قراءة كتاب Punch or the London Charivari, October 10, 1920

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Punch or the London Charivari, October 10, 1920

Punch or the London Charivari, October 10, 1920

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دار النشر: Project Gutenberg
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for a single dressing. Full particulars with each consignment."

"'Unsightly'!" said the Queen in a trembling voice. "Do you see that?" and she pointed to the offending word with a tiny forefinger. "'Prolonged experiments' too. Do you know, I remember now that I have had complaints from some of our Garden Settlements about discomfort; but of course I never dreamed of anyone doing it on purpose. Do you think—oh, do you think"—she looked at me with tears in her bright eyes—"that it's really true that human beings are beginning to get tired of us? That we're"—she dropped her voice and I saw that she could hardly get out the next words—"out-of-date?"

Her falling tears made tiny marks on the blotting-paper.

"Of course not," I said stoutly. "On the contrary, you're coming in stronger than ever. Why, one might almost look upon you as one of the newest fashionable crazes, like motor-scooters and cinema stars and indiscreet memoirs." I hardly knew what I was saying, it was so dreadful to see her cry.

"Oh, I hope not," she said, half-laughing and hastily dabbing her nose with a ridiculous atom of swansdown which she produced from a minute reticule.

"As to these gentlemen," I continued, pointing contemptuously to the announcement, "we'll very soon settle them." I seized a sheet of paper and began scribbling away as hard as I could go.

The Queen amused herself meanwhile by balancing on the letter-scales. She seemed almost happy. I heard her murmur to herself, "Dear me. Two ounces. I shall have to start dieting. No more honey—"

"There," I said presently, "send them that, and we shall see what we shall see."

This is what I had written:—

"We, Titania, Queen of Fairyland, Empress of the Kingdom of Dreams, Grand Dame of the Order of Absolute Darlings, etc., etc., beg to draw the attention of Messrs. M—— to the enclosed paragraph, impinging gravely on the ancient and indisputable rights and prerogatives of ourselves and our loyal subjects, which appeared in their recent seed catalogue. We feel that the inclusion of the aforesaid paragraph must be due to some oversight, since Messrs. M—— can hardly be unaware of the fact that it is only owing to the co-operation of ourselves and our subjects that they are able to carry on their business with success. We are unwilling to resort to extreme measures, but unless the paragraph is immediately withdrawn we shall be obliged to take steps accordingly, in which case Messrs. M—— are warned that the whole of next year's flower crop may prove an utter and complete failure. Given under our Royal Hand and Seal. Titania R."

The Queen seemed very pleased when I read it over to her.

"It's perfectly splendid," she said, clapping her hands. "How silly of me not to have thought of it; but I was so distracted. Won't it make them sit up? And of course we could do it easily, though it would be rather dreadful, wouldn't it? I shall have it copied out the minute I get home and sent off to-night. By the way" (a little anxiously) "there aren't any split infinitives in it, are there? My chamberlain's rather peculiar about them—they make him ill. Extraordinary, isn't it? But—don't tell anyone—I never quite understand myself what they are or where they split, though it certainly does sound very uncomfortable."

I reassured her on that point.

"Oh, then that's all right," she said; "and I don't think even he would ever have thought of 'impinging'; it's lovely, isn't it? Thank you very much indeed," she added, as she folded up the paper and slipped it under her girdle. "You are a most helpful person. I really think I must—" I felt a touch on my cheek, lighter than the caress of a butterfly's wing, softer than the tip of a baby's finger, sweeter than the perfume of jessamine at night. For a moment the Queen continued to flutter close about me, radiant and shining. I shut my dazzled eyes for an instant. When I opened them she was gone.

I can't help wondering what Messrs. M—— will do. They'll be rather rash if they persist. And yet it does seem a little—Well, doesn't it?

R. F.


NEW RHYMES FOR OLD CHILDREN.

The Bee.

I never, never could admit

The virtues of the bee;

I thought she seemed a dreadful prig

When I was small, and now I'm big

I see she is a hypocrite,

And so, of course, are we.

It's true she rushes to and fro

With business promptitude,

But what about the busy ant?

Oh, let us clear our minds of cant—

Why is it that we love her so?

She manufactures food.

But not for us. If it were shown

She organised the feast

For us to eat, one might agree

About her virtue; but, you see,

She does it for herself alone,

The greedy little beast!

So grasping is the little dear

That every now and then

She readjusts the ration scales

By simply murdering the males,

With many a base, malicious jeer

At "idle gentlemen."

Nor does a man of us cry "Shame!"

Though every man would own

If there is one high hope for which

He labours on at fever-pitch

It is not honour, wealth or fame—

He wants to be a drone.

Why is it, then, we don't abhor

This horrid little prude?

Why don't we cast the foullest slur

On such a Prussian character?

Because, as I remarked before,

She manufactures food.

The world is full of beasts, my son,

And I know two or three

That any parent might employ

To be a model for their boy,

But take my word, we've overdone

The insufferable bee.

A. P. H.


THE NEW POOR.

I remember the time

I remember the time—

when I thought

—when I thought—

I never should ride in a bus

—I never should ride in a bus—

and now

—and now—

I am almost certain

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