WOODWORKING TOOLS
1600–1900

In 1918, PROFESSOR W.M.F. PETRIE concluded a brief article on "History in Tools" with a reminder that the history of this subject "has yet to be studied," and lamented the survival of so few precisely dated specimens. What Petrie found so discouraging in studying the implements of the ancient world has consistently plagued those concerned with tools of more recent vintage. Anonymity is the chief characteristic of hand tools of the last three centuries. The reasons are many: first, the tool is an object of daily use, subjected while in service to hard wear and, in some cases, ultimate destruction; second, a tool's usefulness is apt to continue through many years and through the hands of several generations of craftsmen, with the result that its origins become lost; third, the achievement of an implement of demonstrated proficiency dictated against radical, and therefore easily datable, changes in shape or style; and fourth, dated survivals needed to establish a range of firm control specimens for the better identification of unknowns, particularly the wooden elements of tools—handles, moldings, and plane bodies—are frustratingly few in non-arid archaeological sites. When tracing the provenance of American tools there is the additional problem of heterogeneous origins and shapes—that is, what was the appearance of a given tool prior to its standardization in England and the United States? The answer requires a brief summary of the origin of selected tool shapes, particularly those whose form was common to both the British Isles and the Continent in the 17th century. Beyond this, when did the shape of English tools begin to differ from the shape of tools of the Continent? Finally, what tool forms predominated in American usage and when, if in fact ever, did any of these tools achieve a distinctly American character? In the process of framing answers to these questions, one is confronted by a constantly diminishing literature, coupled with a steadily increasing number of tool types.[1]

Figure 1.—1685: The principal tools that the carpenter needed to frame a house, as listed by Johann Amos Comenius in his Orbis Sensualium Pictus were the felling axe (4), wedge and beetle (7 and 8), chip axe (10), saw (12), trestle (14), and pulley (15). (Charles Hoole transl., London, 1685. Courtesy of the Folger Shakespeare Library.)

Figure 2.—1685: The boxmaker and turner as pictured by Comenius required planes (3 and 5), workbench (4), auger (6), knife (7), and lathe (14). (From Johann Amos Comenius, Orbis Sensualium Pictus. Courtesy of the Folger Shakespeare Library.)

The literature of the subject, both new and old, is sparse, with interest always centering upon the object shaped by the craftsman's tool rather than upon the tool itself. Henry Mercer's Ancient Carpenters' Tools, first published in 1929, is an exception. It remains a rich source of information based primarily on the marvelous collections preserved by the Bucks County Historical Society. Since 1933, the Early American Industries Association, both through collecting and through its Chronicle, has called attention to the vanishing trades, their tools and techniques; the magazine Antiques has occasionally dealt with this subject. Historians of economic and industrial development usually neglect the tools of the woodcrafts, and when considering the toolmakers, they have reference only to the inventors and producers of machine tools. The dearth of written material is somewhat compensated for by the collections of hand tools in American museums and restorations, notably those at Williamsburg, Cooperstown, Old Sturbridge Village, Winterthur, the Henry Ford Museum, and Shelburne; at the latter in particular the extensive collection has been bolstered by Frank H. Wildung's museum pamphlet, "Woodworking Tools at Shelburne Museum." The most informative recent American work on the subject is Eric Sloane's handsomely illustrated A Museum of Early American Tools, published in 1964. Going beyond just the tools of the woodworker, Sloane's book also includes agricultural implements. It is a delightful combination of appreciation of early design, nostalgia, and useful fact.

Figure 3.—1703: The tools of the joiner illustrated by Moxon are the workbench (A), fore plane (B. 1), jointer (B. 2), strike-block (B. 3), smoothing plane (B. 4 and B. 7), rabbet plane (B. 5), plow (B. 6), forming chisels (C. 1 and C. 3), paring chisel (C. 2), skew former (C. 4), mortising chisel (sec. C. 5), gouge (C. 6), square (D), bevel (F), gauge (G), brace and bit (H), gimlet (I), auger (K), hatchet (L), pit saw (M), whipsaw (N), frame saw (O), saw set (Q), handsaw (unmarked), and compass saw (E). (Joseph Moxon, Mechanick Exercises ..., 3rd ed., London, 1703. Library of Congress.)

Figure 4.—1703: Only the principal tools used in carpentry are listed by Moxon: the axe (A), adz (B), socket chisel (C), ripping chisel (D), drawknife (E), hookpin (F), bevel (G), plumb line (H), hammer (I), commander (K), crow (L), and jack (M). (Moxon, Mechanick Exercises ..., 1703. Library of Congress.)

Charles Hummel's forthcoming With Hammer in Hand: The Dominy Craftsmen of East Hampton—to be published by the Yale University Press—will be a major contribution to the literature dealing with Anglo-American woodworking tools. Hummel's book will place in perspective Winterthur Museum's uniquely documented Dominy Woodshop Collection. This extensive collection of tools—over a thousand in number—is rich in attributed and dated examples which range from the early 18th through the mid-19th century. The literature of the subject has been greatly enhanced by the English writer, W.L. Goodman. Extending a series of articles that first appeared in the Journal of The Institute of Handicraft Teachers, Goodman has put together a well-researched