one of the low, plain, built-in bookcases, were framed alike. There were no meaningless vases, no jars or trays or plaques or ornaments in Alice's room. Her flowers she liked to see in shining glass bowls; her flat-topped desk was severely bare.

But the cretonne that dressed her big comfortable chairs and her couch was bright with roses and parrots and hollyhocks, and the same cretonne, with plain net undercurtaining, hung at her four front windows. The room was big enough to accommodate besides, even with an air of space and simplicity, the little grand piano that Christopher played for her almost every night. A great Persian tortoise-shell cat was at home here, and sometimes Alice had her magnificent parrot besides, hanging himself upside down on his gaily-painted stand, and veiling the beady, sharp eye with which he watched her. The indulgent extravagance of her mother had bound all the books that Alice loved in the same tone of stony-blue vellum, the countless cushions with which the aching back was so skillfully packed were of the same dull tone, and it pleased the persons who loved her to amuse the prisoner sometimes with a ring in which her favourite note was repeated, or a chain of old lapis-lazuli that made Alice's appreciative blue eyes more blue.

Back of Alice's room was a den in which Christopher could conduct much of his personal business, and beyond that was the luxurious bathroom, a modern miracle of enamel tiling and shining glass. Across the sun-flooded back of the house were Alice's little bedroom, nunlike in its rigid austerity, her nurse's room adjoining, and a square sun-room, giving glimpses of roofs and trim back-gardens, full of flowers, with a little fountain and goldfish, a floor of dull pink tiling, and plants in great jars of Chinese enamel. Christopher had planned this delightful addition to Alice's domain only a few years ago, and, with that knowledge of her secret heart that only Christopher could claim, had let her share the pleasure of designing and arranging it. It stretched out across the west side of the spacious backyard, almost touching the branches of the great plane tree, and when, after the painful move to her mother's house, and the necessary absence during the building of it, Alice had been brought back to this new evidence of their love and goodness, she had buried her face against Christopher's shoulder, and told him that she didn't think people with all the world to wander in had ever had anything lovelier than this!

One of the paintings that Alice might look at idly, in the silence of the winter noon, was of a daisied meadow, stretching between walls of heavy summer woodland to the roof of a half-buried farmhouse in the valley below. The other picture was of the very mother who was coming toward Alice now, in the jolting omnibus. But it was a younger mother, and a younger Alice, that had been captured by the painter's genius. It was a stout, imperious, magnificently gowned woman, of not much more than thirty, in whose spreading silk lap a fair little girl was sitting. This little earnest-eyed child was Alice at seven. The splendid, dark-eyed, proud-looking boy of about fourteen, who stood beside the mother, was Teddy, her only son, dead now for many years, and perhaps mercifully dead. The fourth and last person pictured was the elder daughter, Annie, who had been about nine years old then, Alice remembered. Annie and Alice had been unusually alike, even for sisters, but even then Annie's fair, aristocratic type of blonde prettiness had been definite where Alice's was vague, and Annie's expression had been just a trifle haughty and discontented where Alice's was always grave and sweet. Annie had almost been a beauty, she was extremely and conspicuously good-looking even now, when as Mrs. Hendrick von Behrens, wife of a son of an old and wealthy Knickerbocker family, she was supreme in the very holy of holies of the city's social life.

Mrs. Melrose came unannounced upon her daughter to-day, and Alice's colourless warm cheek flushed with happiness under her mother's fresh, cold kiss.

"Mummy—you darling! But how did you get here? Miss Slater says that the streets are absolutely impassable!"

"I came in the 'bus, dear," Mrs. Melrose said, very much pleased with herself. "How warm and comfy you are in here, darling. But what did I interrupt?"

"You didn't interrupt anything," Alice said, quickly. "Chris telephoned, and he's bringing Henrici—the Frenchman who wrote that play I loved so—to tea. Isn't that fun? I'm so excited—and I think Chris was such a duck to get hold of him. I was translating it, you know, and Bowditch, who was here for dinner last night, told me he'd place it, if I finished it. And now I can talk it over with Henrici himself—thanks to Chris! Chris met my man at the club, and told him about me, and he said he would be charmed. So I telephoned several persons, and I tried to get hold of Annie——"

"Annie has a lunch—and a board meeting at the hospital at four," Annie's mother remembered, "and Leslie is at a girls' luncheon somewhere. Annie had breakfast with me, and was rushing off afterward. She's quite wonderfully faithful about those things."

"Well, but you'll stay for lunch and tea, too, Mummy?" Alice pleaded. She was lying back in her pillows, feasting her eyes upon her mother's face with that peculiarly tense devotion that was part of her nature. Rarely did a day pass without their meeting, and no detail touching Annie's life, Annie's boys or husband, was too small to interest Alice. She was especially interested, too, in Leslie, the eighteen-year-old daughter that her brother Theodore had left to his mother's care; in fact, between the mother and daughters, the one granddaughter and two little grandsons, and the two sons-in-law of the Melrose family, a deep bond existed, a bond of pride as well as affection. It was one of their favourite boasts that to the Melroses the unity and honour of the family was the first consideration in the world.

But to-day Mrs. Melrose could not stay. At one o'clock she left Alice to be put into her prettiest robe by the devoted Miss Slater, saw with satisfaction that preparations for tea were noiselessly under way, called Regina, odorous of tea and mutton chops, from the pantry, and went out into the quiet cold of the winter noon.

The old Melrose house was a substantial, roomy, brownstone building in Madison Avenue, inconspicuous perhaps among several notoriously handsome homes, but irreproachably dignified none the less. A few blocks below it the commercial current of East Thirty-fourth Street ebbed and flowed; a few blocks north the great façade of the Grand Central Station shut off the street completely. Third Avenue, behind it, swarmed and rattled alarmingly close, and Broadway flared its impudent signs only five minutes' walk in the other direction, but here, in a little oasis of quiet street, two score of old families serenely held their place against the rising tide, and among them the Melroses confidently felt themselves valued and significant.

Mrs. Melrose mounted her steps with the householder's secret complacency. They were scrupulously brushed of the last trace of snow, and the heavy door at the top swung noiselessly open to admit her. She suddenly realized that she was very tired, that her fur coat was heavy, and her back ached. She swept straight to the dark old curving stairway, and mounted slowly.

"Joseph," she said over her shoulder, "send luncheon upstairs, please. And when Miss Leslie comes in, tell her I should like to see her, if it isn't too late. Anybody coming to-night?"

"Mr. von Behrens telephoned that he and Mr. Liggett might come in for a moment, on his way to the banquet at the Waldorf, Madam. But that was all."

"I may have dinner upstairs, too, if Leslie is going