pedestrian, were equally strange denizens of this group of islands, where reptiles replace herbivorous mammals. With regard to the last-mentioned species we find a remark indicating the persistence of a belief in special creation up to this date. “It would appear as if this species had been created in the centre of the Archipelago, and thence had been dispersed only to a certain distance.”

During the years intervening between the first and second editions of the Journal, reflection intensified Darwin’s perception of the singularity of the Galapagos fauna. “Considering the small size of these islands,” he says, “we feel the more astonished at the number of their aboriginal beings, and at their confined range. Seeing every height crowned with its crater, and the boundaries of most of the lava streams still distinct, we are led to believe that within a period geologically recent the unbroken sea was here spread out. Hence, both in space and time, we seem to be brought somewhat nearer to that great fact—that mystery of mysteries—the first appearance of new beings on this earth.” And he afterwards says, “One is astonished at the amount of creative force, if such an expression may be used, displayed on these small, barren, and rocky islands; and still more so at its diverse yet analogous action in points so near each other.”

The long voyage to Tahiti, 3,200 miles, begun on October 20, 1835, ending on November 15th, was succeeded by a most enjoyable stay. Darwin was as delighted as any traveller with the charms of the island and the islanders. His testimony to the quality of English products is worth noticing, if only as a piece of natural patriotism. He acknowledges that Tahitian pineapples are of excellent flavour, perhaps better than those cultivated in England, and this he believes to be the highest compliment which can be paid to a fruit, or indeed to anything else. He found reason to speak well of the influence of the Christian missionaries on the natives, and of the conscientiousness of the latter, in opposition to Kotzebue’s narrative.