hills which no romantic scene-painter could have bettered; the air of the man with water-cart, of the auctioneer’s man with bell, and of the people popping in and out of the shops, was the air of those who did these things for love of play-acting on a stage.

As a matter of fact, there was nothing to worry about, in Timber Town; no ragged beggars, no yelling hawkers, no sad-eyed, care-worn people, no thought for to-morrow. The chimneys smoked for breakfast regularly at eight o’clock every morning; the play of living began at nine, when the smiling folk met in the streets and turned, the men into their offices to play at business, the women into the shops where meat and good things to eat were to be had for little more than love. Between twelve and two o’clock everybody went home to dinner, and the cabs which stood in front of the wooden Post Office, and dogs which slept on the pavement beneath the verandahs, held possession of the streets.

But if anyone would see the beauty and fashion of Timber Town, from four to five in the afternoon was the hour. Then wives and daughters, having finished playing at house-keeping for the day, put on their gayest costumes, and visited the milliners. Southern Cross Street buzzed with gaudy life; pretty women bowed, and polite men raised their hats—just as people do in real cities—but, as everybody knew everybody else, the bowing and hat-raising were general, just as they are when the leading lady comes into the presence of the chorus on the stage. Then the vision of gossiping, smiling humanity would pass away—the shops put up their shutters at six o’clock; the game was over for the day, and all the chimneys smoked for tea.

Timber Town by night, except when the full moon shone, was sombre, with nothing doing. The street lamps burnt but indifferent gas; people stayed indoors, and read the piquant paragraphs of The Pioneer Bushman, Timber Town’s evening journal, or fashioned those gay dresses which by day helped to make the town so bright, and went to bed early and slept with a soundness and tranquillity, well-earned by the labour of playing so quaintly at the game of life.

The hills which surrounded the little town pressed so closely upon it, that by sheer weight they seemed likely to crush its frail houses into matchwood. On one side mountains, some bare and rugged, some clothed with forest, rose behind the foot-hills, and behind them more mountains, which seemed to rise like the great green billows of an angry sea. On one side stretched the blue of the distant forest-covered ranges, upon the other the azure of the encroaching ocean, which, finding a way between the encircling hills, insinuated its creeping tides into the town itself. And overhead spread the blue sky, for the sky above Timber Town was blue nine days out of ten, and the clouds, when they came, performed their gloomy mission quickly and dispersed with despatch, that the sun might smile again and the playing of the people continue.

No nest in the forest was ever more securely hid than was Timber Town from the outside world. Secreted at the end of a deep bay, that bay was itself screened from the ocean outside by an extensive island and a sandspit which stretched for many a mile.

Inaccessible by land, the little town was reached only by water, and there, in that quiet eddy of the great ocean, lived its quiet, quaint, unique existence.

In such a place men’s characters develop along their own lines, and, lacking that process of mental trituration which goes on in large cities where many minds meet, they frequently attain an interesting if strange maturity. In such a community there is opportunity for the contemplation of mankind ignorant of poverty; and such a happy state, begotten of plenty and nurtured by freedom, has its natural expression in the demeanour of the people. It was not characteristic of Timber Town to hoard, but rather to spend. In a climate bright through the whole year, it was not natural that the sorrows of life, where life was one long game, should press heavily upon the players.

But we come upon the little timber town at a time of transition from sequestered peace to the roar and rush of a mining boom, and if the stirring events of that time seem to change the tranquil aspect of the scene, it is only that a breeze of life from outside sweeps over its surface, as when a gust of wind, rushing from high mountains upon some quiet lake nestling at their feet, stirs the placid waters into foam.

So through the wild scene, when the villain comes upon the stage and the hidden treasure is brought to light, though the play may seem to lose its pastoral character, it is to be remembered that if tragedy may endure for the night, comedy comes surely enough in the morning.

THE TALE OF TIMBER TOWN.

CHAPTER I.

The Master-Goldsmith.

Jake Ruggles leant over the goldsmith’s bench, put the end of his blow-pipe into the gas-flame, and impinged a little oxygenized jet upon the silver buckle he was soldering. He was a thin, undersized, rabbit-faced youth, whose head was thatched with a shock of coarse black hair. He possessed a pair of spreading black eyebrows upon a forehead which was white when well washed, for Nature had done honestly by the top of his head, but had realised, when his chin was reached, the fatuity of spending more time upon the moulding and adornment of the person of Jake Ruggles.

The master-goldsmith was a rubicund man, with a face which Jake, in a rage, had once described as that of “a pig with the measles.” But this was, without doubt, a gross perversion of the truth. Benjamin Tresco’s countenance was as benign as that of Bacchus, and as open as the day. Its chief peculiarity was that the brow and lashes of one eye were white, while piebald patches adorned his otherwise red head.

In his own eyes, the most important person in Timber Town was Benjamin Tresco. But it was natural for him to think so, for he was the only man of his trade in a town of six thousand people. He was a portly person who took a broad view of life, and it was his habit to remark, when folk commented on his rotundity, “I am big. I don’t deny it. But I can’t help myself—God A’mighty made me big, big in body, big in brain, big in appetite, big in desire to break every established law and accepted custom; but I am prevented from giving rein to my impulses by the expansiveness of my soul. That I developed myself. I could go up the street and rob the Kangaroo Bank; I could go to Mr. Crewe, the millionaire, and compel him at the pistol’s mouth to transfer me the hoards of his life-time; I could get blazing drunk three nights a week; I could kidnap Varnhagen’s pretty daughter, and carry her off to the mountains; but my soul prevents me—I am the battle-ground of contending passions. One half of me says, ‘Benjamin, do these things’; the other half says, ‘Tresco, abstain. Be magnanimous: spare them!’ My appetites—and they are enormous—say, ‘Benjamin Tresco, have a real good time while you can; sail in, an’ catch a-holt of pleasure with both hands.’ But my better part says, ‘Take your pleasure in mutual enjoyments, Benjamin; fix your mind on book-learning and the elevating Arts of peace.’ I am a bone of contention between Virtue and License, an’ the Devil only knows which will get me in the end.”

But at the time of introduction he was quietly engraving a little plate of gold, which was destined to adorn the watch-chain of the Mayor, who, after Mr. Crewe, was Timber Town’s most opulent citizen.

When the craftsman engraves, he fastens his plate of gold to the end of a piece of wood, long enough to be held conveniently in the hand, and as thick as the width of the precious metal. This he