on the threshold of the house in Holywell Street. Let us go in.

III.

Godfrey and Rafael passed from the street into the outer shop of the old mansion in Holywell Street. It was a masquerade warehouse to all appearance. A dark-eyed damsel of the nation was standing at the dark and grimy counter, strewed with old feathers, old yellow hoots, old stage mantles, painted masks, blind and yet gazing at you with a look of sad death-like intelligence from the vacancy behind their sockets.

A medical student was trying one of the doublets of orange-tawny and silver, slashed with dirty light blue. He was going to a masquerade that night. He thought Polly Pattens would admire him in the dress—Polly Pattens, the fairest of maids-of-all-work—the Borough Venus, adored by half the youth of Guy's.

"You look like a prince in it, Mr. Lint," pretty Rachel said, coaxing him with her beady black eyes.

"It IS the cheese," replied Mr. Lint; "it ain't the dress that don't suit, my rose of Sharon; it's the FIGURE. Hullo, Rafael, is that you, my lad of sealing-wax? Come and intercede for me with this wild gazelle; she says I can't have it under fifteen bob for the night. And it's too much: cuss me if it's not too much, unless you'll take my little bill at two months, Rafael."

"There's a sweet pretty brigand's dress you may have for half de monish," Rafael replied; "there's a splendid clown for eight bob; but for dat Spanish dress, selp ma Moshesh, Mistraer Lint, ve'd ask a guinea of any but you. Here's a gentlemansh just come to look at it. Look 'ear, Mr. Brownsh, did you ever shee a nisher ting dan dat?" So saying, Rafael turned to Lord Codlingsby with the utmost gravity, and displayed to him the garment about which the young medicus was haggling.

"Cheap at the money," Codlingsby replied; "if you won't make up your mind, sir, I should like to engage it myself." But the thought that another should appear before Polly Pattens in that costume was too much for Mr. Lint; he agreed to pay the fifteen shillings for the garment. And Rafael, pocketing the money with perfect simplicity, said, "Dis vay, Mr. Brownsh: dere's someting vill shoot you in the next shop."

Lord Codlingsby followed him, wondering.

"You are surprised at our system," said Rafael, marking the evident bewilderment of his friend. "Confess you would call it meanness—my huckstering with yonder young fool. I call it simplicity. Why throw away a shilling without need? Our race never did. A shilling is four men's bread: shall I disdain to defile my fingers by holding them out relief in their necessity? It is you who are mean—you Normans—not we of the ancient race. You have your vulgar measurement for great things and small. You call a thousand pounds respectable, and a shekel despicable. Psha, my Codlingsby! One is as the other. I trade in pennies and in millions. I am above or below neither."

They were passing through a second shop, smelling strongly of cedar, and, in fact, piled up with bales of those pencils which the young Hebrews are in the habit of vending through the streets. "I have sold bundles and bundles of these," said Rafael. "My little brother is now out with oranges in Piccadilly. I am bringing him up to be head of our house at Amsterdam. We all do it. I had myself to see Rothschild in Eaton Place this morning, about the Irish loan, of which I have taken three millions: and as I wanted to walk, I carried the bag.

"You should have seen the astonishment of Lauda Latymer, the Archbishop of Croydon's daughter, as she was passing St. Bennet's, Knightsbridge, and as she fancied she recognized in the man who was crying old clothes the gentleman with whom she had talked at the Count de St. Aulair's the night before." Something like a blush flushed over the pale features of Mendoza as he mentioned the Lady Lauda's name. "Come on," said he. They passed through various warehouses—the orange room, the sealing-wax room, the six-bladed knife department, and finally came to an old baize door. Rafael opened the baize door by some secret contrivance, and they were in a black passage, with a curtain at the end.

He clapped his hands; the curtain at the end of the passage drew back, and a flood of golden light streamed on the Hebrew and his visitor.