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قراءة كتاب Modern Women and What is Said of Them A Reprint of A Series of Articles in the Saturday Review (1868)

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Modern Women and What is Said of Them
A Reprint of A Series of Articles in the Saturday Review (1868)

Modern Women and What is Said of Them A Reprint of A Series of Articles in the Saturday Review (1868)

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دار النشر: Project Gutenberg
الصفحة رقم: 8

energy with smallness; perhaps, also, with a certain tint of yellow hair, which, with a dash of red through it, is decidedly suggestive of nervous force. Suggestiveness, indeed, does not go very far in an argument; but the frequent connection of energy and smallness in women is a thing which all may verify in their own circles. In daily life, who is the really formidable woman to encounter?—the black-browed, broad-shouldered giantess, with arms almost as big in the girth as a man's? or the pert, smart, trim little female, with no more biceps than a ladybird, and of just about equal strength with a sparrow? Nine times out of ten, the giantess with the heavy shoulders and broad black eyebrows is a timid, feeble-minded, good tempered person, incapable of anything harsher than a mild remonstrance with her maid, or a gentle chastisement of her children. Nine times out of ten her husband has her in hand in the most perfect working order, so that she would swear the moon shone at midday if it were his pleasure that she should make a fool of herself in that direction. One of the most obedient and indolent of earth's daughters, she gives no trouble to any one, save the trouble of rousing, exciting, and setting her agoing; while, as for the conception or execution of any naughty piece of self-assertion, she is as utterly incapable as if she were a child unborn, and demands nothing better than to feel the pressure of the leading-strings, and to know exactly by their strain where she is desired to go and what to do.

But the little woman is irrepressible. Too fragile to come into the fighting section of humanity, a puny creature whom one blow from a man's huge fist could annihilate, absolutely fearless, and insolent with the insolence which only those dare show who know that retribution cannot follow—what can be done with her? She is afraid of nothing, and to be controlled by no one. Sheltered behind her weakness as behind a triple shield of brass, the angriest man dare not touch her, while she provokes him to a combat in which his hands are tied. She gets her own way in everything, and everywhere. At home and abroad she is equally dominant and irrepressible, equally free from obedience and from fear. Who breaks all the public orders in sights and shows, and, in spite of king, kaiser, or policeman X, goes where it is expressly forbidden that she shall go? Not the large-boned, muscular woman, whatever her temperament; unless, indeed, of the exceptionally haughty type in distinctly inferior surroundings, and then she can queen it royally enough, and set everything at most lordly defiance. But in general the large-boned woman obeys the orders given, because, while near enough to man to be somewhat on a par with him, she is still undeniably his inferior. She is too strong to shelter herself behind her weakness, yet too weak to assert her strength and defy her master on equal grounds. She is like a flying-fish, not one thing wholly; and while capable of the inconveniences of two lives, is incapable of the privileges of either.

It is not she, for all her well-developed frame and formidable looks, but the little woman, who breaks the whole code of laws and defies all their defenders—the pert, smart, pretty little woman, who laughs in your face, and goes straight ahead if you try to turn her to the right hand or to the left, receiving your remonstrances with the most sublime indifference, as if you were talking a foreign language she could not understand. She carries everything before her, wherever she is. You may see her stepping over barriers, slipping under ropes, penetrating to the green benches with a red ticket, taking the best places on the platform over the heads of their rightful owners, settling herself among the reserved seats without an inch of pasteboard to float her. You cannot turn her out by main force. British chivalry objects to the public laying on of hands in the case of a woman, even when most recalcitrant and disobedient; more particularly if a small and fragile-looking woman. So that, if it is only a usurpation of places especially masculine, she is allowed to retain what she has got amid the grave looks of the elders—not really displeased though at a flutter of her ribbons among them—and the titters and nudges of the young fellows.

If the battle is between her and another woman, they are left to fight it out as they best can, with the odds laid heavily on the little one. All this time there is nothing of the tumult of contest about her. Fiery and combative as she generally is, when breaking the law in public places she is the very soul of serene daring. She shows no heat, no passion, no turbulence; she leaves these as extra weapons of defence to women who are assailable. For herself she requires no such aids. She knows her capabilities and the line of attack that best suits her, and she knows, too, that the fewer points of contact she exposes the more likely she is to slip into victory; the more she assumes, and the less she argues, the slighter the hold she gives her opponents. She is either perfectly good-humored or blankly innocent; she either smiles you into indulgence or wearies you into compliance by the sheer hopelessness of making any impression on her. She may, indeed, if of the very vociferous and shrill-tongued kind, burst out into such a noisy demonstration that you are glad to escape from her, no matter what spoils you leave on her hands; just as a mastiff will slink away from a bantam hen all heckled feathers and screeching cackle, and tremendous assumption of doing something terrible if he does not look out. Any way the little woman is unconquerable; and a tiny fragment of humanity at a public show, setting all rules and regulations at defiance, is only carrying out in the matter of benches the manner of life to which nature has dedicated her from the beginning.

As a rule, the little woman is brave. When the lymphatic giantess falls into a faint or goes off into hysterics, she storms, or bustles about, or holds on like a game terrier, according to the work on hand. She will fly at any man who annoys her, and bears herself as equal to the biggest and strongest fellow of her acquaintance. In general she does it all by sheer pluck, and is not notorious for subtlety or craft. Had Delilah been a little woman she would never have taken the trouble to shear Samson's locks. She would have defied him with all his strength untouched on his head, and she would have overcome him too. Judith and Jael were both probably large women. The work they went about demanded a certain strength of muscle and toughness of sinew; but who can say that Jezebel was not a small, freckled, auburn-haired Lady Audley of her time, full of the concentrated fire, the electric force, the passionate recklessness of her type? Regan and Goneril might have been beautiful demons of the same pattern; we have the example of the Marchioness de Brinvilliers as to what amount of spiritual deviltry can exist with the face and manner of an angel direct from heaven; and perhaps Cordelia was a tall dark-haired girl, with a pair of brown eyes, and a long nose sloping downwards.

Look at modern Jewesses, with their flashing Oriental orbs, their night-black tresses, and the dusky shadows of their olive-colored complexions; as catalogued properties according to the ideal, they would be placed in the list of the natural criminals and lawbreakers, while in reality they are about as meek and docile a set of women as are to be found within the four seas. Pit a fiery little Welsh woman or a petulant Parisienne against the most regal and Junonic amongst them, and let them try conclusions in courage, in energy, or in audacity; the Israelitish Juno will go down before either of the small Philistines, and the fallacy of weight and color in the generation

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