hour, Batavian life awakens from the long slumbers of the tropical afternoon, and as the golden light filters through the waving palms, the long Schul-Weg, beside the central canal, fills with saunterers, enjoying the delights of that brief spell, when peace and coolness fall on the world before the sudden twilight drops veil after veil of deepening gloom, merging into the "darkness which may be felt," for the twelve hours of the tropical night. Gathering clouds reveal but scanty glimpses of the moon in these January weeks, but through rifts in the sombre canopy, the Southern stars hang low in the dome of heaven, and shine like burning lamps, appearing almost within reach of an outstretched hand.

BUITENZORG.

The first destination of the up-country traveller in Java is Buitenzorg, the Dutch "Sans Souci," containing the Governor-General's rural Palace, the houses of Court officials, and the superb Botanical Garden, which ranks first among the horticultural triumphs of the world. The two hours' journey by the railway, which now traverses the whole of Java, shows a succession of tropical landscapes, appearing unreal in their fantastic and dream-like beauty. The glowing green of rice-fields, the dense forests of swaying palms, the porphyry tints of the teeming soil, and the purple mountains, carved into the weird contours peculiar to volcanic ranges, frame myriad pictures of unfamiliar native life with dramatic effect. Villages of woven basket-work cluster beneath green curtains of banana and spreading canopies of palm, the central mosque surmounting the tiny huts with many-tiered roofs, and walls inlaid with gleaming tiles of white and blue. Brown figures, with gay sarong and turbaned headgear, bring bamboo buckets to moss-grown wells, gray water-buffaloes crop marshy herbage, a little bronze-hued figure seated on each broad back, and busy workers stand knee-deep in slush, to transplant emerald blades of rice or to gather the yellow crops, for seedtime and harvest go on together in this fertile land. Our train halts at Depok, a Christian village unique in Java, for the religious history of the island shows little missionary enterprise among a race strangely indifferent to the claims of faith, and lightly casting away one creed after another, with a carelessness which has ever proved a formidable bar to spiritual progress. The Portuguese Jesuits were expelled by the Dutch, and English efforts at conversion were succeeded by a general exclusion of foreign missionaries. Public opinion eventually prevented the continuance of this despotic rule, and at the present day a certain number of Roman and Protestant clergy are supported by the Government, but Roman zeal outstrips the niggardly spiritual provision, and proves the appreciation in which it is held by full churches and devout worshippers. The Mohammedanism of the Malay lacks the fiery fervour common to Islam, and his slack hands are ever ready to forego all symbols of faith. From the region of rice and tapioca, maize and sugar-cane, we reach the great cacao plantations, hung with chocolate-coloured pods, and the ruddy kina-groves on the lower slopes of the mountain chain. The palms are everywhere, clashing their huge fronds, and undulating in waves of fiery green, the light and shadow of the golden evening reflected on the swaying foliage. Stately Palmyra, slender areca, graceful pandang with a length of scarlet crowning each smooth grey stem, the mighty royal palm, king of the forest, spreading cocoanuts, and a hundred unknown varieties, soaring among bread-fruit and teak, nutmeg and waringen, reveal the inexhaustible powers of tropical Nature. Buitenzorg occupies an ideal position between the blue and violet peaks of Gedeh and Salak, the guardian mountains of the fairy spot, perennially green with spring-like freshness, from the daily showers sweeping across the valley from one or other of the lofty crests, and possessing a delicious climate at an altitude of eight hundred feet. The Hotel Bellevue, where back rooms should be secured on account of a superb prospect, comprising river, mountain and forest, stands near the great entrance of the world-famous Gardens, and our balcony commands a profound ravine, carved by a clear river, winding away between forests of palm to the dark cone of Mount Salak, the climax of the picture. The artist destined to interpret the soul of Java is yet unborn, or unable to grasp the character of her unique and distinctive scenery, but a village of plaited palm-leaves, accentuating this tropical Eden, brings it down to the human level, where soft Malay voices, glimpses of domestic life, and a canoe afloat on the brimming stream, remind us that we are still on terra firma, and not gazing at a dreamland Paradise beyond earthly ken. Sleeping accommodation in the hills suggests little comfort. A hard mattress beneath a sheet is the sole furniture of the huge four-poster, surrounded by thick muslin curtains to exclude air and creeping things; pillows are stuffed hard with cotton-down, and no coverings are provided—an unalterable custom possessing obvious disadvantages in a climate reeking with damp, where the walls of a room closed for a day or two become green with mould. Rheumatic stiffness on waking is a matter of course in humid Java, for the hour between darkness and dawn contains a concentrated essence of dew, mist, and malaria, which penetrates to the very marrow of unaccustomed bones, even when it lacks the frequent accompaniment of the violent cascade known as "a tropical shower." The glorious Botanical Garden is approached by a mighty avenue of colossal kanari-trees, over a hundred feet high, with yellow light filtering through the fretted roof of interlacing boughs, which suggests a vast aisle in some primeval forest. Stately columns and spreading roots garlanded with stag-horn ferns, waving moss, white and purple orchids, or broad-leaved creepers, falling in sheets and torrents of shining foliage and knitting tree to tree, attest the irrepressible growth of vegetation, which flings a many-coloured veil of blossom and leaf over root, branch, and stem. A fairy lake glows with the pink and crimson blossoms of the noble Victoria Regia, the huge leaves like green tea-trays floating on the water, where a central fountain adds prismatic radiance to the scenic effect of the splendid lilies. Climbing palms and massive creepers, splashed with orange, scarlet, and gold, tumble in masses from lofty branches, and the dazzling Bougainvillea flings curtains of roseate purple over wall and gateway. A dense thicket of frangipanni scents the air with the symbolic blossoms, shining like stars from grey-green boughs of sharp-cut leaves. A copse of splendid tree-ferns flanks the forest-like plantation known as "The Thousand Palms," and beneath dusky avenues of waringen (a variety of the banyan species, which strikes staff-like boughs into the earth and springs up again in caverns of foliage), herds of deer are wandering, snatching at drooping vines, or sheltering from the fierce sun in depths of impenetrable shade. Tufts of red-stemmed Banka palms cluster on the green islets of lake and river, vista after vista opens up, each mysterious aisle appearing more lovely than the last, and luring the wanderer to the climax formed by a terraced knoll, commanding a superb view of Gedeh and Salak, the twin summits of chiselled turquoise, gashed by the amethyst shadows of deep ravines, with Gedeh's curl of volcanic smoke staining the lustrous azure of the sky. Many-coloured tree carnations, gorgeous cannas and calladiums, copses of snowy gardenia, and flowering shrubs of rainbow hues, blaze with