قراءة كتاب Art in Needlework: A Book about Embroidery

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Art in Needlework: A Book about Embroidery

Art in Needlework: A Book about Embroidery

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دار النشر: Project Gutenberg
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CUT-WORK 153

  • EMBROIDERY IN RELIEF 159
  • RAISED GOLD 165
  • QUILTING 172
  • STITCH GROUPS 175
  • ONE STITCH OR MANY? 180
  • OUTLINE 185
  • SHADING 188
  • FIGURE EMBROIDERY 198
  • THE DIRECTION OF THE STITCH 208
  • CHURCH WORK 216
  • A PLEA FOR SIMPLICITY 225
  • EMBROIDERY DESIGN 232
  • EMBROIDERY MATERIALS 242
  • A WORD TO THE WORKER 250
  • DESCRIPTIVE LIST OF ILLUSTRATIONS.

    1. TAPESTRY—to illustrate work on a warp not on a web. From Akhmin in Upper Egypt. Ancient Coptic. (In the Victoria and Albert Museum.)
    2. DRAWN-WORK ON FINE LINEN, embroidered with gold and colour. Oriental. (From the collection of Mrs. Lewis F. Day.)
    3. DARNING AND SATIN-STITCH on square mesh—The darning leaf, green, follows the lines of the stuff; outlined with yellow, veined with pink and white; stem, yellow, its foliation pink, outlined with white, and ribbed with blue and white. Italian. 17th century. (V. & A. M.)
    4. CROSS-STITCH UPON LINEN. Hungarian. Compare Illustration 45.
    5. CROSS-STITCH SAMPLER—A and B, solid; C, line work; D, stroke-stitch—called also Holbein-stitch; E, stroke and cross stitches combined.
    6. CANVAS-STITCH in coloured silk upon linen. The band Italian, the foliated diaper Oriental. (Mrs. L. F. D.)
    7. CANVAS-STITCH—Design comparatively free, but showing in its outline the influence of the rectangular lines of the weaving. Cretan. (Mrs. L. F. D.)
    8. CANVAS-STITCH SAMPLER—A, tent-stitch; B, half-cross-stitch; C, cushion-stitch; D, Moorish-stitch, so called; E, plait-stitch; F, couching on canvas.
    9. CUSHION AND SATIN-STITCHES UPON CANVAS—The Satin-stitches follow the lines of the stuff, and form a diaper built upon them. Compare Illustration 71.
    10. TWO VARIETIES OF CANVAS-STITCH, the pattern in the bare linen, the background worked—A, plait-stitch, the ornament outlined; B, stitches drawn tightly together so as to pull the threads of the linen apart, giving very much the effect of drawn-work. Compare Illustration 2. (Mrs. L. F. D.)
    11. CREWEL-STITCH SAMPLER—A and C, crewel-stitch; B and D, outline-stitch; E, back-stitch; F, spots; G and H, stem-stitch; J, crewel and outline-stitches in combination.
    12. BACK OF CREWEL-STITCH SAMPLER.
    13. CREWEL-WORK—the stem only worked in crewel-stitch. Embroidered in green, blue, and brown wools upon white cotton. Old English. (Coll. of Miss Argles.)

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