قراءة كتاب Vanished towers and chimes of Flanders
تنويه: تعرض هنا نبذة من اول ١٠ صفحات فقط من الكتاب الالكتروني، لقراءة الكتاب كاملا اضغط على الزر “اشتر الآن"
Dimly above I could see other bells of various size, hanging tier upon tier from great, red-painted, wooden beams clamped with iron bands.
I contrived to keep the watchman ever before me, not trusting him, although his frank smile somewhat disarmed my suspicion. It may be I did him an injustice, but I liked not the avaricious gleam in his little slits of eyes.
The bells clanged and clashed as they would break from their fastenings and drop upon us, and my brain reeled with the discord. On they beat and boomed, as if they would never stop. No melody was now apparent, though down below it had seemed as if their sweetness was all too brief. Up here in the tower they were not at all melodious; they were rough, discordant, and uneven, some sounding as though out of tune and cracked. All of the mystery and glamour of sweet tenderness, all their pathos and weirdness, had quite vanished, and here amid the smell of lubricating oil and the heavy, noisy grinding of the cog wheels, and the rattle of iron chains, all the poetry and elusiveness of the bells was certainly wanting.
All at once just before me a great hammer raised its head, and then fell with a sounding clang upon the rim of a big bell; the half hour had struck. All about us the air resounded and vibrated with the mighty waves of sound. From the bells above finally came the hum of faint harmonics, and then followed silence like the stillness that ensues after a heavy clap of thunder.
Cerberus now beckoned me to accompany him amongst the bells, and showed me the machinery that sets this great marvel of sound in motion. He showed me the huge "tambour-carillon," with barrels all bestudded with little brass pegs which pull the wires connected with the great hammers, which in their turn strike the forty-six bells, that unrivaled chime known throughout Flanders as the master work of the Van den Gheyns of Louvain, who were, as already told, the greatest bell founders of the age.
The great hour bell weighing, as already noted, nearly a ton, required the united strength of eight men to ring him. Cerberus pointed out to me the narrow plank runway between the huge dusty beams, whereon these eight men stood to their task. The carillon tunes, he told me, were altered every year or so, and to do this required the entire changing of the small brass pegs in the cylinders, a most formidable task, I thought. He explained that the cutting of each hole costs sixty centimes (twelve cents) and that there were about 30,000 holes, so that the change must be quite expensive, but I did not figure it out for myself.
The musical range of this carillon chime of Malines may be judged by the fact that it was possible to play, following on the hour, a selection from "Don Pasquale," and on the half and quarter hours a few bars from the "Pre aux Clercs." Every seven and a half minutes sounded a few jangling sweet notes, and thus the air over the old town of Malines and the small hamlets surrounding it both day and night was musical with the bells of the carillon.
On fête days a certain famous bell ringer was engaged by the authorities to play the bells from the clavecin. This is a sort of keyboard with pedals played by hand and foot, fashioned like a rude piano. The work is very hard, one would think, but I have heard some remarkable results from it. In former times the office of "carilloneur" was a most important position, and, as in the case of the Van den Gheyn family of Louvain, it was hereditary. The music played by these men, those "morceaux fugues," once the pride and pleasure of the Netherlands, is now the wonder and despair of the modern bell ringer, however skillful he may be.
Cerberus informed me that sometimes months pass without a visit from a stranger to his tower room, and that he had to wind up the mechanism of the immense clock twice each day, and that of the carillon separately three times each twenty-four hours, and that it was required of him that he should sound two strokes upon the "do" bell after each quarter, to show that he was "on the job," so to speak.
I told him I thought his task a hard and lonely one, and I offered him another of the black cigars, which he accepted with civility, but I kept my hand ostentatiously in my blouse pocket, where lay the ammonia gun, and he saw plainly that I did so. I am inclined now to think that my fears, as far as he was concerned, were groundless, but nevertheless they were very real that day in the old tower of Saint Rombauld.
He began his task of winding up the mechanism, while I mounted the steep steps leading upwards to the top gallery. Here on the open gallery I gazed north, east, south, and west over the placid, flat, green-embossed meadows threaded with silver, ribbon-like waterways, upon which floated red-sailed barges. Below, as in the bottom of a bowl, lay Malines, its small red-roofed houses stretching away in all directions to the remains of the ancient walls, topped here and there with a red-sailed windmill, in the midst of verdant fresh fields wooded here and there with clumps of willows, where the armies of the counts of Flanders, and the Van Arteveldes, fought in the olden days.
I could see the square below where, in the Grand' Place, those doughty Knights of the Golden Fleece had gathered before the pilgrimage to the Holy Land. Now a few dwarfed, black figures of peasants crawled like insects across the wide emptiness of it. Here among the startled jackdaws I lounged smoking and ruminating upon the bells, oily Cerberus, and his lonely task, and inhaling the misty air from the winding canals in the fertile green fields below—appraising the values of the pale diaphanous sky of misty blue, harmonizing so exquisitely with the tender greens of the landscape which had charmed Cuyp and Memling, until the blue was suffused with molten gold, and over all the landscape spread a tender and lovely radiance, which in turn became changed to ruddy flames in the west, and then the radiance began to fade.
Then I bethought me that it was time I sought out the terrible Cerberus, the guardian of the tower, and induce him peaceably to permit me to go forth unharmed. I confess that I was coward enough to give him two francs as a fee instead of the single one which was his due, and then I stumbled down the long winding stairway, grasping the slippery hand rope timorously until I gained the street level, glad to be among fellow beings once more, but not sorry I had spent the afternoon among the bells of the Carillon of Saint Rombauld—those bells which now lie broken among the ashes of the tower in the Grand' Place of the ruined town of Malines.
Some Carillons of Flanders
Some Carillons of Flanders
It is worth noting that nearly all of the noble Flemish towers with their wealth of bells are almost within sight (and I had nearly written, sound) of each other. From the summit of the tower in Antwerp one could see dimly the cathedrals of Malines and Brussels, perhaps even those of Bruges and Ghent in clear weather. Haweis ("Music and Morals") says that "one