side. Consequently passing the knife between the sticks cannot harm the string in any way.

The Indian conjuror goes still farther than the trick as supplied in the child's box of tricks. After pulling the string to and fro while the sticks are held as a "V" he separates the sticks completely. The same result occurs nevertheless. When he pulls one end of the string the other end is drawn towards its stick. This is brought about by a different construction of the apparatus than that described above.

In this case the string is put through one side of the stick and is attached to a small weight that can move freely up and down the hollowed out centre of the bamboo. When the stick is held vertically the weight will drop and the bead attached to the visible end of the string will be automatically drawn in. When the performer wishes to leave the pulled string out, he must incline the stick to a horizontal position when the weight will not slide down. The diagrams will show how the sticks should be held while showing the trick. It can be easily manufactured or bought in a bazaar for a few annas.

THE RING ON THE STICK

The sticks are put away into the basket, and the magic wand is produced for our next little experiment, that of putting a borrowed ring on to the middle of a stick that is held at both ends. Almost every European in India has seen this performed in India for it is the favourite of the Jadoo-wallah, and is the most effective of the small tricks that he can show. It takes up a considerable time and is simplicity itself.

In case any of my readers have not seen the trick in India, or on their way out at Port Said, I will describe it. The performer either borrows or uses his own thin cane, and passes it round to his audience to show that it is devoid of all mechanism. He then borrows a wedding ring, which he also allows to be freely examined. He gets A and B, two of his audience, to hold the ends of the stick each by one hand. He then boldly proclaims that he proposes to pass the ring on to the middle of the stick without either A or B letting go of their respective ends. In order, however, not to divulge the secret he must pass it on under cover of a handkerchief. He takes the borrowed ring and wraps it up in the middle of the handkerchief which he asks some one to hold, and to feel the ring wrapped up in it. In order to let everyone know that the ring is really there, he takes the stick from A and B and gives a tap on the ring. He then gets A and B to hold the stick once more and persuades C, who is assisting with the handkerchief, to hold it over the middle of the stick. The performer holds the corner of the handkerchief and instructs C to let go his hold on the word "three." "One! two! three!" The handkerchief is sharply pulled away and the borrowed ring is seen to be spinning on the middle of the stick!

This is how it is done. The stick is an ordinary one, thin enough to pass easily through a wedding ring. The only prepared article is the handkerchief, in one corner of which is a duplicate wedding ring sewn into a small pocket. It does not matter whether or no it is exactly similar to the ring that is borrowed, as the performer takes care that the owner of the borrowed ring does not get a chance of feeling the duplicate even through the folds of the handkerchief. When the performer takes the borrowed ring to fold in the handkerchief, he folds the one that is already sewn in it, and secretes the borrowed ring in his hand. He takes the stick from A and B to tap on the ring folded in the handkerchief, really to slide the borrowed ring into the middle of it. He hands the stick back to be held by A and B but keeps his hand over the ring now on it, thus concealing it until it is covered by the handkerchief. When the handkerchief is pulled away on the word "three" it takes with it the ring sewn into its corner and as it brushes the stick it makes the borrowed ring on the stick revolve apparently as if it had just arrived in that position.

For simplicity's sake let us take the various moves as they occur.

A neat little trick that can be performed by anybody who takes the trouble to practice it a couple of times.

CHAPTER IV

THE GLASS BOX

The Glass Box and Ball.

The next trick presented to us is usually the glass box and woollen ball. The performer takes a very badly constructed glass box through which one can see in any direction. He covers this with a handkerchief and places it on the ground. Having played his "bean" for some moments he takes up the box. There is a loud click, and snatching away the handkerchief the Jadoo-wallah shows the box filled with a variegated cloth ball. He opens the lid, takes the ball out, and after casually showing it to the audience thrusts it into his bag. He is inordinately proud of this effort, as he assures one that it is from "Bilayat" (England), a slander that is at once discountenanced by a glimpse at the box, obviously made by the most indifferent "teen banane wallah" (tinsmith) that ever had the impertinence to undertake to make anything.

The construction of the box is shewn in the diagram below. Its sides are of glass but the top and bottom are of tin. Before presenting the trick a cloth ball, made of a spiral spring covered with cloth, (triangular pieces of different colours sewn together), is compressed and placed between the bottom of the box and a glass flap which is pressed down over it until caught by a pin at the back of the box. When the ball is to appear, this pin is pressed and the catch releases the glass flap. The spring in the ball forces it up against one of the sides while the ball fills the box and holds the flap up.

It is a most futile trick with little effect and usually