through life committed and attached to our bodies; for all that we do we are held responsible; if we misbehave, the world will take it out of our hide. But here is our friend, the artist, committing his spiritual energy to his art, to an embodiment outside himself, and escaping down a by-path from all the consequences—what shall be said of him? The insincere artist is as much beyond the pale of human sympathy as the murderer. Morally he is a felon.

"There is no excuse for him, either. There was no call for him to make a liar of himself, other than the most sordid of reasons, the little gain, the jingling reward of gold. For no man would ever be insincere in his art, except for pay, except to cater to some other taste than his own, and to win approval and favor by sycophancy. If he were assured of his competency in the world, and placed beyond the reach of necessitous want, how would it ever occur to him to create an insincere art? Art is so simple, so spontaneous, so dependent on the disingenuous emotion, that it can never be insincere, unless violence is done to all laws of nature and of spirit. Since art arises from the sacramental blending of the inward spirit with the outward form, any touch of insincerity in it assumes the nature of a horrible crime, a pitiable revolt against the order and eternity of the universe.

"It is not necessary, as I say, for art to be solemn and wholly serious-minded in order to be sincere. Comedy is quite sincere. Yet it is easy to usurp her name and play the fool for pennies, with never a ray of appreciation of her true character. Sincerity, then, is not the least averse to fun; it only requires that the fun shall be genuine and come from the heart, as it requires that every note of whatever sort shall be genuine and spring from the real personality of the writer."

On Time

BY JOHN MILTON.

The Knight in the Wood

BY E. LEICESTER WARREN.

(Lord de Tabley.)

"A Little Feminine Casabianca"[A]

BY GEORGE MADDEN MARTIN.

(Arranged by Maude Herndon and Grace Kellam.)

he Primer Class according to the degree of its precocity was divided in three sections. Emmy Lou belonged to the third section. It was the last section, and she was the last one in it, though she had no idea what a section meant nor why she was in it; and Emmy Lou went on wondering what it was all about, which never would have been the case had there been a mother among the elders of the house, for mothers have a way of understanding these things. But to Emmy Lou "mother" had come to mean but a memory which faded as it came, a vague consciousness of encircling arms, of a brooding tender face, of yearning eyes; and it was only because they told her that Emmy Lou remembered how mother had gone away South, one winter, to get well. That they afterward told her it was heaven, in nowise confused Emmy Lou, because, for aught she knew, South and heaven and much else might be included in these points of the compass. Ever since then Emmy Lou had lived with three aunties and an uncle; and papa had been coming a hundred miles once a month to see her.

But somehow the Primer year wore away; and the close of the first week of Emmy Lou's second year at a certain large public school found her round, chubby self, like a pink-cheeked period, ending the long line of intermingled little boys and girls making what was known, twenty-five years ago, as the First Reader Class.