| Bramante da Urbino |
Interior of Sacristy |
Milan: S. Satiro |
138 |
| Bramante da Urbino |
Tempietto |
Rome: S. Pietro in Montorio |
142 |
| Bramante da Urbino |
Palazzo Giraud |
Rome |
146 |
| Fra Bartolommeo di San Marco |
The Holy Family |
Rome: Corsini Gallery, 579 |
154 |
| Fra Bartolommeo di San Marco |
S. Mark |
Florence: Pitti, 125 |
158 |
| Fra Bartolommeo di San Marco |
God the Father, with SS. Mary Magdalen and Catharine |
Lucca: Gallery, 12 |
160 |
| Mariotto Albertinelli |
The Madonna enthroned, with Saints |
Florence: Accademia, 167 |
166 |
| Raffaellino del Garbo |
The Resurrection |
Florence: Accademia, 90 |
176 |
| Torrigiano |
Tomb of Henry VII |
London: Westminster Abbey |
186 |
| Giuliano da San Gallo |
Façade of S. Maria delle Carceri |
Prato |
194 |
| Raffaello da Urbino |
Lo Sposalizio |
Milan: Brera, 472 |
212 |
| Raffaello da Urbino |
Maddalena Doni |
Florence: Pitti, 59 |
212 |
| Raffaello da Urbino |
"The School of Athens" |
Rome: The Vatican |
216 |
| Raffaello da Urbino |
The "Disputa del Sacramento" |
Rome: The Vatican |
222 |
| Raffaello da Urbino |
The Mass of Bolsena |
Rome: The Vatican |
224 |
| Raffaello da Urbino |
Pope Leo X with Two Cardinals |
Florence: Pitti, 40 |
230 |
| Raffaello da Urbino |
The Transfiguration |
Rome: The Vatican |
240 |
| Simone (Il Cronaca) |
Detail of Cornice |
Florence: Palazzo Strozzi |
266 |
| Niccolò Grosso |
Iron Link-holder |
Florence: Palazzo Strozzi |
268 |
| Niccolò Grosso |
Iron Lantern |
Florence: Palazzo Strozzi |
268 |
| Simone (Il Cronaca) |
Interior of Sacristy |
Florence: S. Spirito |
270 |
| Domenico Puligo (?) |
Madonna and Child, with Saints |
Florence: S. Maria Maddalena de' Pazzi |
280 |
FILIPPO LIPPI
FILIPPO LIPPI (FILIPPINO): THE VISION OF S. BERNARD
(Florence: Church of the Badia. Panel)
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LIFE OF FILIPPO LIPPI, CALLED FILIPPINO
PAINTER OF FLORENCE
There was at this same time in Florence a painter of most beautiful intelligence and most lovely invention, namely, Filippo, son of Fra Filippo of the Carmine, who, following in the steps of his dead father in the art of painting, was brought up and instructed, being still very young, by Sandro Botticelli, notwithstanding that his father had commended him on his death-bed to Fra Diamante, who was much his friend—nay, almost his brother. Such was the intelligence of Filippo, and so abundant his invention in painting, and so bizarre and new were his ornaments, that he
