which are familiar; the resemblances should be accurate, and the manners should be attended to, or at least, the general moral that is to be drawn from them. The attitude of Sephora, the boxing lady in Gil Blas, must appear unnatural to children who have not lived with termagant heroines. Perhaps, the first ideas of grace, beauty, and propriety, are considerably influenced by the first pictures and prints which please children. Sir Joshua Reynolds tells us, that he took a child with him through a room full of pictures, and that the child stopped, with signs of aversion, whenever it came to any picture of a figure in a constrained attitude.

Children soon judge tolerably well of proportion in drawing, where they have been used to see the objects which are represented: but we often give them prints of objects, and of animals especially, which they have never seen, and in which no sort of proportion is observed. The common prints of animals must give children false ideas. The mouse and the elephant are nearly of the same size, and the crocodile and whale fill the same space in the page. Painters, who put figures of men amongst their buildings, give the idea of the proportionate height immediately to the eye: this is, perhaps, the best scale we can adopt; in every print for children this should be attended to. Some idea of the relative sizes of the animals they see represented would then be given, and the imagination would not be filled with chimeras.

After having been accustomed to examine prints, and to trace their resemblance to real objects, children will probably wish to try their own powers of imitation. At this moment no toy, which we could invent for them, would give them half so much pleasure as a pencil. If we put a pencil into their hands even before they are able to do any thing with it but make random marks all over a sheet of paper, it will long continue a real amusement and occupation. No matter how rude their first attempts at imitation may be; if the attention of children be occupied, our point is gained. Girls have generally one advantage at this age over boys, in the exclusive possession of the scissors: how many camels, and elephants with amazing trunks, are cut out by the industrious scissors of a busy, and therefore happy little girl, during a winter evening, which passes so heavily, and appears so immeasurably long, to the idle.

Modelling in clay or wax might probably be a useful amusement about this age, if the materials were so prepared, that the children could avoid being every moment troublesome to others whilst they are at work. The making of baskets, and the weaving of sash-line, might perhaps be employment for children; with proper preparations, they might at least be occupied with these things; much, perhaps, might not be produced by their labours, but it is a great deal to give early habits of industry. Let us do what we will, every person who has ever had any experience upon the subject, must know that it is scarcely possible to provide sufficient and suitable occupations for young children: this is one of the first difficulties in education. Those who have never tried the experiment, are astonished to find it such a difficult and laborious business as it really is, to find employments for children from three to six years old. It is perhaps better, that our pupils should be entirely idle, than that they should be half employed. "My dear, have you nothing to do?" should be spoken in sorrow rather than in anger. When they see other people employed and happy, children feel mortified and miserable to have nothing to do. Count Rumford's was an excellent scheme for exciting sympathetic industry amongst the children of the poor at Munich; in the large hall, where the elder children were busy in spinning, there was a range of seats for the younger children, who were not yet permitted to work; these being compelled to sit idle, and to see the busy multitude, grew extremely uneasy in their own situation, and became very anxious to be employed. We need not use any compulsion or any artifice; parents in every family, we suppose, who think of educating their own children, are employed some hours in the day in reading, writing, business, or conversation; during these hours, children will naturally feel the want of occupation, and will, from sympathy, from ambition and from impatience of insupportable ennui, desire with anxious faces, "to have something to do." Instead of loading them with playthings, by way of relieving their misery, we should honestly tell them, if that be the truth, "I am sorry I cannot find any thing for you to do at present. I hope you will soon be able to employ yourself. What a happy thing it will be for you to be able, by and by, to read, and write and draw; then you will never be forced to sit idle."

The pains of idleness stimulate children to industry, if they are from time to time properly contrasted with the pleasures of occupation. We should associate cheerfulness, and praise, and looks of approbation, with industry; and, whenever young people invent employments for themselves, they should be assisted as much as possible, and encouraged. At that age when they are apt to grow tired in half an hour of their playthings, we had better give them playthings only for a very short time, at intervals in the day; and, instead of waiting till they are tired, we should take the things away before they are weary of them. Nor should we discourage the inquisitive genius from examining into the structure of their toys, whatever they may be. The same ingenious and active dispositions, which prompt these inquiries, will secure children from all those numerous temptations to do mischief, to which the idle are exposed. Ingenious children are pleased with contrivances which answer the purposes for which they are intended: and they feel sincere regret whenever these are injured or destroyed: this we mention as a further comfort and security for parents, who, in the company of young mechanics, are apt to tremble for their furniture. Children who observe, and who begin to amuse themselves with thought, are not so actively hostile in their attacks upon inanimate objects. We were once present at the dissection of a wooden cuckoo, which was attended with extreme pleasure by a large family of children; and it was not one of the children who broke the precious toy, but it was the father who took it to pieces. Nor was it the destruction of the plaything which entertained the company, but the sight of the manner in which it was constructed. Many guesses were made by all the spectators about the internal structure of the cuckoo, and the astonishment of the company was universal, when the bellows were cut open, and the simple contrivance was revealed to view; probably, more was learnt from this cuckoo, than was ever learnt from any cuckoo before. So far from being indifferent to the destruction of this plaything, H—— the little girl of four years old, to whom it belonged, remembered, several months afterwards, to remind her father of his promise to repair the mischief he had done.

"Several toys, which are made at present, are calculated to give pleasure merely by exciting surprise, and of course give children's minds such a tone, that they are afterwards too fond of similar useless baubles."[3] This species of delight is soon over, and is succeeded by a desire to triumph in the ignorance, the credulity, or the cowardice, of their companions. Hence that propensity to play tricks, which is often injudiciously encouraged by the smiles of parents, who are apt to mistake it for a proof of wit and vivacity. They forget, that "gentle dulness ever loved a joke;"