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قراءة كتاب Suspended Judgments: Essays on Books and Sensations
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Suspended Judgments: Essays on Books and Sensations
kindly possibilities and broad hopeful vistas to which the unsophisticated heart of man naturally and spontaneously turns.
They will be encouraged to go to the "highways and hedges" for their omens, to the felicitous encounters of the common road for their auguries and inspirations. They will listen reverently to the chatter of very simple people, and catch the shadow of the wings of fate falling upon very homely heads. The rough earth-wisdom of ploughed fields, heavy with brown sun-lit mud, will be redolent for them with whispers and hints and intimations of things that no philosophy can include and no psychology explain.
Out of the coarse rankness of rude primitive natures strange sweet mysteries will come to light, and upon the sensual lusts of satyrs, gambolling grossly in rain-soaked leafy midnights, the moon of tender purity will shed down her virginal benediction.
For them the grotesque roots of trees will leer magically from the wayside to meet the uncouth gestures of the labourer and his trull; while in the smoke-thick air of mellow tavern-corners the shameless mirth of honest revellers philosophising upon the world will have a smack of true divinity.
They will be encouraged—the people who read Montaigne—to sink once more into their own souls and enjoy the rare sensations permitted to their own physical and psychological susceptibility, as the great world sweeps by them.
I sometimes think that the wisdom of Montaigne, with its essential roots in physiological well-being, is best realised and understood when on some misty autumn morning, full of the smell of leaves, one lies, just newly awakened out of pleasant dreams, and watches the sunshine on wall and window and floor, and listens to the traffic of the town or the noises of the village. It is then, with the sweet languor of awakening, that one seems conscious of some ineffable spiritual secret to be drawn from the material sensations of the nerves of one's body.
Montaigne, with all his gravity, is quite shameless in the assumption that the details of his bodily habits form an important part, not by any means to be neglected, of the picture he sets out to give of himself.
And those who read Montaigne with sympathetic affinity will find themselves growing into the habit of making much of the sensations of their bodies. They will not rush foolishly and stupidly, like dull economic machines, from bedroom to "lunch counter" and from "lunch counter" to office. They will savour every moment which can be called their own and they will endeavour to enlarge such moments by any sort of economic or domestic change.
They will make much of the sensations of waking and bathing and eating and drinking and going to sleep; just as they make much of the sensations of reading admirable books. They will cross the road to the sunny side of the street; they will pause by the toy-shops and the flower-shops. They will go out into the fields, before breakfast, to look for mushrooms.
They will miss nothing of the caprices and humours and comedies of every day of human life; for they will know that in the final issue none of us are wiser than the day and what the day brings; none of us wiser than the wisdom of street and field and market-place; the wisdom of the common people, the wisdom of our mother, the earth.
In the enjoyment of life spent thus fastidiously in the cultivation of our own sensations, and thus largely and generously in a broad sympathy with the emotions of the masses of men, there is room for many kinds of love. But of all the love passions which destiny offers us, none lends itself better to the peculiar path we have chosen than the passion of friendship. It is the love of an "alter ego," a second self, a twin soul, which more than anything else is able to heighten and deepen our consciousness of life.
The "love of women" has always about it something tragic and catastrophic. It means the plunging of one's hands into frozen snow or burning fire. It means the crossing of perilous glades in tropic jungles. It means the "sowing of the whirlwind" on the edge of the avalanche and the hunting of the mirage in the desert. The ecstasy brought by it is too blinding to serve as an illumination for our days; and for all the tremulous sweetness of its approach it leaves behind it the poison of disillusion and the scars of rancour and remorse.
But the passion of friendship for one of one's own sex burns with a calm clear flame. A thousand little subtleties of observation, that would mean nothing were we alone, take to themselves a significant and symbolic value and lead us down pleasant and flower-strewn vistas of airy fancy. In the absence of our friend the colour of his imagination falls like a magical light upon the saddest and dullest scenes; while with him at our side, all the little jerks and jars and jolts and ironical tricks of the hour and the occasion lose their brutish emphasis and sink into humorous perspective. The sense of having some one for whom one's weakest and least effective moments are of interest and for whom one's weariness and unreason are only an additional bond, makes what were otherwise intolerable in our life easy and light to bear.
And what a delicious sense, in the midst of the open or hidden hostilities of our struggle against the world, to feel one has some one near at hand with whom, crouched in any "corner of the hubbub," we may "make game of that" which makes as much of us!
Love, in the sexual sense, fails us in the bitterest crisis of our days because love, or the person loved, is the chief cause of the misery. Scourged and lacerated by Aphrodite it is of little avail to flee to Eros. But friendship—of the noble, rare, absolute kind such as existed between Montaigne and his sweet Etienne—is the only antidote, the only healing ointment, the only anodyne, which can make it possible for us to endure without complete disintegration "the pangs of despised love" and love's bitter and withering reaction.
Love too—in the ordinary sense—implies jealousy, exclusiveness, insatiable exactions; whereas friendship, sure of its inviolable roots in spiritual equality, is ready to look generously and sympathetically upon every wandering obsession or passing madness in the friend of its choice.
With the exception of the love of a parent for a child this is the only human love which is outward-looking and centrifugal in its gaze; and even in the case of the love of a mother there is often something possessive and indrawing.
How beautifully, how finally, Montaigne, in his description of this high passion, sweeps aside at one stroke all that selfish emphasis upon "advantage" of which Bacon makes so much, and all that idealistic anxiety to retain one's "separate identity" in which Emerson indulges!
"I love him because he is he and he loves me because I am I." This is worthy to be compared with the beautiful and terrible "I am Heathcliff" of the heroine in the Brontë novel.
Emerson speaks as though, having sounded the depths of one's friend's soul, one moved off, with a wave of the hand, upon one's lonely quest, having none but God as one's eternal companion.
This translunar preference for the "Over-soul" over every human feeling is not Montaigne's notion of the passion of friendship. He is more earth-bound in his proclivities.
"He is he and I am I," and as long as we are what we are, in our flesh, in our blood, in our bones, nothing, while we live, can sever the bond between us. And in death? Ah! how much nearer to the pagan heart of this great mystery is the cry of the son of Jesse over the body of his beloved than all the Ciceronian rhetoric in the world—and how much nearer to what that loss means!
Montaigne does not really, as Pater so charmingly hints, break the flexible consistency of his philosophic method when he loves his friends in this unbounded manner. He is too great a sceptic to let his scepticism stand in the way of high adventures of this sort.
The essence of his