fruit is rare to us, because shy or difficult of growth, or perhaps unsymmetrical. The fine Rhode Island Greening apple is unpopular because the young tree is crooked, while the leather-skinned and punk-fleshed Ben Davis is a model of symmetry and rapidity of growth. Our glorious tulip tree of the woods, because of its relative difficulty in transplanting, has had to be insisted upon from the nurserymen by those who know its superb beauty. For the same reason this small charming maple, with the large, soft, comfortable leaves upon which the deer love to browse, is kept from showing its delicate June bloom and its remarkable longitudinally striped bark in our home grounds. I hope some maple friends will look for it, and, finding, admire this, the aristocrat among our native species.

The mountain maple—the nurserymen call it Acer spicatum—is another native of rather dwarf growth. It is bushy, and not remarkable in leaf, its claim for distinction being in its flowers and samaras, which are held saucily up, above the branches on which they grow, rather than drooping modestly, as other maples gracefully bear their bloom and fruit. These shiny seeds or keys are brightly scarlet, as well, and thus very attractive in color. There is a reason for this, in nature's economy; for while the loosely hung samaras of the other maples are distributed by the breezes, the red pods of this mountain maple hold stiffly upward to attract the birds upon whom it largely depends for that sowing which must precede its reproduction.

Of the other maples of America—a score of them there are—I might write pages, to weariness. The black maple of the Eastern woods, the large-leaved maples of the West, these and many more are in this great family, to say nothing of the many interesting cultivated forms and variations introduced from European nurseries, and most serviceable in formal ornamental planting. But I have told of those I know best and those that any reader can know as well in one season, if he looks for them with the necessary tree love which is but a fine form of true love of God's creation. This love, once implanted, means surer protection for the trees, otherwise so defenseless against the unthinking vandalism of commercialism or incompetence—a vandalism that has not only devastated our American forests, but mutilated shamefully many trees of priceless value in and about our cities.

Of the Japanese maples—their leaves seemingly a showing of the ingenuity of these Yankees of the Orient, in their twists of form and depths of odd color—I could tell a tale, but it would be of the tree nursery and not of the broad outdoors. Let us close the book and go afield, in park or meadow, on street or lawn, and look to the maples for an unsuspected feast of bloom, if it be spring, or for richness of foliage in summer and autumn; and in coldest winter let us notice the delicate twigs and yet sturdy structure of this tree family that is most of all characteristic of the home, in city or country.

The Growth of the Oak

The old saw has it, "Great oaks from little acorns grow," and all of us who remember the saying have thus some idea of what the beginning of an oak is. But what of the beginning of the acorn? In a general way, one inferentially supposes that there must be a flower somewhere in the life-history of the towering white oak that has defied the storms of centuries and seems a type of everything sturdy and strong and masculine; but what sort of a flower could one imagine as the source of so much majesty? We know of the great magnolias, with blooms befitting the richness of the foliage that follows them. We see, and some of us admire, the exquisitely delicate blossoms of that splendid American tree, the tulip or whitewood. We inhale with delight the fragrance that makes notable the time when the common locust sends forth its white racemes of loveliness. But we miss, many of us, the flowering of the oaks in early spring, and we do not realize that this family of trees, most notable for rugged strength, has its bloom of beginning at the other end of the scale, in flowers of delicate coloring and rather diminutive size.

The reason I missed appreciating the flowers of the oak—they are quite new to me—for some years of tree admiration was because of the distracting accompaniment the tree gives to the blooms. Some trees—most of the maples, for instance—send out their flowers boldly ahead of the foliage, and it is thus easy to see what is happening above your head, as you stroll along drinking in the spring's nectar of spicy air. Others, again, have such showy blooms that the mass of foliage only accentuates their attractiveness, and it is not possible to miss them.

The swamp white oak in winter

But the oak is different; it is, as modest as it is strong, and its bloom is nearly surrounded by the opening leaves in most seasons and in most of the species I am just beginning to be acquainted with. Then, too, these opening leaves are of such indescribable colors—if the delicate chromatic tints they reflect to the eye may be so strongly named—that they harmonize, and do not contrast, with the flowers. It is with them almost as with a fearless chipmunk whose acquaintance I cultivated one summer—he was gay with stripes of soft color, yet he so fitted any surroundings he chose to be in that when he was quiet he simply disappeared! The oak's flowers and its exquisite unfolding of young foliage combine in one effect, and it is an effect so beautiful that one easily fails to separate its parts, or to see which of the mass of soft pink, gray, yellow and green is bloom and which of it is leafage.

Take the pin-oak, for instance, and note the softness of the greenery above its flowers. Hardly can we define the young leaves as green—they are all tints, and all beautiful. This same pin-oak, by the way (I mean the one the botanists call Quercus palustris), is a notable contradiction of the accepted theory that an oak of size and dignity cannot be reared in a lifetime. There are hundreds of lusty pin-oaks all over the Eastern States that are shading the homes of the wise men who planted them in youth, and they might well adorn our parks and avenues in place of many far less beautiful and permanent trees. With ordinary care, and in good soil, the pin-oak grows rapidly, and the characteristic spreading habit and the slightly down-drooping branches are always attractive. In its age it has not the ruggedness of its kin, though it assumes a stately and somewhat formal habit, and, I must confess, accumulates some ragged dead branches in its interior.