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The Treason and Death of Benedict Arnold: A Play for a Greek Theatre

The Treason and Death of Benedict Arnold: A Play for a Greek Theatre

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The Project Gutenberg EBook of The Treason and Death of Benedict Arnold, by John Jay Chapman

This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net

Title: The Treason and Death of Benedict Arnold A Play for a Greek Theatre

Author: John Jay Chapman

Release Date: December 31, 2008 [EBook #27670]

Language: English

*** START OF THIS PROJECT GUTENBERG EBOOK TREASON, DEATH OF BENEDICT ARNOLD ***

Produced by Nicholas Tomaiuolo and Al Haines

THE TREASON & DEATH

OF
BENEDICT ARNOLD

A PLAY FOR A GREEK THEATRE

BY

JOHN JAY CHAPMAN

MOFFAT, YARD & COMPANY

1910

Copyright, 1911

By John Jay Chapman

CHARACTERS

BENEDICT ARNOLD.

JOSHUA SMITH.
MAJOR ANDRÉ.
MRS. ARNOLD.

WILLIAM ARNOLD, A Boy of Eight, Son to Benedict.

FATHER HUDSON.

CHORUS OF WAVES (Men).

CHORUS OF CLOUDS (Women).

CHORUS-LEADER OF MEN.
CHORUS-LEADER OF WOMEN.
TREASON.
DEATH.
TWO PICKETS.
A SERVANT.

SCENE

ACT I. THE SHORE OF THE HUDSON NEAR WEST POINT.
ACT II. SITTING-ROOM OF BENEDICT ARNOLD IN ENGLAND IN 1801.

The Acts are Separated by a Short Vocal Intermezzo.

TREASON AND DEATH

OF BENEDICT ARNOLD

ACT I

The margin of the Hudson at West Point. Fort Putnam and the Highlands in the distance. A flag is fluttering on the fort. The orchestra represents the level of the river shore, upon which level the Chorus will enter. The characters of the drama appear on a bank or platform, slightly raised above the orchestra and Chorus. At the opening of the play Father Hudson is upon the scene. He reclines in the centre of the stage in the attitude of a river-god. The nook or couch in which he rests is situated between the two levels, as it were in an angle of the river bank. His position is such that he can, by turning his head, either watch the personages on the stage, or address the Chorus on the river margin. He is so painted and disposed as not to attract attention when the play opens, but to appear rather as a part of the scenery and decoration.

First Picket. Uneasy has been my watch. Dark have been my forebodings, standing first on one foot and then on the other, through the night hours, preyed upon by visions, holding my eyelids open by my will, while strange thoughts like vultures over their carrion, wheeling about above me, assail me, tear me with their beaks and talons. Dark looms the cloud bank through the black portals of the river. The fog holds the bleared eyes of the morning. And I, stiff with watching, suspect some evil. Some foul play is in the mountains, stalking in the shadows of the dawn. Would God the releasing trumpet would blow and the flag flutter on the mountain side, and that I might find all well! General Washington is on a journey. Would God he were returned! [The sound of a bugle is heard.] Blow, blessed bugle! Blow to the rising Sun! Blow to the dayspring of Liberty, to the new nation rising calmly above the dangers that beset her dawn. Blow bugle, and scatter the night-thoughts of terror!

[Enter the relieving Picket.] Who goes there?

Second Picket. A friend and thy relief.
  Our post is changed;
  The pickets are extended up the hills,
  And this low post abandoned.

First Picket. That is strange,
  To leave the river front without a watch!
  If we expect attack, attack must come
  Along the river,——

Second Picket. Comrade, spare your brains,
  And take your orders. [Exeunt Pickets.]

Father Hudson. Daughters of the sky, ye clouds of the morning,
  Replenishers of my veins, ye purple, wandering clouds!
  And you, ye waves that lap my feet, far-traveling,
      restless, endlessly moving!
  Thralls of the circling ocean, waves of the sea—
  Attend your Father Hudson, the Ageless, the Majestic!
  Calling to you, his sons and daughters, summoning you at his need.
  Stoop, daughters of ether, ye clouds of the mountains!
  Rise, sons of the sea, most ancient retainers,
  Flow towards your father's need! the River calls—
  Father Hudson summons his children.

[Enter simultaneously Chorus of Waves, (men) on one side, and on the other, Chorus of Clouds (women). They flock slowly into the orchestra, approaching each other, and sing as they assemble.]

Both Choruses. Father Hudson, we are coming, we are streaming,
      we are foaming
  From the sky and from the earth,
    Down the mountains,
    Through the fountains,
  We are streaming, steaming forth;
    We, the children of your will,
    Born to serve you, and to fill
  All your banks and all your margin
    With the fulness of enlarging,
    With the plentitude of rivers,
    We, the generous water-givers,
  Overflowing, bubbling, swelling,
  Feed you with our rich upwelling.

Chorus of Men. From Monadnock and Mount Washington—
  And where the haughty deer on Hudson's Bay
  Sniffs the north wind, We bring you Mist.

Chorus of Women. From the rank lowlands of the Delaware,
  And from the even margin of low sand,
  Where the Atlantic smites the continent, We bring you Salt.

Chorus of Men. From Sicily and the Cumaean Cave,
  And from the mountains where Apollo's shafts
  Whitened the hillsides once, We bring you Thought.

Chorus of Women. From the dark heart of man that scorns the light,
  From Wisdom, found in Meekness through Despair, We bring you Grief.

Both Choruses. Haste to where our father dwells!
  We the movers, we the rovers,
  Come to your eternal dwelling.
  Ancient father, we will bring
  News and thought of everything,
  From the mossy citadels,
  And the cities of the sea;
  Timeworn tales of prophecy
  We are bringing in our singing
  To your newer Majesty.
  To your destiny belated,
  Young and unsophisticated,
  We, the children of the ages,
  Bring the solemn heritages,—
  Force and Woe and Human Fate,—
  Embittering your god-like

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