donning blouse and gaiters now and then without compunction for these rough country walks and rambles.

Here, indeed, was more than enough to raise a hue-and-cry at La Châtre, a small provincial town, probably neither better nor worse than the rest of its class, a class never yet noted for charity or liberality of judgment. The strangest stories began to be circulated concerning her, stories for the most part so false and absurd as to inspire her with a sweeping contempt for public opinion. By a very common phenomenon, she was to incur throughout her life far more censure through freaks, audacious as breaches of custom, but intrinsically harmless, nor likely to set the fashion to others, than is often reserved for errors of a graver nature. The conditions of ordinary middle-class society are designed, like ready-made clothes, to fit the vast majority of human beings, who live under them without serious inconvenience. For the future George Sand to confine her activities within the very narrow restrictions laid down by the social code of La Châtre was, it must be owned, hardly to be expected. It was perhaps premature to throw down the gauntlet at sixteen, but her inexperience and isolation were complete. The grandmother in her dotage was no counsellor at all. Deschartres, an oddity himself, cared for none of these things. Those best acquainted with her at La Châtre, families the heads of which had known her father well and whose younger members had fraternized with her from childhood upwards, liked her none the less for her unusual proceedings, and defended her stoutly against her detractors.

"You are losing your best friend," said her dying grandmother to her when the end came, in December, 1821. Aurore was, indeed, placed in a difficult and painful situation. She had inherited all the property of the deceased, who, in her will, expressed her desire that her own nearest relations by her marriage with M. Dupin, a family of the name of de Villeneuve, well-off and highly connected, should succeed her as guardians to her ward. But it was impossible to dispute the claims of Madame Maurice Dupin to the care of her own daughter if she chose to assert them, which she quickly did, bearing off the girl with her to Paris—Nohant being left under the stewardship of Deschartres—and by her unconciliatory behavior further alienating the other side of the family from whom Aurore, through no fault of her own, was virtually estranged at the moment when she stood most in need of a friend. Twenty years later they came forward to claim kinship and friendship again: it was then with George Sand, the illustrious writer, become one of the immortals.

Thus her lot was cast for her in her mother's home and plebeian circle of acquaintance. So much the worse, it was supposed, for her prospects, social and matrimonial. This did not distress her, but none the less was the time that followed an unhappy one. The mother whom she had idolized, and of whom she always remained excessively fond, appears to have been something of a termagant in her later years. The heavy troubles of her life had aggravated one of those irascible and uncontrollable tempers that can only be soothed by superior violence. Aurore, saddened, gentle, and submissive, only exasperated her. Her fitful affection and fitful rages combined to make her daughter's life miserable, and to incline the girl unconsciously to look over-favorably on any recognized mode of escape that should present itself.

A long visit to the country-house of some friends near Melun, was hailed as a real relief by both. Here there were young people, and plenty of cheerful society. Aurore became like one of the family, and her mother was persuaded to allow her to prolong her stay indefinitely. Among the new acquaintance she formed whilst on this visit was one that decided her future.

M. Casimir Dudevant was a young man on terms of intimacy with her hosts, the Duplessis family. From the first he was struck by Mlle. Dupin, who on his further acquaintance was not otherwise than pleased with him. The sequel, before long, came in an offer of marriage on his part, which she accepted with the approval of her friends.

He was seven-and-twenty, had served in the army, and studied for the law; but had expectations which promised an independence. His father, Colonel Dudevant, a landed proprietor in Gascony, whose marriage had proved childless, had acknowledged Casimir, though illegitimate, and made him his heir. It was reckoned not a brilliant parti for the châtelaine of Nohant, but a perfectly eligible one. It was not a mariage de convenance; the young people had chosen freely. Still less was it a love match. Romantic sentiment—counted out of place in such arrangements by the society they belonged to—seems not to have been dreamed of on either side. But they had arranged it for themselves, which to Aurore would naturally seem, as indeed it was, an improvement on the usual mode of procedure, according to which the burden of choice would have rested with her guardians. It was a mariage de raison founded, as she and he believed, on mutual friendliness; in reality on a total and fatal ignorance of each other's characters, and probably, on Aurore's side, of her own as well. She was only just eighteen, and had a wretched home.

The match was sanctioned by their parents, respectively. In September, 1822, Aurore Dupin became Madame Dudevant, and shortly afterwards she and her husband established themselves at Nohant, there to settle down to quiet country life.

If tranquillity did not bring all the happiness that was expected, it was at least unbroken by such positive trials as those to come, and whatever was lacking to Madame Dudevant's felicity she forgot for a while in her joy over the birth of her son Maurice, in the summer of 1823—a son for whom more than ordinary treasures of maternal affection were in store, and who, when his childhood was past, was to become and remain until the time of her death a sure consolation and compensation to her for the troubles of her life.

The first two years after her marriage were spent almost without interruption in the still monotony of Nohant. "We live here as quietly as possible," she writes to her mother in June, 1825, "seeing very few people, and occupying ourselves with rural cares." That absolute dependence on each other's society that might have had its charm for a really well-assorted couple was, however, not calculated to prolong any illusions that might exist as to the perfect harmony of their dispositions. Already in the summer of 1824 the Dudevants had sought a change from seclusion in a long visit to their friends the Duplessis, after which they rented a villa in the environs of Paris for a short while. The spring found them back at Nohant, and the summer of 1825 was marked by a tour to the Pyrenees, undertaken in concert with some old school-fellows of Aurore's, two sisters, who with their father were starting for Cauterets. The pleasure of girlish friendships renewed gave double charm to the trip, and her delight in the mountain scenery knew no bounds.

"I am in such a state of enthusiasm about the Pyrenees," she writes to her mother, "that I shall dream and talk of nothing but mountains and torrents, caves and precipices, all the rest of my life." She joined eagerly in every excursion on foot and horseback, but even moderate feats of mountaineering, such as are now expected of the quietest English lady-tourists by their husbands and brothers, were then deemed startlingly eccentric, and got her into fresh trouble on this head.

Her letters and the fragments of her journal kept during this time, and in which she tried to commit to paper her impressions, whilst fresh and vivid, of the Pyrenees, show the same peculiar descriptive power that distinguished her novels—that art of seizing grand general effects together with picturesque detail, and depicting them in a simple and straightforward manner, in which she was an adept. It must be added that the diffuseness which characterizes her