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قراءة كتاب The Sequel What the Great War will mean to Australia
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The Sequel What the Great War will mean to Australia
German spies on roofs. It was a night of terror—a bomb dropped to fall upon the royal palace, missed and injured two women; a bomb aimed for the Antwerp Bank missed and killed a servant; but one fell into a hospital and another into a crowd in the city square. Five people were blown to atoms.
It must have been an awful night, for it is recorded that the city watchman of Antwerp announced: "12 o'clock and all's hell."
On September 2nd (the anniversary of Sedan), the Zeppelin came again to give its stab in the dark, but finding it was recognised, retreated. It did not rise higher to get out of danger of the air guns and put up a fight. The German in the air takes few risks. It is his temperament. Not so with the Frenchman. He is by nature dashing and volatile. The easy-going of the dirigible little appealed to him. The risk, the speed, the adventure of the aeroplane touched his soul, which explained why France had 2032 military aviators, whilst Germany had only 300 qualified military pilots.
The German lacks the dash, nerve, vim and initiative essential to a successful flier. He is moulded as a cog. He is part of a system—out of that he must not move. It has wrecked his initiative, and the sneer of the greatest German in history, Frederick the Great, has to-day grim significance.
"See those two mules," he said satirically to one of his officers, who lacked initiative, "they have been in fifteen campaigns and—they're still mules."
The German training system has taken all the humanity out of the men. They move like machines, either destroying or rolling on to destruction, and they often act with the dumb sense of the machine to pain and suffering.
Lloyd George has very truly put it: "God made man to his own image, but the German recreated him in the form of a Diesel engine."
No one questioned the efficiency of the German machine. The Allies were disputing its right to go on destroying.
"The New Arm."—Chapter IV.
CHAPTER IV.
The New Arm.
"It strikes me that these fool commanders don't know what to do with us. We aviators seem to be too new to come into all their stunts. Here we've been flying over eight years, and we're still novel enough to be repeatedly fired on by our own side. Why the beggars in our own battery, when they see an aeroplane overhead in their excitement let fly. They don't bother to notice that the plane of our Bleriot hasn't claw ends like the enemy's Taube. Neither do they note we carry our own distinguishing mark. We're the circus show. We're the 'comic relief' sure."
He was about to spit his disgust on an unoffending fly, but quickly changed his mind.
He was a Yank from the U.S.A. Military School at San Diego, and "hiked over the pond as there was nothing doing."
In appearance he was tall and wiry with a thin face and hooked nose that suggested the bird-man. His name on the roll was Walter Edmund Byrne, but his bony appearance won him his nickname—Nap.
We knew nicknames would shock those who stand for the rigid rule of military discipline, but aviators clear the usual wall of demarcation between officers and subordinates. A nod supplants the "heels together and touch your cap."
The Aviation Sections seemed to be communistic concerns, in the air rank being only recognised by achievement. In fact, the new arm was too new to be brought under the iron rule of military etiquette or into most Operation Orders. I told Nap as much.
"Yes," he said, "I guess we're too new. Even when cannon first came into war it was novel enough to fire as often from the wrong end and teach things 'to the man behind the gun'; but I've a bit of dope here that ought to be pasted into every book of your field service regulations, and every officer ought to repeat it before breakfast three times a week. It's the flyers' creed."
Fumbling amongst some newspaper scraps in his note book, he produced this bit of verse.
The snake with poisoned fang defends
(And does it really very well).
The cuttle fish an inkcloud sends;
The tortoise has its fort of shell;
The tiger has its teeth and claws;
The rhino has its horns and hide;
The shark has rows of saw-set jaws;
Man—stands alone, the whole world wide
Unarmed and naked! But 'tis plain
For him to fight—God gave a brain!
Far back in this world's early mists
When man began to use his head;
He stopped from fighting with his fists
And gripped a wooden club instead.
But when the rival tribe was slain,
The first tribe then to stand alone
Had once again to work its brain
And made an axe—an axe of stone!
The stone-axe tribe would hold first place;
And ruled the rest where'er it went.
Because then—as to-day—the race
Was first that had best armament.
But human brain expanding more
(Its limits none can circumscribe);
The stone-axe crowd went down before
The more developed bronze-axe tribe.
Then shields came in to quickly show
Their party victors in the strife:
By warding off the vicious blow
And giving warriors longer life.
The tribe's wise men would urge at length,
No doubt as now, for tax on tax,
To keep the "Two tribe" fighting strength
With "super-dreadnought" shield and axe!
The bow and arrow came and won
For Death came winged from far away.
Then came the cannon and the gun;
And brought us where we are to-day.
And now we see the shield of yore
An arsenal of armour plate;
With crew a thousand men or more;
And guns a hundred tons in weight.
Beneath our seas dart submarines,
Around the world and back again.
But every marvel only means
Some greater triumph of the brain.
For while the thund'ring hammers ring;
And super-dreadnoughts swarm the sea;
There flits above, a birdlike thing,
That claims an aerial sovereignty!
A thing of canvas, stick and wheel
"The two-man fighting aeroplane."
It screams above those hulks of steel:
"Oh! human brain begin again."
Nap was busy with bad language, a size brush and some fabric remnants patching the plane, whilst I read his treasure by my pocket lamp. Then he came over.
"Mind you," he said, "I don't greatly blame folks here. It can't be worse than in America—America, where the first machine got up and made good—where the man the world had waited for for ages, Wilbur Wright (though he's been dead some years), hasn't even got a tablet up to say: 'Good on you old man, God rest your soul.'"
We were standing by our machines, waiting for the dawn light to call us aloft for our daily reconnaissance when Nap let his tongue loose.
"Five years ago, when the Wright Brothers first flew, Europe went dotty and began to offer big prizes for stunts in the air. Wright took his old 'bus across the pond and won everything. Next year our Glen Curtis went over and brought back all the scalps. Then America got tired. We live in