger's desk, from which he soon came with the parcel in question. He untied the string and for a moment his gaze rested on the handwriting.

"Do you live far from here?" he began; and then added, as he noticed the address on an enclosed card, "Ah, I see! At Midlands."

She explained herself rather more to him, giving the full address of her father, and some particulars about the manner in which she had been drawn into attempting literary work. He listened