the thoroughfare until the gray haze of the city dimmed everything. And as far as Dave Miller could see, there was no trace of motion.

Cars were poised in the street, some passing other machines, some turning corners. A street car stood at a safety zone; a man who had leaped from the bottom step hung in space a foot above the pavement. Pedestrians paused with one foot up. A bird hovered above a telephone pole, its wings glued to the blue vault of the sky.

With a choked sound, Miller began to run. He did not slacken his pace for fifteen minutes, until around him were the familiar, reassuring trees and shrub-bordered houses of his own street. But yet how strange to him!

The season was autumn, and the air filled with brown and golden leaves that tossed on a frozen wind. Miller ran by two boys lying on a lawn, petrified into a modern counterpart of the sculptor's "The Wrestlers." The sweetish tang of burning leaves brought a thrill of terror to him; for, looking down an alley from whence the smoke drifted, he saw a man tending a fire whose leaping flames were red tongues that did not move.

Sobbing with relief, the young druggist darted up his own walk. He tried the front door, found it locked, and jammed a thumb against the doorbell. But of course the little metal button was as immovable as a mountain. So in the end, after convincing himself that the key could not be inserted into the lock, he sprang toward the back.

The screen door was not latched, but it might as well have been the steel door of a bank vault. Miller began to pound on it, shouting:

"Helen! Helen, are you in there? My God, dear, there's something wrong! You've got to—"

The silence that flowed in again when his voice choked off was the dead stillness of the tomb. He could hear his voice rustling through the empty rooms, and at last it came back to him like a taunt: "Helen! Helen!"

CHAPTER II
Time Stands Still

For Dave Miller, the world was now a planet of death on which he alone lived and moved and spoke. Staggered, utterly beaten, he made no attempt to break into his home. But he did stumble around to the kitchen window and try to peer in, anxious to see if there was a body on the floor. The room was in semi-darkness, however, and his straining eyes made out nothing.

He returned to the front of the house, shambling like a somnambulist. Seated on the porch steps, head in hands, he slipped into a hell of regrets. He knew now that his suicide had been no hallucination. He was dead, all right; and this must be hell or purgatory.

Bitterly he cursed his drinking, that had led him to such a mad thing as suicide. Suicide! He—Dave Miller—a coward who had taken his own life! Miller's whole being crawled with revulsion. If he just had the last year to live over again, he thought fervently.

And yet, through it all, some inner strain kept trying to tell him he was not dead. This was his own world, all right, and essentially unchanged. What had happened to it was beyond the pale of mere guesswork. But this one thing began to be clear: This was a world in which change or motion of any kind was a foreigner.

Fire would not burn and smoke did not rise. Doors would not open, liquids were solid. Miller's stubbing toe could not move a pebble, and a blade of grass easily supported his weight without bending. In other words, Miller began to understand, change had been stopped as surely as if a master hand had put a finger on the world's balance wheel.

Miller's ramblings were terminated by the consciousness that he had an acute headache. His mouth tasted, as Herman used to say after a big night, as if an army had camped in it. Coffee and a bromo were what he needed.

But it was a great awakening to him when he found a restaurant and learned that he could neither drink the coffee nor get the lid off the bromo bottle. Fragrant coffee-steam hung over the glass percolator, but