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قراءة كتاب The True Story Book
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اللغة: English
الصفحة رقم: 1
THE TRUE STORY BOOK
WORKS BY ANDREW LANG.
HOMER AND THE EPIC. Crown 8vo. 9s. net.
CUSTOM AND MYTH: Studies of Early Usage and Belief. With 15 Illustrations. Crown 8vo. 3s. 6d.
BALLADS OF BOOKS. Edited by Andrew Lang. Fcp. 8vo. 6s.
LETTERS TO DEAD AUTHORS. Fcp. 8vo. 2s. 6d. net.
BOOKS AND BOOKMEN. With 2 Coloured Plates and 17 Illustrations. Fcp. 8vo. 2s. 6d. net.
OLD FRIENDS. Fcp. 2s. 6d. net.
LETTERS ON LITERATURE. Fcp. 8vo. 2s. 6d. net..
GRASS OF PARNASSUS. Fcp. 8vo. 2s. 6d. net.
ANGLING SKETCHES. With 20 Illustrations by W. G. Burn-Murdoch. Crown 8vo. 7s. 6d.
THE BLUE FAIRY BOOK. Edited by Andrew Lang. With 8 Plates and 130 Illustrations in the Text by H. J. Ford and G. P. Jacomb Hood. Crown 8vo. 6s.
THE RED FAIRY BOOK. Edited by Andrew Lang. With 4 Plates and 96 Illustrations in the Text by H. J. Ford and Lancelot Speed. Crown 8vo. 6s.
THE GREEN FAIRY BOOK. Edited by Andrew Lang. With 11 Plates and 88 Illustrations in the Text by H. J. Ford. Crown 8vo. 6s.
THE BLUE POETRY BOOK. Edited by Andrew Lang. With 12 Plates and 88 Illustrations in the Text by H. J. Ford and Lancelot Speed. Crown 8vo. 6s.
School Edition, without Illustrations. Fcp. 8vo. 2s. 6d.
Special Edition, printed on Indian paper. With Notes, but without Illustrations. Crown 8vo. 7s. 6d.
THE TRUE STORY BOOK. Edited by Andrew Lang. With Plates and Illustrations in the Text by H. J. Ford, Lucien Davis, Lancelot Speed, and L. Bogle. Crown 8vo. 6s.
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London: LONGMANS, GREEN, & CO.
New York: 15 East 16th Street.
London: LONGMANS, GREEN, & CO.
New York: 15 East 16th Street.

THE
TRUE STORY BOOK
EDITED BY
ANDREW LANG
With NUMEROUS ILLUSTRATIONS by L. BOGLE, LUCIEN DAVIS, H. J. FORD, C. H. M. KERR, and LANCELOT SPEED

LONDON LONGMANS, GREEN, AND CO
AND NEW YORK: 15 EAST 16th STREET
1893
All rights reserved
DEDICATION
TO FRANCIS McCUNN
You like the things I used to like,
The things I'm fond of still,
The sound of fairy wands that strike
Men into beasts at will;
The cruel stepmother, the fair
Stepdaughter, kind and leal,
The bull and bear so debonair,
The trenchant fairy steel.
You love the world where brute and fish
Converse with man and bird,
Where dungeons open at a wish,
And seas dry at a word.
That merry world to-day we leave,
We list an ower-true tale,
Of hearts that sore for Charlie grieve,
When handsome princes fail,
Of gallant races overthrown,
Of dungeons ill to climb,
There's no such tale of trouble known,
In all the fairy time.
There Montezuma still were king,
There Charles would wear the crown,
And there the Highlanders would ding
The Hanoverian down:
In Fairyland the Rightful Cause
Is never long a-winning,
In Fairyland the fairy laws
Are prompt to punish sinning:
For Fairyland's the land of joy,
And this the world of pain,
So back to Fairyland, my boy,
We'll journey once again!
The things I'm fond of still,
The sound of fairy wands that strike
Men into beasts at will;
The cruel stepmother, the fair
Stepdaughter, kind and leal,
The bull and bear so debonair,
The trenchant fairy steel.
You love the world where brute and fish
Converse with man and bird,
Where dungeons open at a wish,
And seas dry at a word.
That merry world to-day we leave,
We list an ower-true tale,
Of hearts that sore for Charlie grieve,
When handsome princes fail,
Of gallant races overthrown,
Of dungeons ill to climb,
There's no such tale of trouble known,
In all the fairy time.
There Montezuma still were king,
There Charles would wear the crown,
And there the Highlanders would ding
The Hanoverian down:
In Fairyland the Rightful Cause
Is never long a-winning,
In Fairyland the fairy laws
Are prompt to punish sinning:
For Fairyland's the land of joy,
And this the world of pain,
So back to Fairyland, my boy,
We'll journey once again!
INTRODUCTION
It is not without diffidence that the editor offers The True Story Book to children. We have now given them three fairy books, and their very kind and flattering letters to the editor prove, not only that they like the three fairy books, but that they clamour for more. What disappointment, then, to receive a volume full of adventures which actually happened to real people! There is not a dragon in the collection, nor even a giant; witches, here, play no part, and almost all the characters are grown up. On the other hand, if we have no fairies, we have princes in plenty, and a sweeter young prince than Tearlach (as far as this part of his story goes) the editor flatters himself that you shall nowhere find, not in Grimm, or Dasent, or Perrault. Still, it cannot be denied that true stories are not so good as fairy tales. They do not always end happily, and, what is worse, they do remind a young student of lessons and schoolrooms. A child may fear that he is being taught under a specious pretence of diversion, and that learning is being thrust on him under the disguise of entertainment. Prince Charlie and Cortés may be asked about in examinations, whereas no examiner has hitherto set questions on 'Blue Beard,' or 'Heart of Ice,' or 'The Red Etin of Ireland.' There is, to be honest, no way of getting over this difficulty. But the editor vows that he does not mean to teach anybody, and he has tried to mix the stories up so much that no clear and consecutive view of history can possibly be obtained from them; moreover, when history does come in, it is not the kind of history favoured most by examiners. They seldom set questions on the conquest of Mexico, for example.
That is a very long story, but, to the editor's taste, it is simply the best true story in the world, the most unlikely, and the most romantic. For who could have supposed that the new-found world of the West held all that wealth of treasure, emeralds and gold, all those people, so beautiful and brave, so courteous and cruel, with their terrible gods, hideous human sacrifices, and almost Christian prayers? That a handful of Spaniards, themselves mistaken for children