قراءة كتاب The Mirror of Taste, and Dramatic Censor, Vol. I, No. 4, April 1810
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The Mirror of Taste, and Dramatic Censor, Vol. I, No. 4, April 1810
translated from the Greek, and read over no less than two hundred times his comedy of The Clouds. A partiality which no doubt will be allowed to reflect much credit on that lady's taste, moral as well as critical, especially when it is considered that it was by that comedy the death of Socrates was accomplished. Socrates had expressed his disapprobation of the licentiousness of the comic poets, in their conduct as well as writings. This exasperated Aristophanes, who, to accomplish his revenge, conspired with three profligates named Melitus, Lycon, and Anytus, orators and rhetoricians, to destroy that godlike being. Defended by the reverence in which the people held him, Socrates was perpetually secured from the feeble villany of these three associates, till Aristophanes joining them, broke down by wit the barrier that protected him. In the comedy of the Clouds he threw the venerable old man into such forcible ridicule as overset all the respect of the mob for his character, and all their gratitude for his services, and they no longer paid the least reverence to the philosopher whom for fifty years Athens had regarded as a being of a superior order. This accomplished, the conspirators stood forth to criminate him; and the philosopher was summoned before the tribunal of five hundred, where he was accused—first, of corrupting the Athenian youth—secondly, of making innovations in religion—and thirdly, of ridiculing the gods which the Athenians worshipped. To prove these evident falsehoods, false witnesses were suborned, upon whose perjuries and the envy and malice of the judges, the accusers wholly relied. They were not disappointed. The judges expected from Socrates that abject submission, that meanness of behaviour, and that servility of defence which they were accustomed to receive from ordinary criminals. In this they were deceived; and his firmness and uncomplying integrity is supposed to have accelerated his fall.
The death of Socrates has always been considered one of the most interesting and afflicting events in history—interesting as it exhibits in that illustrious philosopher the highest dignity to which mere human nature has ever attained, and afflicting as it displays in the Athenians the lowest depth of baseness to which nations may sink. In the history of the Grecian drama it is necessarily introduced, as it serves to throw a light upon the effects produced by the dramatic poetry upon that people, and because a consideration of the manner of that philosopher's death is inseparably connected with the character of the first of their comic poets, Aristophanes: this chapter therefore will conclude with a circumstantial relation of that event, taken from a celebrated historian:
"Lysias, one of the most celebrated orators of the age, composed an oration in the most splendid and pathetic terms, and offered it to Socrates to be delivered as his defence before the judges. Socrates read it; but after having praised the eloquence and animation of the whole, rejected it, as neither manly nor expressive of fortitude; and comparing it to Sicyonian shoes, which though fitting, were proofs of effeminacy, he observed that a philosopher ought to be conspicuous for magnanimity, and for firmness of soul. In his defence he spoke with great animation, and confessed that while others boasted they knew every thing, he himself knew nothing. The whole discourse was full of simplicity and grandeur—the energetic language of offended innocence. He modestly said, that what he possessed was applied for the service of the Athenians. It was his wish to make his fellow-citizens happy, and it was a duty he performed by the special command of the gods, "Whose authority," said he emphatically to his judges, "I regard more than yours." This language astonished and irritated the judges, and Socrates was condemned by a majority of only three votes. When, according to the spirit of the Athenian laws, he was called upon to pass sentence on himself, and to choose the mode of his death, he said, "For my attempts to teach the Athenian youth justice and moderation, and to make the rest of my countrymen more happy, let me be maintained at the public expense the remaining years of my life in the Pyrtaneum, an honour, O Athenians which I deserve more than the victors of the Olympic games: they make their countrymen more happy in appearance, but I have made you so in reality." This exasperated the judges still more, and they condemned him to drink hemlock. Upon this he addressed the court and more particularly the judges who had decided in his favour, in a pathetic speech. He told them that to die was a pleasure, since he was going to hold converse with the greatest heroes of antiquity: he recommended to their paternal care his defenceless children, and as he returned to the prison, he exclaimed, "I go to die, you to live; but which is the best the divinity alone can know.""
The celebration of the Delian festivals suspended his execution for thirty days, during which he was loaded with irons; his friends, particularly his disciples, were his constant attendants, he discoursed with them with his wonted cheerfulness and serenity—one of them expressing his grief that he should suffer, though innocent, Socrates replied, "would you then have me die guilty?"—with this composure he spent his last days, instructing his pupils, and telling them his opinions in support of the immortality of the soul. And, oh what a majestic spectacle! disregarded the entreaties of his friends, and when it was in his power to make his escape from prison refused it. Crito having bribed the jailor and made his escape certain, urged Socrates to fly; "where shall I fly," he replied, "to avoid the irrevocable doom passed on all mankind?" Christians! wonder at this heathen, and profit by his example! in his last days he enlarged upon the wicked crime of suicide, which he reprobated with an acrimony not usual with him, declaring it to be an inexpiable offence to the gods, and degrading to man because the basest cowardice.
When the hour to drink the poison came, the executioner presented him the cup, with tears in his eyes. Socrates received it with composure, and after he had made a libation to the gods, drank it with an unaltered countenance, and a few moments after expired. Thus did the villanous libeller Aristophanes occasion the death of a man whom all succeeding generations have concurred in pronouncing the wisest and best of mankind, in the seventieth year of his age.
Let justice record the sequel! Socrates was no sooner buried, than the Athenians repented of their cruelty. His accusers were despised and shunned; one was put to death; some were banished, and others with their own hands put an end to a life which their cruelty to the first of Athenians had rendered insupportable.
BIOGRAPHY—FOR THE MIRROR.
SKETCH OF THE LIFE OF THE LATE MR. HODGKINSON.
(Continued from page 212.)
It has been found impossible to ascertain, with any degree of precision, the year of Mr. Hodgkinson's birth. At the time of his death, which happened in 1805, he was stated to be thirty-six years of age; but there are many reasons for believing that he was older. There are few ways in which human folly and vanity so often display themselves, as in the concealment of age. The celebrated Charles Macklin clipped from his term of existence not less than ten years, the obscurity of his early life inducing him to fancy he could make his age whatever he pleased without detection. Extremely attached to the sex, he wished to appear youthful in their eyes as long as possible, and fixed his birth at the year 1700; but it has, since