trouble, and she ran lightly away, calling to the boy on the porch:—

"I'm going to put Pepita in the stable. If you'd like to see her brother, you can come with me."

"Sho! Ain't he black!" exclaimed "Bony," as they led Pepita into the great stables and he discovered Balaam.

Amid ample accommodations for a dozen horses, the two burros seemed almost lost; but they occupied adjoining box-stalls which, if rather time-worn and broken, were still most roomy and comfortable.

"Why, huckleberries! It's bigger 'n the mill sheds. And only them two. Will he swop?"

As he asked this question the lad pulled from his pocket a miscellaneous collection of objects, and invitingly displayed them upon the palm of his long hand.

"No, I think not. I fancy we are not a 'swopping' family. But I must choose some name for you besides that dreadful 'Bony.' Bonaparte is too long. So is Lafayette. Let me see. Suppose we make it just 'Fayette'? That is short and pleasant to speak, and I like my friends to have nice names. Would you like it?"

"Bully!"

"Why—why, Fayette! That doesn't sound well."

"Sho! Don't it? One all black an' t'other all white. Hum."

"Br-r-r-ray! Ah-umph—h-umph—umph—mph—ph—h-h-h!" observed Balaam to his sister.

Fayette laughed, so noisily and uproariously that the burros brayed again; and they kept up this amusing concert until Amy had brought each an armful of hay, and had directed her companion where to find a pail and water for their drink.

Then they returned to the house and beheld Cleena in the dining room, already mounted upon the step-ladder, trying to arrange the branches with more regard to the saving of time than to grace. But she made to the picture-seeing girl a very attractive "bit."

Indeed, Cleena Keegan was a person of sufficient importance to warrant a paragraph quite to herself. She was a woman of middle age, with a wealth of curling, iron-gray hair, which she tucked away under a plain white cap. Her figure was large and grandly developed. She wore a blue print gown, carefully pinned back about her hips, thus disclosing her scarlet flannel petticoat; both garments faded by time and frequent washings to a most "artistic" hue. Upon her shoulders was folded a kerchief of coarse white muslin, spotlessly clean; and as she stood, poised among the glowing branches, with the dying sunset light touching her honest face to unusual brightness, she was well worth Amy's eager wish:—

"Oh, Cleena! That father were only here to see and paint you just as you are this minute!"

"Humph! It's meself's glad he isn't."

"Why! That's not nice of you, Goodsoul. Yet it's a great pity that a body who is such a 'study' in herself can't fix those branches a bit more gracefully. You're jamming the leaves all into a little mess and showing the stems! Oh, Cleena, I wonder if I can't reach them."

"Truth, it's meself's willin' you should try. Belike I'd be handier at the pullin' them down nor the puttin' them up."

With head erect she descended from the ladder, and stood, arms akimbo, regarding the results of her labor. Even to her it suggested something not "artistic," and at Fairacres anything inartistic was duly frowned upon.

"Faith, it's not the way the master would do it, I see that, but—"

Before either she could finish her sentence or Amy mount the ladder, Fayette had run to its top and stood there rapidly pulling from the wall the branches Cleena had arranged. Thrusting all but one between his knees, he fastened that over the window-frame so deftly and charmingly that Amy clapped her hands in delight.

"Oh, that's lovely! Try another—and another!"

He obeyed. His vacant face flushed with a glow of enthusiasm equalling, if not exceeding her own, and even Cleena spent some moments of her rarely wasted time in watching him.

Her own face had again become a "study," yet of a sort to provoke a smile, as her gaze roved from his handiwork, over the length of his ungainly person, to rest upon his bare and not too cleanly feet; then travelled slowly upward again, trying to settle once for all his rightful position in the social scale. Her thought might have been thus expressed:—

"His foot's heathen. His head's the same. His clothes—they're the heathenest of all. I'd disdain 'em. But, arrah musha! The hand of him! The master himself couldn't better them fixin's."

Then she hastened to her kitchen, and soon the appetizing odor of a well-cooked meal was in their nostrils, and the two young decorators realized that they were very hungry.

"There, that will do. It is perfect. Thank you ever and ever so much, Fayette."

"Shucks!"

"Now I'll light the candles. I always do when the people are coming home from town. They go there quite often; at least father does, though mother hasn't been before in months. The candles are terrible extravagance, Cleena says, but they're so pretty."

Fayette carried away the step-ladder, then returned to watch Amy as she set the old-fashioned candelabra upon the already daintily spread table. She had bordered the white cloth with some of the most dazzling-hued leaves, and when the wax tapers threw their soft radiance over the whole charming interior, poor Fayette felt his weak head grow dizzy and confused by the beauty of it all.

He dimly realized that he was in a new world, which soothed and appealed to his clouded nature as did the birds and the flowers. That impulse, which he could neither express nor understand, which sent him so constantly into the woods and solitudes, was gratified now. This was as delightful as his favorite pastime of lying upon the grass and gazing upward into the sunlit sky.

"Sho! It's pretty. I like it. I'm glad I come. I'll stay."

Amy had almost forgotten him.

"Yes, of course you'll stay till after supper. I'll—"

But a shadow fell across the threshold of the still open door, and looking up she saw a stranger,—an old man of rather forbidding aspect, whose glance passed swiftly from herself to the youth near the big fireplace.

There followed an instant of mutual and frowning recognition between these two; then Fayette disappeared through an inner doorway, while the newcomer remained at the entrance, his hat in his hand, and an assumed suavity in his manner.

Yet there was still a note of anger in the tone with which he observed:—

"I have called upon business with Cuthbert Kaye. Your father, I presume. Is he at home?"

"Not yet. He went to the city, yesterday, with my mother and brother. I expect them back on the next train. Will you come in?"

"Yes, thank you. I'll wait."

He accepted the great chair Amy rolled toward him, and let his gaze slowly sweep the cheerful apartment. Yet he knew it by heart, already, and his face brightened as he saw how little it had been changed since these many years. Apparently not one of its quaint and rich old furnishings was missing, and the passage of time had but added to the remembered charm of the place. Even the chair into which he sank had a familiar feel, as if his back had long ago fitted to those simple, comfortable lines. The antique candelabra—how often had he watched his grandmother's fingers polishing them to brilliancy.

But the girl was new. The only modern thing, save the freshly gathered leaves,—which also seemed but a memory of his childhood,—to remind him of the present and the errand upon which he had come.

"She's Kaye, though, to the bone. Dark, crisp hair. Those short curls are like a boy's. Her eyes are the Kaye eyes; and that toss of her head, like her great-grandmother