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The story of my first novel; How a novel is written

The story of my first novel; How a novel is written

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The Project Gutenberg EBook of The story of my first novel; How a novel is written, by Mrs. Hungerford

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Title: The story of my first novel; How a novel is written

Author: Mrs. Hungerford

Release Date: December 25, 2008 [EBook #27622]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK FIRST NOVEL; HOW WRITTEN ***

Produced by Daniel Fromont

[Transcriber's note: Mrs. Hungerford (Margaret Wolfe Hamilton) (1855?-1897) "The story of my first novel" (from The Ladies' Home Journal vol. VII No 8 Philadelphia July 1890 p.14)]

The Duchess

"The story of my first novel"

My first novel! Alas! for that first story of mine—the raven I sent out of my ark and never see again! Unlike the proverbial curse, it did not come home to roost, it stayed where I had sent it. The only thing I ever heard of it again was a polite letter from the editor in whose office it lay, telling me I could have it back if I enclosed stamps for the amount of twopence halfpenny, otherwise he should feel it his unpleasant duty to "consign it to the waste-paper basket."

I was only sixteen then, and it is a very long time ago; but I have always hated the words "waste-paper" ever since. I don't remember that I was either angry or indignant, but I do remember that I was both sad and sorry. At all events, I never sent that two-pence half-penny, so I conclude my first MS. went to light the fire of that heartless editor. So much comfort I may have bestowed on him, but he left me comfortless; and yet who can say what good he may not have done me? Paths made too smooth leave the feet unprepared for rougher roads. To step always in the primrose ways is death to the higher desires. Yet oh, for the hours I spent over that poor rejected story, beautifying it (as I fondly, if erroneously, believed), adding a word here, a sentiment there! So conscientiously-minded was I, that even the headings of the chapters were scraps of poetry (so called) done all by myself. Well, never mind. I was very young then, and as they say upon the stage, I "meant well."

For a long twelvemonth after that I never dreamed of putting pen to paper. I had given myself up, as it were. I was the most modest of children, and fully decided within myself that a man so clever, as a real live editor must needs be, could not have been mistaken. He had seen and judged, and practically told me that writing was not my forte. Yet the inevitable hour came round once more. Once again an idea caught me, held me, persuaded me that I could put it into words. I struggled with it this time, but it was too strong for me, that early exhilarating certainty that there was "something in me," as people say, was once more mine, and seizing my pen, I sat down and wrote, wrote, wrote, until the idea was an object formed. With closed doors I wrote at stolen moments. I had not forgotten the quips and cranks uttered at my expense by my brother and sister on the refusal of that last-first manuscript. To them it had been a fund of joy.

In fear and trembling I wrote this second effusion, finished it, wept over it (it was the most lachrymose of tales), and finally under cover of night induced the house maid to carry it to the post. To that first unsympathetic editor I sent it (which argues a distinct lack of malice in my disposition), and oh, joy! it was actually accepted. I have written many

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